David Saunders

Dave Saunders’ spirited introduction to documentary covers its history, cultural context and development, and the approaches, controversies and functions pertaining to non-fiction filmmaking. Saunders examines the many methods by which documentary conveys meaning, whilst exploring its differing societal purposes. After a historical consideration of international documentary production, the author examines the impact of recent technological developments on the production, distribution and viewing of non-fiction. In addition, he explores the increasingly hazy distinctions between factual and dramatic formats, discussing ‘reality television’, the ‘docu-drama’, and less orthodox approaches including animated and fantastical representations of reality.Documentary encompasses a broad range of academic discourse around non-fiction filmmaking, introducing readers to the key filmmakers, major scholars, central debates and critical ideas relating to the form. This wide-ranging guidebook features global releases from the 1920s through to 2009, and includes films such as: Nanook of the North (1922) The Man with the Movie Camera (1929) Night Mail (1936) Night and Fog (1955) Primary (1960) Roger and Me (1989) Tarnation (2003) My Winnipeg (2006) Sicko (2007) Waltz With Bashir (2008) Say My Name (2009) Anvil: The Story of Anvil (2009)

Dave Saunders’ spirited introduction to documentary covers its history, cultural context and development, and the approaches, controversies and functions pertaining to non-fiction filmmaking. Saunders examines the many methods by which documentary conveys meaning, whilst exploring its differing societal purposes. After a historical consideration of international documentary production, the author examines the impact of recent technological developments on the production, distribution and viewing of non-fiction. In addition, he explores the increasingly hazy distinctions between factual and dramatic formats, discussing ‘reality television’, the ‘docu-drama’, and less orthodox approaches including animated and fantastical representations of reality.Documentary encompasses a broad range of academic discourse around non-fiction filmmaking, introducing readers to the key filmmakers, major scholars, central debates and critical ideas relating to the form. This wide-ranging guidebook features global releases from the 1920s through to 2009, and includes films such as: Nanook of the North (1922) The Man with the Movie Camera (1929) Night Mail (1936) Night and Fog (1955) Primary (1960) Roger and Me (1989) Tarnation (2003) My Winnipeg (2006) Sicko (2007) Waltz With Bashir (2008) Say My Name (2009) Anvil: The Story of Anvil (2009)

In early modern Europe the law developed as one of the few non-religious orderings of civil life. Its separation from religion was, however, never complete and we see the contest continued today not only in the campaigns of religious fundamentalists of the right, but also in the clains of critical intellectuals to reshape government institutions and the legal apparatus in accordance with moral principle - whether of indivudual autonomy or communitarian self-determination. In Anti-Lawyers, David Saunders traces the story of this unresolved conflict from Hobbes' Leviathan to the American law texts of today, and discusses how we might regard today's moral critics of government and law in the light of the early modern effort to disengage spiritual discipline from secular government and conscience from law. Separate sections look at major figures in English common law in the Early Modern period, French and German absolutism and jurisprudence as it is taught in the American law texts of today.

The policing of pornography remains a subject of widespread controversy. On Pornography provides a history of this policing and an understanding of the current debate. The authors show that obscenity law should not be understood negatively as censorship but as part of the positive administration of a particular practice of sexuality. This book indicates that obscenity law is not, as liberals claim, a mistaken attempt to police moral ideas, but rather forms part of the legitimate governmental regulation of a problematic social conduct.

The policing of pornography remains a subject of widespread controversy. On Pornography provides a history of this policing and an understanding of the current debate. The authors show that obscenity law should not be understood negatively as censorship but as part of the positive administration of a particular practice of sexuality. This book indicates that obscenity law is not, as liberals claim, a mistaken attempt to police moral ideas, but rather forms part of the legitimate governmental regulation of a problematic social conduct.

This eagerly awaited study of Russia under Alexander I, Nicholas I and Alexander II -- the Russia of War and Peace and Anna Karenina -- brings the series near to completion. David Saunders examines Russia's failure to adapt to the era of reform and democracy ushered into the rest of Europe by the French Revolution. Why, despite so much effort, did it fail? This is a superb book, both as a portrait of an age and as a piece of sustained historical analysis.

This nine-chapter study, based largely on original research in the archives of Moscow and St. Petersburg, sheds new light on the role played in Russian cultural development by those Ukrainians who chose to identify themselves with the Russian Empire. By stressing the native, Slavic aspects of imperial culture, Ukrainians modified the Russians's understanding of what it meant to be Russian, preventing them from becoming wholly dependent on contemporary Western Europe. In a wide-ranging, richly detailed analysis, David Saunders shows how this impact was achieved by Ukrainian educators, writers, journalists, scholars, and political figures.