David Wright

An illuminating study of the complex history of madness.

A positive and calm classroom environment enriches the teaching and learning experience for teachers and children alike. Using his invaluable experience working in pupil referral units and as a head teacher, David Wright shows how the ideal primary classroom environment can be achieved through many useful practical ideas and suggestions. Backed by up-to-date research on how we learn and how best to teach, the clear and concise chapters cover broad teaching skills including:how to create a positive learning environment where pupils feel valued, prepared to leave their 'comfort zone', and willing to ask questionsunderstanding what effects certain aspects of your behaviour can have on childrenbehaviour management strategies that allow the children to take responsibility for their actionsmaking the most of colleagues, parents and your community to provide memorable learning experiences.Written by a teacher for teachers, Classroom Karma is essential reading for all those looking to establish a successful learning environment where pupils feel valued and motivated in the primary classroom and beyond.

A unique resource that synthesizes existing primary and secondary sources to provide a fascinating introduction to the development and dissemination of science within history's great empires, as well as the complex interaction between imperialism and scientific progress over two centuries.Imperialism and Science is a scholarly yet accessible chronicle of the impact of imperialism on science over the past 200 years, from the effect of Catholicism on scientific progress in Latin America to the importance of U.S. government funding of scientific research to America's preeminent place in the world.Spanning two centuries of scientific advance throughout the age of empire, Imperialism and Science sheds new light on the spread of scientific thought throughout the former colonial world. Science made enormous advances during this period, often being associated with anti-Imperialist struggle or, as in the case of the science brought to 19th-century China and India by the British, with Western cultural hegemony.Packed with portraits of key scientists, their discoveries, and their achievements, bringing to life the contribution of scientists from even the most far-flung corners of empireIncludes a detailed chronology, bibliography, and a glossary of key scientific terms of the era, helping to make the history of science accessible to the general reader

Felix Klein, one of the great nineteenth-century geometers, discovered in mathematics an idea prefigured in Buddhist mythology: the heaven of Indra contained a net of pearls, each of which was reflected in its neighbour, so that the whole Universe was mirrored in each pearl. Klein studied infinitely repeated reflections and was led to forms with multiple coexisting symmetries. For a century, these images barely existed outside the imagination of mathematicians. However, in the 1980s, the authors embarked on the first computer exploration of Klein's vision, and in doing so found many further extraordinary images. Join the authors on the path from basic mathematical ideas to the simple algorithms that create the delicate fractal filigrees, most of which have never appeared in print before. Beginners can follow the step-by-step instructions for writing programs that generate the images. Others can see how the images relate to ideas at the forefront of research.

This book contributes to the growing scholarly interest in the history of disability by investigating the emergence of 'idiot' asylums in Victorian England. Using the National Asylum for Idiots, Earlswood, as a case-study, it investigates the social history of institutionalization, privileging the relationship between the medical institution and the society whence its patients came. By concentrating on the importance of patient-centred admission documents, and utilizing the benefits of nominal record linkage to other, non-medical sources, David Wright extends research on the confinement of the 'insane' to the networks of care and control that operated outside the walls of the asylum. He contends that institutional confinement of mentally disabled and mentally ill individuals in the nineteenth century cannot be understood independently of a detailed analysis of familial and community patterns of care. In this book, the family plays a significant role in the history of the asylum, initiating the identification of mental disability, participating in the certification process, mediating medical treatment, and facilitating discharge back into the community. By exploring the patterns of confinement to the Earlswood Asylum, Professor Wright reveals the diversity of the 'insane' population in Victorian England and the complexities of institutional committal in the nineteenth century. Moreover, by investigating the evolution of the Earlswood Asylum, it examines the history of the institution where John Langdon Down made his now famous identification of 'Mongolism', later renamed Down's Syndrome. He thus places the formulation of this archetype of mental disability within its historical, cultural, and scientific contexts.

This historical account of the care of insanity outside formal instruction explores key issues relating to the social history of madness from 1750 to the present day. These include women and the social construciton of madness, the boarding out of lunatics by poor law authorities, familial care and treatment of the insane and the practice of mental healing by general practitioners.

Broadband technology is ushering the telecom industry through a unique period of change with profound business implications for suppliers and users. This single source describes the four major broadband technologies that are shaping telecommunications networks: frame relay; optical fiber (including SONET); distributed queue dual bus (DQDB); and asynchronous transfer mode (ATM).

This book brings a new perspective to the study of Joyce's great novel. The author argues the case for employing the concept of irony as an explicatory tool in the study of Ulyssesóand indeed of the whole Joycean canon. Moreover he uses modern critical theory to enlarge our understanding of irony itself and to suggest how such theory has an appropriate object of attention in Joyce. Wright defines irony as "the use of a 'false' textual surface to direct a reader's attention towards initially concealed premises or implications". Thus an author lays a partly false trail, but one which usually leads towards a more authenthic or appropriate understanding of the subject under discussion. Joyce's work is full of this kind of semantic counterpoint. Indeed, it is essential to his whole comic method. Both Portrait of the Artist As a Young Man and Ulysses are full of ironic contrasts between the desire for order, certainty and stability on the one hand and random meetings and perverse associations. The author argues that Joyce's other favorite techniques of ambiguity and punning are so closely related to that of irony that all three may legitimately be considered as a unity, specially formed and deployed by Joyce in his mature work. ; Contents: Preface; List of Abbreviations; Introduction; Local Ironies; Single-Episode Ironies; Inter-Episode Ironies; Ironies from Early Joyce; Ironies from Homer to Shakespeare; Bibliography; Index.

English Romantic poetry from its beginnings and its flowering to the first signs of its decadence. Nearly all the famous pieces de resistance will be found here - 'Intimations of Immortality', 'The Ancient Mariner', 'The Tyger', excerpts from 'Don Juan' - as well as some less familiar poems. As far as possible the poets are arranged in chronological order, and their poems in order of composition, beginning with eighteenth-century precursors such as Gray, Cowper, Burns and Chatterton. Naturally most space has been given over to the major Romantics - Blake, Wordsworth, Coleridge, Byron, Shelley, Clare and Keats - although their successors, poets such as Beddoes and Poe, are included too, as well as early poems by Tennyson and Browning. In an excellent introduction David Wright discusses the Romantics as a historical phenomenon, and points out their central ideals and themes.