David J. Hogan

Explore the rise and fall of pre-Code comics with 500 covers revealing America's cultural shifts, censorship, and controversy. From 1940 to 1955, American society and culture underwent dramatic changes, including the introduction of the Comics Code in October 1954, which heavily impacted comic books. The Code aimed to moderate comic content in response to public opinion, including such topics as juvenile delinquency, wartime sentiment, teenage sex, drugs, violent crime, and more. While compliance was technically voluntary, most publishers followed its strict rules. Those who didn’t faced ruin when wholesalers and distributors refused to handle noncompliant comics, returning them unopened to publishers, who soon self-destructed. Comic Book Apocalypse! explores this downfall through 500 examples of pre-Code cover art, highlighting why some deemed the Code necessary. The book also examines who decided what content was acceptable, demonstrating how pre-Code comics reflect the larger story of 1950s America.

From their first pairing in Hamlet (1948) to House of the Long Shadows (1983), British film stars Christopher Lee and Peter Cushing forged perhaps the most successful collaboration in horror film history. In its revised and expanded second edition, this volume examines their 22 movie team-ups, with critical commentary, complete cast and credits, production information, details on cinematography and make-up, exhibition history and box-office figures. A wealth of background about Hammer, Amicus and other production companies is provided, along with more than 100 illustrations. Lee and Cushing describe particulars of their partnership in original interviews. Exclusive interviews with Robert Bloch, Hazel Court and nearly fifty other actors, directors and others who worked on the Lee-Cushing films are included.

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscoverynotably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscoverynotably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

From their first pairing in Hamlet (1948) to House of the Long Shadows (1983), British film stars Christopher Lee and Peter Cushing forged perhaps the most successful collaboration in horror film history. In its revised and expanded second edition, this volume examines their 22 movie team-ups, with critical commentary, complete cast and credits, production information, details on cinematography and make-up, exhibition history and box-office figures. A wealth of background about Hammer, Amicus and other production companies is provided, along with more than 100 illustrations. Lee and Cushing describe particulars of their partnership in original interviews. Exclusive interviews with Robert Bloch, Hazel Court and nearly fifty other actors, directors and others who worked on the Lee-Cushing films are included.

Since the famed Kenneth Arnold flying saucer sighting of 1947 the world has been fascinated and unnerved by these mysterious objects in the sky. Millennia of recorded human history report UFOs and everything from the extinction of dinosaurs to the origins of humankind have been attributed to them ä but what exactly are UFOs?ÞFeaturing material from a treasure trove of UFO/Project Blue Book archives declassified in 2015 ÊUFO FAQÊ is an all-inclusive guide to UFO lore ä hard science and hoaxes sightings and abductions noted UFO proponents and skeptics and sanctioned research and purported government cover-ups. Readers will meet cultists and explore worldwide UFO hot spots. They'll learn about UFOs in World War II the Cold War and the age of terrorism. And they'll zip along with UFOs in movies comics TV and other popular media.ÞAlso featured are an international UFO timeline and a valuable UFO checklist that includes step-by-step suggestions on how to prepare and make the most of your UFO sightings ä while ensuring your credibility. Dramatically illustrated with nearly 100 photographs and drawings ÊUFO FAQÊ combines historical accuracy provocative speculation and compulsive readability in one handy volume.

ÊThe Wizard of Oz FAQÊ is a fact-filled celebration of the beloved 1939 fantasy masterpiece starring Judy Garland. It's all here ä from L. Frank Baum and his Oz novels to the complete background story of the movie's conception development and shoot with special attention given to the little-known parade of uncredited directors casting difficulties and on-set accidents and gaffes as well as more than 75 sidebars devoted to key cast members directors and other behind-the-scenes personnel.ÞYou'll find a wealth of fun facts: How MGM overworked Judy Garland before during and after Oz; why director Victor Fleming had his hands full with the Cowardly Lion and Dorothy's other friends; what it was about Toto that really bothered Judy; the physical horrors of filming in Technicolor; the racial Oz gag that was scripted but never shot; when the Wicked Witch was going to be beautiful; why ÊThe Wizard of OzÊ owes a lot to silent-screen star Mary Pickford; the story of deleted scenes and a full two weeks of shooting that had to be scrapped; why MGM star Mickey Rooney was part of the movie's traveling publicity blitz; how the Wicked Witch was literally blown off her broomstick one day; the place where lions tigers and bears really do live together; singers you hear but never see; the day MGM fired Judy Garland; and much more. Just follow the yellow brick road!

(FAQ). This entertaining and informative study of the Three Stooges focuses on the nearly 190 two-reel short comedies the boys made at Columbia Pictures during the years 1934-59. Violent slapstick? Of course, but these comic gems are also peerlessly crafted and enthusiastically played by vaudeville veterans Moe, Larry, Curly, Shemp, and Joe arguably the most popular and long-lived screen comics ever produced by Hollywood. Detailed production and critical coverage is provided for every short, plus information about each film's place in the Stooges' careers, in Hollywood genre filmmaking, and in the larger fabric of American culture. From Depression-era concerns to class warfare to World War II to the cold war to rock-and-roll the Stooges reflected them all. Seventy-five stills, posters, and other images many never before published in book form bring colorful screen moments to life and help illuminate the special appeal of key shorts. Exclusive sections include a Stooges biographical and career timeline; a useful, colorful history of the structure and behind-the-camera personnel of the Columbia two-reel unit; and personality sidebars about more than 30 popular players who worked frequently with the Stooges. Also included is a filmography that covers all 190 shorts, plus a bibliography, making this the ultimate guide for all Three Stooges fans!

The darkly handsome man gazes deeply into her eyes. She finds him irresistible, wants to experience the passion of the moment. He grins--the movie audience can see his lengthened lateral incisors--and bends to her neck. The eroticism is horrible, and compelling. Audiences are drawn to horror cinema much as the surrendering victim. Afraid to watch, but more afraid something will be missed. Since the horror film is the most primal of all movie genres, seldom censored, these films tell us what we are about. From the silent era to the present day, Dark Romance explores horror cinema's preoccupation with sexuality: vampires, beauty and the beast, victimization of women, "slasher" films, and more. Separate chapters focus upon individuals, like Alfred Hitchcock and Barbara Steele. Entertaining, and thought-provoking on the sexual fears and phobias of our society.