David Bethea

Barcelona Prose is a collection of autobiographical essays by the gifted translator, literary scholar, and dissident, Efim Etkind. These engaging, deeply psychological vignettes capture the reality of daily life and work in the Soviet Union. Unlike other memoirists who have faced hardships, Etkind's tone is never cruel or embittered. Told through the lens of a practiced scholar, he captures the absurdity of a cultural-political experiment that destroyed his family’s life, his own career, and that of many of his colleagues. By the time of Etkind’s death, he did not rework these essays into a continuous narrative. Originally published in Russian, this first-ever English translation prepared by Etkind’s daughter presents his memoirs as a document of his time, without any changes or abridgements. The editors’ additions are limited to several notes, proofreading of quotes, and checking or inserting the full forms of the characters’ names.

“Bethea’s book conveys the story of an amazingly ambitious attempt to preserve the humanities while also saving the future of disadvantaged high school students in Chicago. … Highly recommended.” — Library Journal (starred review) The Pushkin Project tells the story of how a Russian studies professor changes course late in his career by reeducating himself in evolutionary thought and founding a summer institute that partners with inner-city high schools to implement a new set of learning strategies for underserved youth. These “cognitive cross-training” strategies involve introducing students from Hispanic and Black neighborhoods in the west and south sides of Chicago to the Russian culture and language, with an emphasis on poet, playwright, and novelist Alexander Pushkin. Through the lens of modern evolutionary thought, students adopt not only a new and different language and culture, but also a different sort of literary hero, one whose African heritage within the majority culture speaks to them directly. This inspiring and compelling story provides fascinating insights into Russia's national poet, brings the sciences and humanities together, and provides new directions in teaching young people from historically disadvantaged backgrounds.

Barcelona Prose is a collection of autobiographical essays by the gifted translator, literary scholar, and dissident, Efim Etkind. These engaging, deeply psychological vignettes capture the reality of daily life and work in the Soviet Union. Unlike other memoirists who have faced hardships, Etkind's tone is never cruel or embittered. Told through the lens of a practiced scholar, he captures the absurdity of a cultural-political experiment that destroyed his family’s life, his own career, and that of many of his colleagues. By the time of Etkind’s death, he did not rework these essays into a continuous narrative. Originally published in Russian, this first-ever English translation prepared by Etkind’s daughter presents his memoirs as a document of his time, without any changes or abridgements. The editors’ additions are limited to several notes, proofreading of quotes, and checking or inserting the full forms of the characters’ names.

For several decades David Bethea has written authoritatively on the “mythopoetic thinking” that lies at the heart of classical Russian literature, especially Russian poetry. His theoretically informed essays and books have made a point of turning back to issues of intentionality and biography at a time when authorial agency seems under threat of “erasure” and the question of how writers, and poets in particular, live their lives through their art is increasingly moot. The lichnost’ (personhood, psychic totality) of the given writer is all-important, argues Bethea, as it is that which combines the specifically biographical and the capaciously mythical in verbal units that speak simultaneously to different planes of being. Pushkin’s Evgeny can be one incarnation of the poet himself and an Everyman rising up to challenge Peter’s new world order; Brodsky can be, all at once, Dante and Mandelstam and himself, the exile paying an Orphic visit to Florence (and, by ghostly association, Leningrad).This sort of metempsychosis, where the stories that constitute the Ur-texts of Russian literature are constantly reworked in the biographical myths shaping individual writers’ lives, is Bethea’s primary focus. This collection contains a liberal sampling of Bethea’s most memorable previously published essays along with new studies prepared for this occasion.

For several decades David Bethea has written authoritatively on the “mythopoetic thinking” that lies at the heart of classical Russian literature, especially Russian poetry. His theoretically informed essays and books have made a point of turning back to issues of intentionality and biography at a time when authorial agency seems under threat of “erasure” and the question of how writers, and poets in particular, live their lives through their art is increasingly moot. The lichnost’ (personhood, psychic totality) of the given writer is all-important, argues Bethea, as it is that which combines the specifically biographical and the capaciously mythical in verbal units that speak simultaneously to different planes of being. Pushkin’s Evgeny can be one incarnation of the poet himself and an Everyman rising up to challenge Peter’s new world order; Brodsky can be, all at once, Dante and Mandelstam and himself, the exile paying an Orphic visit to Florence (and, by ghostly association, Leningrad).This sort of metempsychosis, where the stories that constitute the Ur-texts of Russian literature are constantly reworked in the biographical myths shaping individual writers’ lives, is Bethea’s primary focus. This collection contains a liberal sampling of Bethea’s most memorable previously published essays along with new studies prepared for this occasion.