Dana Gioia

This affordably-priced collection presents masterpieces of short fiction from 52 of the greatest story writers of all time. From Sherwood Anderson to Virginia Woolf, this anthology encompasses a rich global and historical mix of the very best works of short fiction and presents them in a way students will find accessible, engaging, and relevant. The book's unique integration of biographical and critical background gives students a more intimate understanding of the works and their authors.

The long-awaited definitive work on master wood engraver Paul Landacre (1893–1963), a key figure of California modernism. With his virtuosic prints of rolling California hills, classically inspired nudes, and natural and manmade forms — from a seashell to his own printing press — Paul Landacre elevated wood engraving to a high art form in twentieth-century America. Landacre’s ceaseless stylistic innovation placed his work in dialogue with California contemporaries like Edward Weston and Henrietta Shore; he was, in fact, central to an artistic milieu that has been described as a “small Renaissance, Southern California style.” It is fitting, too, that the velvety blacks and dazzling whites of Landacre’s prints can recall the images of the silver screen — for the artist’s rustic bungalow on a Los Angeles hill was but a stone’s throw from Hollywood, and his early patrons and supporters included such luminaries as the director Delmer Daves and the actress Kay Francis. This handsome two-volume set, illustrated with generously sized, high-quality reproductions, offers a definitive catalogue not only of Landacre’s individual wood engravings but also of his early linocuts, his celebrated book illustrations, and his experimental works in other media, including painting, drawing, and lithography. Yet this is much more than a catalogue raisonné — the fruit of more than 30 years of research, it brings to life the bohemian world in which the artist lived, and the rich cultural and artistic context of his work. Landacre’s prints are already prized by curators and collectors; this landmark publication will give him his rightful place in the firmament of American art.

"Gioia joins W. H. Auden, Randall Jarrell, and D. H. Lawrence in embracing criticism that is insightfully intellectual and surprisingly personal . . . Always a canny discussant of contemporary poetics, Gioia again provides vital guidance for evaluating poetry that will appeal to tenured professors and armchair aficionados alike."―Booklist"Few critics write more engagingly and perceptively about poetry than Dana Gioia . . ."―Michael Dirda, Washington PostDana Gioia, one of America's leading poet-critics, explains why poetry exists and why we need it in this sparkling collection of essays. More personal than any of Gioia's earlier works, Poetry as Enchantment reflects a lifetime of thought and experience. Gioia, the author of Can Poetry Matter?, talks about poetry in a radically different way than it is currently being taught or discussed. In the title essay, he explains that poetry is speech raised to the level of song, and though poetry may often be misunderstood as intellectual, it moves us the way music does. Poetry charms its readers, creating a heightened experience of attention. It addresses readers in the fullness of their humanity, simultaneously speaking to the mind, emotions, imagination, memory, and physical senses. Without academic jargon, Poetry as Enchantment relates literature to the questions of life.

Dana Gioia's The Catholic Writer Today confronts the paradoxical fact that though Catholicism constitutes the largest religious and cultural group in the United States, Catholic writers are currently almost invisible in American public culture. After establishing a lucid definition of Catholic literature, Gioia examines the decline in Catholic literary culture since its great rise in the mid-twentieth century. He challenges Catholic writers to reoccupy and repair their great tradition.Dana Gioia's "The Catholic Writer Today" sets a mighty finger on the scales of literature: on the one side what matters and lasts, and on the other what's shallow and doesn't. This electrifying essay is a guide to the perplexed. Its arguments about Catholic literature could be applied to American writing in general. Without the complications of tradition and history-the history of meaning-what's left?-Cynthia OzickDana Gioia offers the most significant assessment of the situation of the American Catholic writer since the publication of Flannery O'Connor's Mystery and Manners and Walker Percy's Signposts in a Strange Land.-Daniel McInerny

"Weep, Shudder, Die should be read by anyone who enjoys opera, or who cares about its place in today's world. Dana Gioia explores, with imagination and insight, the relationship between the libretto and the music. I learned a great deal in reading it, and at the same time enjoyed the experience immensely."--Henry Fogel, Former President, Chicago Symphony Orchestra and League of American OrchestrasA unique book about opera--personal, impassioned, and provocative. Weep, Shudder, Die explores opera from the perspective by which the art was originally created, as the most intense form of poetic drama. The great operas have an essential connection to poetry, song, and the primal power of the human voice. The aim of opera is irrational enchantment, the unleashing of emotions and visionary imagination.Gioia rejects the conventional view of opera which assumes that great operas can be built on execrable texts. He insists that in opera, words matter. Operas begin as words; strong words inspire composers, weak words burden them. Ultimately, singers embody the words to give the music a human form for the audience.Weep, Shudder, Die is a poet's book about opera. To some, that statement will suggest writing that is airy, impressionistic, and unreliable, but a poet also brings a practical sense of how words animate opera, lend life to imaginary characters, and give human shape to music. Written from a lifelong devotion to the art, Gioia's book is for anyone who has wept in the dark of an opera house.

A wondrous new collection by Dana Gioia, "one of America's premier poets and critics" (Julia Alvarez). Dana Gioia has been hailed for decades as a master of traditional lyric forms, whose expansive and accessible poems are offerings of rare poignancy and insight. In Meet Me at the Lighthouse, he invites us back to old Los Angeles, where the shabby nightclub of the title beckons us into its noirish immortality. Elsewhere, he laments the once-vibrant neighborhood where he grew up, now bulldozed, and recalls his working-class family of immigrants. Gioia describes a haunting from his mother on his birthday, Christmas Eve. Another poem remembers his uncle, a US Merchant Marine. And "The Ballad of Jes s Ortiz" tells the story of his great-grandfather, a Mexican vaquero who was shot dead at a tavern in Wyoming during a dispute over a bar tab. "I praise my ancestors, the unkillable poor," Gioia writes. This book is dedicated to their memory. Including poems, song lyrics, translations, and concluding with an unsettling train ride to the underworld, Meet Me at the Lighthouse is a luminous exploration of nostalgia, mortality, and what makes a life worth living and remembering.

"Highly enjoyable . . . Studying with Miss Bishop offers the opportunity to encounter writing as an act of civility."―Wall Street Journal "Fascinating snapshots of remarkable encounters which, when brought together, chart a delightfully unusual path to literary success."―Booklist "Reading this memoir is like being at one of those memorable dinner parties, attended by the best and brightest, sparkling with wit and excellent conversations. You don't want it to be over, the conversations to end But with books, you need not worry. You can go back to the party, savor it, reread it again, and again."--Julia Alvarez, author of In the Time of the Butterflies and Afterlife In Studying with Miss Bishop, Dana Gioia discusses six people who helped him become a writer and better understand what it meant to dedicate one's life to writing. Four were famous authors--Elizabeth Bishop, John Cheever, James Dickey, and Robert Fitzgerald. Two were unknown--Gioia's Merchant Marine uncle and Ronald Perry, a forgotten poet. Each of the six essays provides a vivid portrait; taken together they tell the story of Gioia's own journey from working-class LA to international literary success.

Over the past decade Dana Gioia has emerged as a compelling advocate of Christianity's continuing importance in contemporary culture. His incisive and arresting essays have examined the spiritual dimensions of art and the decisive role faith has played in the lives of artists. This new volume collects Gioia's essays on Christianity, literature, and the arts. His influential title essay ignited a national conversation about the role of Catholicism in American literature. Other pieces explore the often harrowing lives of Christian poets and painters as well as contemplate scripture and modern martyrdom.

Over the past decade Dana Gioia has emerged as a compelling advocate of Christianity's continuing importance in contemporary culture. His incisive and arresting essays have examined the spiritual dimensions of art and the decisive role faith has played in the lives of artists. This new volume collects Gioia's essays on Christianity, literature, and the arts. His influential title essay ignited a national conversation about the role of Catholicism in American literature. Other pieces explore the often-harrowing lives of Christian poets and painters as well as contemplate scripture and modern martyrdom.

In an age of distraction, this issue of Plough Quarterly looks at inwardness – how sustainable human community and social activism must be rooted in the spiritual life. How much of your day is spent in reality, and how much in a fake world? We’ve learned that screen time is bad for you, too much media consumption damages your heart, and Facebook can make you mentally ill. We’re aware of the mind-altering power of advertising, the dehumanizing passions of our polarized politics, and the fact that millions of us have learned to multitask while watching footage of refugees drowning. But what are we to do about it? If this fake world is invading our souls, it’s in our souls that we must find the cure. Only a return to inwardness can bring distracted moderns back to Jesus and to constructive work for his kingdom. Here activists may object: Isn’t it the height of selfishness to retreat into our interior life when we ought to be out saving starving children? Yet Christians through the ages have insisted that inwardness is crucial to the life of discipleship. It’s what keeps us from falling for demagogues and false gospels, from wasting life on superficialities, and from ignoring our neighbor. In fact, throughout history it has often been the mystics who were most active in serving others. In true Plough fashion, this issue brings together a colorful cast of examples: from medieval Beguines and Benedictines to Gerard Manley Hopkins, Simone Weil, and Fannie Lou Hamer, to contemporary voices like Robert Cardinal Sarah, Johann Christoph Arnold, and three persecuted Syrian priests. These lives offer us glimpses of the real world from which our fake world seeks to distract us, and can guide us in our own refusal to conform. Also in this issue: • Poetry from Gerard Manley Hopkins and Malcolm Guite • Insights on inwardness from Meister Eckhart, Eberhard Arnold, Marguerite Porete, Simone Weil, and Isaac Penington • A forum on the Benedict Option with Rod Dreher, Ross Douthat, Jacqueline C. Rivers, and Randall Gauger • Artwork by Jason Landsel, Bruce Herman, Jane Chapin, Graham Berry, Fra Angelico, Francisco de Zurbarán, Eleanor Fortescue-Brickdale, Matthew J. Cutter, John August Swanson, Vittorio Matteo Corcos, and Leon Dabo Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus’ message into practice and find common cause with others.

How did a Catholic priest who died a failure become one of the world’s greatest poets? Discover in his own words the struggle for faith that gave birth to some of the best spiritual poetry of all time. Gerard Manley Hopkins deserves his place among the greatest poets in the English language. He ranks seventh among the most frequently reprinted English-language poets, surpassed only by Shakespeare, Donne, Blake, Dickinson, Yeats, and Wordsworth. Yet when the English Jesuit priest died of typhoid fever at age forty-four, he considered his life a failure. He never would have suspected that his poems, which would not be published for another twenty-nine years, would eventually change the course of modern poetry and influence such poets as W. H. Auden, Dylan Thomas, Robert Lowell, John Berryman, Geoffrey Hill, and Seamus Heaney. Like his contemporaries Walt Whitman and Emily Dickinson, Hopkins revolutionized poetic language. And yet we love Hopkins not only for his literary genius but for the hard-won faith that finds expression in his verse. Who else has captured the thunderous voice of God and the grandeur of his creation on the written page as Hopkins has? Seamlessly weaving together selections from Hopkins’s poems, letters, journals, and sermons, Peggy Ellsberg lets the poet tell the story of a life-long struggle with faith that gave birth to some of the best poetry of all time. Even readers who spurn religious language will find in Hopkins a refreshing, liberating way to see God’s hand at work in the world.

This new and necessary book—a collection of author profiles, literary journalism and speculative pieces about the Southland's writing and publishing scene—aims to capture the Southern California of here and now. We want to get at the Los Angeles that came after the gumshoes, the wisecracking Englishmen, after the Boosters, the Beats, and the boozers, after the despairing heroines of Joan Didion and the coked-up rich kids of Bret Easton Ellis.

For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, Michael Nesmith, Sir Howard Stringer, and many other respected leaders in the worlds of film, television, digital media, and philanthropy. Written in a unique memoir style, Becoming AFI: 50 Years Inside the American Film Institute offers a candid look at how this remarkable organization has brought together aspiring filmmakers, outstanding educators, and visionary artists. The book details AFI’s journey to becoming the foremost national champion for moving images as a vibrant art form and a critical component of America’s cultural history. AFI’s story is chronicled through in-depth essays written by those who have been involved in its adventures, growth, and successes: from its early years under George Stevens Jr.’s direction at the legendary Greystone mansion and the Kennedy Center in Washington, DC; through its period of incredible growth, under Jean Picker Firstenberg’s guidance, as an influential cultural institution at its landmark Hollywood campus; to its continued years of excellence under Bob Gazzale’s dynamic leadership. Becoming AFI provides an insightful, behind-the-scenes look at how AFI—with passionate determination—overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization. A tireless advocate of moving images as one of America’s most popular art forms, AFI is maturing into one of the world’s most respected educational and cultural institutions.

The long-awaited fourth collection by one of America's foremost poets O Lord of indirection and ellipses, ignore our prayers. Deliver us from distraction. Slow our heartbeat to a cricket's call. --from "Prophecy" Pity the Beautiful is Dana Gioia's first new poetry book in over a decade. Its emotional revelations and careful construction are hard won, inventive, and resilient. These new poems show Gioia's craftsmanship at its finest, its most mature, as they make music, crack wise, remember the dead, and in a long, central poem even tell ghost stories.