David Young

This is the Student Study Guide to accompany Physics, 10th Edition. Cutnell and Johnson’s Physics has been the #1 text in the algebra-based physics market for almost 20 years. Physics, 10th Edition brings on new co-authors: David Young and Shane Stadler (both out of LSU). The Cutnell offering now includes enhanced features and functionality. The authors have been extensively involved in the creation and adaptation of valuable resources for the text. The 10th edition includes 160 New Chalkboard videos, guided online tutorials in every chapter, and vector drawing questions. All of these features are designed to encourage students to remain within the WileyPLUS environment, as opposed to pursuing the “pay-for-solutions” websites that short circuit the learning process.

Whether experienced or new to woodcarving, you are sure to appreciate the in-depth knowledge of the art form from author David Young. The book begins with information on what you need to know to start whittling including tools, materials, knife sharpening, and techniques. David then covers finishing your project with instructions for his simple painting technique to achieve professional-looking results. Using these techniques, you'll then be ready to start whittling the beautifully illustrated projects which range in difficulty, building on the skills and techniques used in each. You'll start with 4 projects that build upon each other, adding a new technique and skill for each. You are then ready to start the next 6 simple projects, further refining your whittling skills and finally the step-up projects that include a pineapple, a vase with a rose, and a wood spirit. Each project uses a 1" x 1" x 'varying length' block and can be completed in less than an hour. The scale of the projects and the use of minimal tools and supplies make carving the projects possible in virtually any space or location.

Never have policy initiatives been so important than in today’s society. Neoliberal manifestations, climate change, civil rights movements, and governmental reactions to these issues have created a backdrop where greater education in policy analysis and development is vital. Policy is often created for accruing power, expanding privilege, and further marginalizing oppressed groups. Educating policy developers and consumers is but one means of harnessing the positive power of policy while restraining the tendencies to pervert policy for the betterment of a powerful hegemonic elite. Policy Matters: Perspectives, Procedures, and Processes demystifies policy, exploring how it may truly be transformative in combatting hegemonic and neoliberal incursions into the educational arena. The traditional theory / practice divide is overcome here, uniquely, as educational policy is united with educational reality to empower educators, education stakeholders, and citizens to use policy, policy development, and policy initiatives for the betterment of society as a whole.

David Young argues that the reception of the Epistle to the Hebrews in early Christianity was influenced by a number of factors which had little to do with debates about an authoritative canon of Christian writings, and which were primarily the concern of a relatively small group of highly educated scholars. Through careful study of the quotations and reproductions of Hebrews in their own rhetorical and material context, Young stresses that the concept of canon had little bearing on its early reception. By exploring the transformation of authorship into authority, the patristic citations of Hebrews, the Epistle’s position in edited collections of the Pauline corpus and the consequences of translation, this complex reception history illustrates the myriad ways in which early Christians thought of and interacted with their scriptures.

Elgars The Music Makers, for contralto solo, choir and large orchestra, has experienced a chequered reputation. Following its premiere at the Birmingham Festival in 1912 the work received significant adverse criticism which re-emerged over time. Criticism was levelled at the poem which Elgar chose for his setting, an ode by Arthur OShaughnessy, a poet whose reputation was later tarnished by T.S. Eliot in his What is Minor Poetry?, a literary critique long misinterpreted. We are the music makers, And we are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams; World-losers and world-forsakers, On whom the pale moon gleams: Yet we are the movers and shakers, Of the world for ever, it seems. Misunderstanding of Elgars innovatory compositional procedure was the other main reason for the negative responses. The poetic imagery in music has been used by many composers, Gustav Mahler and Richard Strauss included. Elgars compositional method of integrating the poetic language with musical self-borrowings throughout the work not only transforms the words but offers to perceptive listeners enhanced emotion at the highest artistic level. All aspects of melody, rhythm, orchestration, leitmotiv, and tonality combine to produce one of Elgars greatest and least understood masterworks. Reading Elgars The Music Makers brings to the fore a prime example of how first musical performances can be misunderstood, how reception and understanding can change over time, and how the work is as relevant today as ever it was.

A gorgeous selection of the humane and moving poetry of David Young, a celebrated poet of the midwestern landscape and the people who live in it, with an expanded section featuring sixteen new poems exclusive to the paperback edition. A newly expanded career-spanning volume from one of our most valuable living American poets, offering poems that display an exquisite ear tuned to the natural world, to love and friendship, and to the continually renewable possibilities of language, and new poems that reflect a continued artistic interest in these subjects. Young's settings are at once local and universal--an adolescence in Omaha, late summer on Lake Erie, a sleepless night in the backyard during a meteor shower. He moves with dazzling ease between culture and nature, between the literary and the philosophical, microcosm and macrocosm. Here are poems on Osip Mandelstam and Chairman Mao, the meaning of boxcars on the track, the beautiful names of the months, and a fox at the field's edge, charged in each case by Young's fierce intelligence and candor in the face of grief and loss. "We float through space. Days pass," Young writes in "The Portable Earth-Lamp." "Sometimes we know we are part of a crystal / where light is sorted and stored." His metaphysical reach, balancing remarkable humility with penetrating vision, is one of the great gifts of this exemplary career in poetry.