David Jasper

Liturgical, sacramental, and historical, The Sacred Community is a masterful work of theological aesthetics. David Jasper draws upon a rich variety of texts and images from literature, art, and religious tradition to explore the liturgical community gathered around - and most fully constituted by - the moment of the Sanctus in the Eucharistic liturgy. From art and architecture to pilgrimage and politics Jasper places this community in the midst of the contemporary world.

Continuing the work began in The Sacred Desert, David Jasper here turns his attention to the body, seeking a profound understanding of what it means to be in the flesh. A deeply autobiographical journey through disparate written texts (in literature, philosophy, theology and religion), art, and cinema, The Sacred Body rigorously and artfully pursues the body of the Christian tradition of ""the Word made flesh""--a body torn and crucified, resurrected, and divinized, embracing both deep suffering and profound joy. Engaging ascetic traditions that began among fourth-century desert monastics, as well as George Herbert, Simone Weil, Meister Eckhart, James Joyce and others, David Jasper once again provides a bold, learned, and original theological exploration.

Literature and religion are never far apart. The greatest literary achievements of the West, from Aeschylus to Dante to Shakespeare, cut deeply into the soul of humanity and stir in us those ultimate questions of existence, truth, and beauty which can only be answered, if they are ever answered at all, by religious commitment or the equally passionate rejection of theology and its speculation. - from the General Editor's Preface

Rhetoric has returned vigorously to the agenda of a number of academic disciplines. Aristotle defended the art of rhetoric, while Plato was suspicious of its manipulative power to persuade. This study examines rhetoric in the context of different kinds of religious texts, from sacred scripture, to liturgy, to contemporary and postmodern writing and religion. How does the believing community negotiate rhetorical power-games which may be exercised upon it, and do we have to be bold to see the ironies and the joke which may be played upon us in the name of the truth of religion? This book is an exercise in rhetoric which is itself suspicious of the rhetorical arts. Its concerns are profoundly theological, though perhaps offensive to theology as it is often practiced in the church and the academy. It offers no conclusion, but perhaps a way of exploring and of looking afresh.

This book focuses on some of the greatest writers and artists of European Romanticism, including S. T. Coleridge, Wordsworth, J. M. W. Turner, Goethe, Holderlin, and, in the later nineteenth century, Matthew Arnold. Concluding with a discussion of the significance of Romanticism for our understanding of postmodernity, its various chapters explore the place of the biblical canon as the central element in the shift from the sacred to the secular, and the place of the Bible in the development of our concept of Weltliteratur, or world literature, as definitive of culture. In Romanticism, the Bible is situated between two worlds--the ancient and the modern--and remains central in our postmodern world as the power of traditional religious language fades and gives way to new perceptions of the sacred in poetry and art. This book will be of interest to all concerned with art, literature, and the development of biblical criticism and religious thought.

Literature and religion are never far apart. The greatest literary achievements of the West, from Aeschylus to Dante to Shakespeare, cut deeply into the soul of humanity and stir in us those ultimate questions of existence, truth, and beauty which can only be answered, if they are ever answered at all, by religious commitment or the equally passionate rejection of theology and its speculation. - from the General Editor's Preface

""Canonical criticism"" is not a recognized branch of biblical studies--granting new focus to questions of the authority and truth of the scriptural writings. Developed within a critical sense of the dominant historical-critical tone of biblical studies, canonical criticism as it has been pursued by the American scholars Brevard S. Childs and James A. Sanders stands as witness to the theological necessity of a more literary approach to the Bible. This book both criticizes the ""canonical"" enterprise, and takes it much further into readings of the canon from the perspective not only of literature, but also art, and in particular the biblical art of Rembrandt. In addition, it remains acutely conscious of the contemporary environment of our reading within the political concerns of feminist criticism, popular absorption in film and the narratives of the screen, and finally the crisis, or crises, which characterize the so-called ""postmodern condition."" What emerges is at once highly critical of traditional strategies of canonization, and at the same time constructive and concerned to recover the Bible for our own time in readings which move outside the limited academic concerns of the biblical critic or the institutions of the church and religious community.

Hermeneutics defines the rules used to search out the meaning of Scripture. Throughout church history, interpreters have approached biblical interpretation in different ways, using different tools and methods. This book conveniently and accessibly surveys major biblical interpreters and approaches to hermeneutics from the patristic period to the present days. It provides a theoretical basis for understanding the processes of hermeneutics in different faith traditions.

The Sacred Desert is a reflection on the role of the desert in theology, history, literature, art and film. An original reflection on the role of the desert in theology, history, literature, art and film. Discusses figures as diverse as Jesus, the early Christian Desert Fathers, T.E. Lawrence, T.S. Eliot, Georgia O’Keeffe, Wim Wenders and Jim Crace. Makes connections across millennia of desert literature. Deepens the reader’s understanding of the desert as a real place, as an interior space, and as a textual site, Concludes with comments on the recent conflicts in Iraq. Written in a readable and engaging style.

The Sacred Desert is a reflection on the role of the desert in theology, history, literature, art and film. An original reflection on the role of the desert in theology, history, literature, art and film. Discusses figures as diverse as Jesus, the early Christian Desert Fathers, T.E. Lawrence, T.S. Eliot, Georgia O’Keeffe, Wim Wenders and Jim Crace. Makes connections across millennia of desert literature. Deepens the reader’s understanding of the desert as a real place, as an interior space, and as a textual site, Concludes with comments on the recent conflicts in Iraq. Written in a readable and engaging style.

The introduction to a series of interdisciplinary titles, both monographs and essays, concerned with matters of literature, art and textuality within religious traditions founded upon texts and textual study.

This study provides one indication that as aesthetics begins to be reconcieved, which is starting to happen on many fronts, it can play a more significant role both in philosophy and in religious reflection.

An exploration of the relationship between literature and religion, which adopts an interdisciplinary approach, aiming to provide an introduction to the variety of ways in which literature, literary theory and theology are related.