Dean Hawkes

This book presents an expansive overview of the development of architectural and environmental research, with authoritative essays spanning Dean Hawkes’ impressive 50-year academic career.The book considers the relationship between the technologies of the environment and wider historical and theoretical factors, with chapters on topics ranging from the origins of modern ‘building science’ in Renaissance England to technology and imagination in architecture. It includes numerous architectural examples from renowned architects such as Christopher Wren, Peter Zumthor, Alvar Aalto, Robert Venturi and Carlo Scarpa.Aimed at students, scholars, and researchers in architecture and beyond, this illustrated volume collates important and wide-ranging essays tracing the definition, scope and methodologies of architectural and environmental studies, with a foreword by Susannah Hagan.

This book presents an expansive overview of the development of architectural and environmental research, with authoritative essays spanning Dean Hawkes’ impressive 50-year academic career.The book considers the relationship between the technologies of the environment and wider historical and theoretical factors, with chapters on topics ranging from the origins of modern ‘building science’ in Renaissance England to technology and imagination in architecture. It includes numerous architectural examples from renowned architects such as Christopher Wren, Peter Zumthor, Alvar Aalto, Robert Venturi and Carlo Scarpa.Aimed at students, scholars, and researchers in architecture and beyond, this illustrated volume collates important and wide-ranging essays tracing the definition, scope and methodologies of architectural and environmental studies, with a foreword by Susannah Hagan.

The Environmental Imagination explores the relationship between tectonics and poetics in environmental design in architecture. Working thematically and chronologically from the eighteenth century to the present day, this book redefines the historiography of environmental design by looking beyond conventional histories to argue that the environments within buildings are a collaboration between poetic intentions and technical means.In a sequence of essays, the book traces a line through works by leading architects of the nineteenth and twentieth centuries that illustrate the impact of new technologies on the conception and realisation of environments in buildings. In this, a consideration of the qualitative dimension of environment is added to the primarily technological narratives of other accounts. In this second edition, the book has been substantially rewritten and restructured to include further research conducted in the decade since the first edition. A number of important buildings have been revisited, in order to extend the descriptions of their environments, and studies have been made of a number of newly studied, significant buildings. A completely new essay offers an environmental interpretation of Luis Barragán’s magical own house in Mexico City and the earlier studies of buildings by Peter Zumthor have been gathered into a single, extended essay that includes a body of new research. On the fiftieth anniversary of the publication of Reyner Banham’s, The Architecture of the Well-tempered Environment, the book concludes with a critical tribute to that seminal text.The Environmental Imagination will appeal to academics and practitioners with interests in the history, theory and technology of architecture.

The Environmental Imagination explores the relationship between tectonics and poetics in environmental design in architecture. Working thematically and chronologically from the eighteenth century to the present day, this book redefines the historiography of environmental design by looking beyond conventional histories to argue that the environments within buildings are a collaboration between poetic intentions and technical means.In a sequence of essays, the book traces a line through works by leading architects of the nineteenth and twentieth centuries that illustrate the impact of new technologies on the conception and realisation of environments in buildings. In this, a consideration of the qualitative dimension of environment is added to the primarily technological narratives of other accounts. In this second edition, the book has been substantially rewritten and restructured to include further research conducted in the decade since the first edition. A number of important buildings have been revisited, in order to extend the descriptions of their environments, and studies have been made of a number of newly studied, significant buildings. A completely new essay offers an environmental interpretation of Luis Barragán’s magical own house in Mexico City and the earlier studies of buildings by Peter Zumthor have been gathered into a single, extended essay that includes a body of new research. On the fiftieth anniversary of the publication of Reyner Banham’s, The Architecture of the Well-tempered Environment, the book concludes with a critical tribute to that seminal text.The Environmental Imagination will appeal to academics and practitioners with interests in the history, theory and technology of architecture.

The complex art of architecture embraces all of the concerns of the world's cultures. It meets the fundamental needs for shelter from the elements, but, almost from its origins, has acquired other purposes and meanings. The Selective Environment is an approach to environmentally responsive architectural design that seeks to make connections between the technical preoccupations of architectural science, and the necessity, never more urgent than today, to sustain cultural identity at a time of rapid global, technological change.

This text brings together a unique collection of writing by a leading researcher and critic which outlines the evolution of the environmental dimension of architectural theory and practice in the past twenty-five years. It deals with the transformation of the environmental design field which was brought about by the growth of energy awareness in the 1970s and 1980s, and places environmental issues in the broader theoretical and historical context in architecture.

This book traces the evolving relationship between the architecture and climate of Britain from the late sixteenth to the twentieth century. Through detailed studies of buildings by major architects it explores how the unique character of the climate of the British Isles has had a fundamental influence on the nature of buildings of all kinds and periods, in both country and city. Based on extensive documentary research and on first-hand analyses of significant buildings, this book combines architectural history with the parallel fields of climate history and the representation of environment in literature and the fine arts. It spans the period in British architectural history from the late sixteenth century to the twentieth century – from the buildings of the greatest architect of the Elizabethan age, Robert Smythson, to the twentieth century work of Alison and Peter Smithson.Copiously illustrated with drawings and photographs, including a colour plate section, this book brings a historical dimension to the appreciation of the environment in architecture and, equally, introduces an environmental dimension to the study of the history of architecture.

This book traces the evolving relationship between the architecture and climate of Britain from the late sixteenth to the twentieth century. Through detailed studies of buildings by major architects it explores how the unique character of the climate of the British Isles has had a fundamental influence on the nature of buildings of all kinds and periods, in both country and city. Based on extensive documentary research and on first-hand analyses of significant buildings, this book combines architectural history with the parallel fields of climate history and the representation of environment in literature and the fine arts. It spans the period in British architectural history from the late sixteenth century to the twentieth century – from the buildings of the greatest architect of the Elizabethan age, Robert Smythson, to the twentieth century work of Alison and Peter Smithson.Copiously illustrated with drawings and photographs, including a colour plate section, this book brings a historical dimension to the appreciation of the environment in architecture and, equally, introduces an environmental dimension to the study of the history of architecture.

The complex art of architecture embraces all of the concerns of the world's cultures. It meets the fundamental needs for shelter from the elements, but, almost from its origins, has acquired other purposes and meanings. The Selective Environment is an approach to environmentally responsive architectural design that seeks to make connections between the technical preoccupations of architectural science, and the necessity, never more urgent than today, to sustain cultural identity at a time of rapid global, technological change.

This text brings together a unique collection of writing by a leading researcher and critic which outlines the evolution of the environmental dimension of architectural theory and practice in the past twenty-five years. It deals with the transformation of the environmental design field which was brought about by the growth of energy awareness in the 1970s and 1980s, and places environmental issues in the broader theoretical and historical context in architecture.