David Lewis-Williams

Rock art images around the world are often difficult for us to decipher as modern viewers. Based on authentic records of the beliefs, rituals and daily life of the nineteenth-century San peoples, and of those who still inhabit the Kalahari Desert, this book adopts a new approach to hunter-gatherer rock art by placing the process of image-making within the social framework of production. Lewis-Williams shows how the San used this imagery not simply to record hunts and the animals that they saw, but rather to sustain the social network and status of those who made them. By drawing on such rich and complex records, the book reveals specific, repeated features of hunter-gatherer imagery and allows us insight into social relations as if through the eyes of the San themselves.

This fascinating book continues the story begun in the bestselling and critically acclaimed book The Mind in the Cave. Drawing on the latest research and recent discoveries, the authors skilfully link material on human consciousness, imagery and belief systems to propose provocative new theories about the causes of an ancient revolution in cosmology, the origins of social complexity and even the drive behind the domestication of plants and animals. In doing so they create a fascinating neurological bridge to the mysterious thought-lives of the past and reveal the essence of a momentous period in human history.

At once polemical, insightful and thought-provoking, Conceiving God is essential reading for all those interested in the origins of religious thought, and the respective roles of science and religion in contemporary society. Building on the insights and discoveries of his two earlier books, The Mind in the Cave and Inside the Neolithic Mind, cognitive archaeologist David Lewis-Williams explores how science developed within the cocoon of religion and then shows how the natural functioning of the human brain creates experiences that can lead to belief in the supernatural realm.

What does the breathtakingly beautiful art depicted on the walls of caves such as Lascaux, Chauvet and Altamira, tell us about the nature of the ancestral mind? How did these images spring, seemingly from nowhere into the human story? The Mind in the Cave puts forward the most plausible explanation yet proposed for the origins of image-making and art. This is a masterful piece of detective work, casting light on the darkest mysteries of our earliest ancestors and on the nature of our own consciousness and experience.