Deborah Willis

There has never been a First Lady like her before. While there have been a slew of Obama celebrity books, none contain the message of Deborah Willis and Emily Bernard’s eye-opening book. With nearly 200 compelling photographs, these two noted scholars capture Michelle Obama’s dramatic transformation from working mother to First Lady, from her first tentative steps on the campaign trail to her spontaneous hug of the Queen, to her fairy-tale-like “date night” on Broadway. Not since Jacqueline Kennedy has there been a First Lady who has so enchanted America, but in her down-to-earth dealings with all Americans—schoolchildren, military families, and home gardeners alike—and in her diverse fashion taste, from J. Crew to Jason Wu, Michelle Obama is inexplicably all pearls, all business, all mother. The authors show how Michelle Obama represents the culmination of America’s evolving views on women, race, motherhood, and beauty. Much more than a mere catalog of style, Michelle Obama is a remarkable pictorial story of one woman’s hold on our imagination.

Now offering over 500 images from 1840 to the present, this breathtaking work provides rich, moving glimpses of everyday Black life, from slavery to the Great Migration to suburban life, including rare antebellum daguerreotypes, photojournalism of the civil rights era and multimedia portraits of middle-class families, along with a contemporary section depicting images of both joy and mourning, beauty and protest that have indelibly changed the world we know. Featuring the works of undisputed masters such as James VanDerZee, Gordon Parks and Carrie Mae Weems, this expanded edition now includes works from great twenty-first-century artists, including LaToya Ruby Frazier, Lorna Simpson and Phylicia Ghee. Reflections in Black is a work so significant that it has the power to reconfigure our conception of American history.

A remarkable visual record of Cleveland's African American community spanning five decades During the Great Depression, photographer Allen Eugene Cole posted a sign in front of his studio in Cleveland's Central neighborhood: somebody, somewhere, wants your photograph. An entrepreneurial businessman with a keen ability to market his images of Cleveland's black experience, Cole was deeply immersed in civic life. A founder and treasurer of the Progressive Business League, Cole was an officer of the Dunbar Life Insurance Co., a member of St. James African Methodist Episcopal Church, and active in the Elks and Masons. For years he was the only black member of the Cleveland Society of Professional Photographers. Well into the 1960s his photographs appeared regularly in the Call & Post, Cleveland's African American weekly newspaper.A migrant to Cleveland in 1917, Allen Cole developed an interest in photography while employed as a waiter at the Cleveland Athletic Club. By 1922 he had opened his first studio at home, enlarging it over the years. It was in this studio that he photographed Perry B. Jackson, Ohio's first African American judge.The images of Jackson and the hundreds of other African Americans included in this volume were chosen from the thousands of photographs in the Allen Cole Collection at the Western Reserve Historical Society. They illustrate the diverse experiences among Cleveland's vibrant African American community. Social organizations, women's and men's clubs, civic and church groups, schoolchildren and teachers, businessmen, and politicians are all included in this charming and unique collection. In the accompanying text authors Samuel Black and Regennia Williams place Cole and his comprehensive visual catalog in the context of African American history and the Great Migration.Through the Lens of Allen E. Cole mines Cole's exceptional midtwentieth-century photographic chronicle of African American life and will be an invaluable resource for anyone interested in American history, as well as specialists in African studies, history, sociology, urban affairs, and the photographic arts.

A landmark survey of Black American photojournalism spanning 1945 to 1984, chronicling a critical period in the civil rights movements in the United States This volume presents work by 57 Black photographers and contributions from scholars such as Joy Bivins, Tina M. Campt and Gerald Horne, chronicling historic events and daily life in the United States from the conclusion of World War II in 1945 to the presidential campaigns of 1984, including the civil rights movements through the 1950s, '60s and '70s. Drawn from archives and collections in the care of journalists, libraries, museums, newspapers, photographers and universities, the photographs in the catalog were circulated and reviewed in publishing offices across the country. Responding to a dearth of stories about Black lives told from the perspectives of Black people, Black publishers and their staff created groundbreaking editorial and photojournalistic methods and news networks. During a period of urgent social change and civil rights advocacy, newspapers and magazines, including the Afro American News, Atlanta Daily World, Pittsburgh Courier, Chicago Defender and Ebony, transformed how people were able to access seeing themselves and their communities. Their impact on the media landscape continues into the digital present. The catalog is published on the occasion of the exhibition of the same name at Carnegie Museum of Art. The exhibition and catalog are both designed by artist David Hartt, and organized and edited by Charlene Foggie-Barnett, Charles ""Teenie"" Harris, community archivist, and Dan Leers, curator of photography, in dialogue with an expanded network of archivists, curators, historians and scholars. Photographers include: Harry Adams, Anthony Barboza, Kwame Brathwaite, Don Hogan Charles, Adger Cowans, Guy Crowder, Roy DeCarava, Doris Derby, Bob Douglas, Louis Draper, Theodore Gaffney, Charles "Teenie" Harris, Chester Higgins, Kojo Kamau, Jeanne Moutoussamy-Ashe, Marilyn Nance, Gordon Parks, Ming Smith, Bruce Talamon, Deborah Willis-Ryan.

Longlist, National Book Awards 2021 for Nonfiction A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed—marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier, Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged. With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle—from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and—most predominantly—African American resilience. The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.

Celebrate—through stunning photographs—Kamala Harris’s presidential run in one of the most consequential, surprising, and invigorating, campaigns in our nation’s history, one of the most impactful ever of a candidate attempting to become the first woman president of the United States.Kamala is a beautiful tribute to Kamala Harris’s remarkable rise from District Attorney in California to her historic presidential run in 2024. Curated by Deborah Willis and Kevin Merida, this visually captivating book features nearly 150 vibrant photographs that capture the joy, challenges, and triumphs of Harris’s campaign. Rather than following a strict timeline, the book is thematically arranged into sections like “Family & Early Life,” “The Ascent,” and “Powerful Rooms.” Each section offers a unique perspective on Harris’s multifaceted life and career, complemented by insightful essays that place this pivotal election in context. It’s an essential read for anyone intrigued by American politics, women’s history, and the significance of representation. Regardless of the election’s outcome, this book celebrates Harris’s indomitable spirit and the groundbreaking nature of her campaign. It’s a perfect keepsake of this trailblazing event and is perfect for fans, political enthusiasts, and anyone inspired by a woman who dares to break barriers and make history.

Amber Kivinen is moving to Mars. Or at least, she will be if she wins a chance to join MarsNow. She and twenty-three reality TV contestants from around the world--including attractive Israeli soldier Adam, endearing fellow Canadian Pichu, and an assortment of science nerds and wannabe influencers--are competing for two seats on the first human-led mission to Mars, sponsored by billionaire Geoff Task.Meanwhile Kevin, Amber's boyfriend of fourteen years, was content going nowhere until Amber left him--and their hydroponic weed business--behind. As he tends to (and smokes) the plants growing in their absurdly overpriced Vancouver basement apartment, Kevin tunes in to find out why the love of his life is so determined to leave the planet with somebody else. On screen, Amber competes in globe-trotting, Survivor-meets-Star Trek challenges and seems like she might be falling for Adam. But is that real, or is it just a tactic to keep from being voted off? And since the technology to come home doesn't exist yet, would Amber really leave everything behind to be a billionaire's Martian guinea pig? Sure, the rainforest is burning, Geoff Task has bought New Zealand, and Kevin might be a little depressed, but isn't there some hope left for life on Earth?An audacious debut from "a dazzlingly smart and strikingly original writer" (Molly Antopol), Girlfriend on Mars is at once a satirical indictment of our pursuit of fame and wealth amidst environmental crisis, and an exploration of humanity's deepest longing, greatest quest, and most enduring clich love.

'Every detail is sharply placed ... a scorching sense of humor and a soft spot for humanity down here on Earth' The New York Times 'Fleishman Is In Trouble, but in space' Bobby Palmer A NEW YORK TIMES READERS' FAVOURITE OF 2023 LONGLISTED FOR THE 2023 SCOTIABANK GILLER PRIZE Kevin is a thirtysomething homebody, happily committed to his hydroponics-expert girlfriend, Amber, as they grow weed in their basement in Vancouver. Out of the blue, Amber announces that she has been selected for a reality show where she will compete for one of two seats on the first human-led mission to Mars. If selected, she must stay on Mars for good, because the technology to come home doesn't exist yet. Is this a suicide mission or a bold new frontier? Girlfriend on Mars is the story of love unravelling in a world where truth is dictated by Facebook ads and 'reality TV' is as scripted as any politician's speech. With rapt viewers voting for Amber to stay on the show and crates of Mars-mission branded protein shakes arriving at his door, is it any wonder Kevin wants to stay in the basement forever?

Amber skal flytte til Mars … Altså, hvis hun bliver udråbt som vinder af realityprogrammet MarsNow. Her konkurrerer hun og treogtyve andre deltagere fra hele verden om to pladser på den første menneskeanførte mission til Mars, der er sponsoreret af techmilliardæren Geoff Task. Kevin, der har været Ambers kæreste gennem fjorten år, var egentlig ret tilfreds med det liv, de plejede at leve, hvor han sorgløst kunne ryge sig skæv på deres grønne sofa fra IKEA og passe den hjemmegroede pot-business i kælderlejligheden. Nu følger Kevin, ligesom resten af verden, med i Ambers prøvelser på TV og sociale medier, mens han forsøger at finde ud af, hvorfor hans livs kærlighed er så opsat på at forlade Jorden sammen med et andet menneske. Min kæreste på Mars er en stærkt underholdende roman om vores liv i tech-industriens, klimakatastrofernes og de sociale mediers tid – og en rørende og velskrevet bog om troen på langtidsholdbar kærlighed. Deborah Willis (f. 1982) er en kritikerrost canadisk forfatter. Hun har skrevet flere novellesamlinger, men fik sin romandebut med Min kæreste på Mars. Udover selv at skrive bøger arbejder Willis som redaktør på det litterære forlag Freehand Books, og til dagligt bor hun i Calgary med sin kæreste og datter.

'Every detail is sharply placed ... a scorching sense of humor and a soft spot for humanity down here on Earth' The New York Times 'Fleishman Is In Trouble, but in space' Bobby Palmer A NEW YORK TIMES READERS' FAVOURITE OF 2023 LONGLISTED FOR THE 2023 SCOTIABANK GILLER PRIZE Kevin is a thirtysomething homebody, happily committed to his hydroponics-expert girlfriend, Amber, as they grow weed in their basement in Vancouver. Out of the blue, Amber announces that she has been selected for a reality show where she will compete for one of two seats on the first human-led mission to Mars. If selected, she must stay on Mars for good, because the technology to come home doesn't exist yet. Is this a suicide mission or a bold new frontier? Girlfriend on Mars is the story of love unravelling in a world where truth is dictated by Facebook ads and 'reality TV' is as scripted as any politician's speech. With rapt viewers voting for Amber to stay on the show and crates of Mars-mission branded protein shakes arriving at his door, is it any wonder Kevin wants to stay in the basement forever?

Amber Kivinen is moving to Mars. Or at least, she will be if she wins a chance to join MarsNow. She and twenty-three reality TV contestants from around the world--including attractive Israeli soldier Adam, endearing fellow Canadian Pichu, and an assortment of science nerds and wannabe influencers--are competing for two seats on the first human-led mission to Mars, sponsored by billionaire Geoff Task.Meanwhile Kevin, Amber's boyfriend of fourteen years, was content going nowhere until Amber left him--and their hydroponic weed business--behind. As he tends to (and smokes) the plants growing in their absurdly overpriced Vancouver basement apartment, Kevin tunes in to find out why the love of his life is so determined to leave the planet with somebody else. On screen, Amber competes in globe-trotting, Survivor-meets-Star Trek challenges and seems like she might be falling for Adam. But is that real, or is it just a tactic to keep from being voted off? And since the technology to come home doesn't exist yet, would Amber really leave everything behind to be a billionaire's Martian guinea pig? Sure, the rainforest is burning, Geoff Task has bought New Zealand, and Kevin might be a little depressed, but isn't there some hope left for life on Earth?An audacious debut from "a dazzlingly smart and strikingly original writer" (Molly Antopol), Girlfriend on Mars is at once a satirical indictment of our pursuit of fame and wealth amidst environmental crisis, and an exploration of humanity's deepest longing, greatest quest, and most enduring clich love.

Longlist, National Book Awards 2021 for Nonfiction A stunning collection of stoic portraits and intimate ephemera from the lives of Black Civil War soldiers Though both the Union and Confederate armies excluded African American men from their initial calls to arms, many of the men who eventually served were black. Simultaneously, photography culture blossomed—marking the Civil War as the first conflict to be extensively documented through photographs. In The Black Civil War Soldier, Deb Willis explores the crucial role of photography in (re)telling and shaping African American narratives of the Civil War, pulling from a dynamic visual archive that has largely gone unacknowledged. With over seventy images, The Black Civil War Soldier contains a huge breadth of primary and archival materials, many of which are rarely reproduced. The photographs are supplemented with handwritten captions, letters, and other personal materials; Willis not only dives into the lives of black Union soldiers, but also includes stories of other African Americans involved with the struggle—from left-behind family members to female spies. Willis thus compiles a captivating memoir of photographs and words and examines them together to address themes of love and longing; responsibility and fear; commitment and patriotism; and—most predominantly—African American resilience. The Black Civil War Soldier offers a kaleidoscopic yet intimate portrait of the African American experience, from the beginning of the Civil War to 1900. Through her multimedia analysis, Willis acutely pinpoints the importance of African American communities in the development and prosecution of the war. The book shows how photography helped construct a national vision of blackness, war, and bondage, while unearthing the hidden histories of these black Civil War soldiers. In combating the erasure of this often overlooked history, Willis asks how these images might offer a more nuanced memory of African-American participation in the Civil War, and in doing so, points to individual and collective struggles for citizenship and remembrance.

Over 500 glorious black-and-white photographs celebrating black culture throughout American history, from Jesse Owens to Barry Bonds, Ella Fitzgerald to Halle Berry. Tucked away in the dusty halls of the Smithsonian archives and nearly forgotten by most historians, black culture is a vast, complex, interconnected web of different people, trends, and lifestyles. Deborah Willis has dug through the archives and hunted down the remnants that tell the wonderful and tragic history of a people. Tackling all subjects with bravery and frankness, Deborah Willis's work is a true treasure to behold. Black: A Celebration of a Culture, which would be a perfect complement to any Juneteenth celebration, presents a vibrant panorama of twentieth-century black culture in America and around the world. Broken up into segments that examine in detail such subjects as children, work, art, beauty, Saturday night, and Sunday morning, the photos detail the history and the evolution of a culture. Each photograph, handpicked by Deborah Willis, America's leading historian of African American photography, celebrates the world of music, art, fashion, sports, family, worship, or play. With five hundred photographs from every time period from the birth of photography to the birth of hip-hop, this book is a truly joyous exhibition of black culture. From Jessie Owens to Barry Bonds, Ella Fitzgerald to Halle Berry, Black: A Celebration of a Culture is joyous and inspiring.

The Emancipation Proclamation is one of the most important documents in American history. As we commemorate its 150th anniversary, what do we really know about those who experienced slavery?In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs-some never before published-from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.Envisioning Emancipation illustrates what freedom looked like for black Americans in the Civil War era. From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end.Filled with powerful images of lives too often ignored or erased from historical records, Envisioning Emancipation provides a new perspective on American culture.

The characters in these thirteen masterful and engaging stories exist on the edge of danger, where landscapes melt into dreamscapes and every house is haunted. A drug dealer's girlfriend signs up for the first manned mission to Mars. A girl falls in love with a man who wants to turn her into a bird. A teenaged girl and her best friend test their relationship by breaking into suburban houses. A wife finds a gaping hole in the floor of the home she shares with her husband, a hole that only she can see. Full of longing and strange humor, these subtle, complex stories--about the love between a man and his pet crow, an alcoholic and his AA sponsor, a mute migrant and a newspaper reporter--show how love ties us to each other and to the world. The Dark and Other Love Stories announces the emergence of a wonderfully gifted storyteller whose stories enlarge our perceptions about the human capacity to love.

Double Exposure is a major new series based on the remarkable photography collection held by the Earl W. and Amanda Stafford Center for African American Media Arts at the NMAAHC. From pre-Civil War daguerreotype portraits to 21st-century digital prints, this is a striking record of the key historical events, the cultural touchstones and the private and communal moments of African American life. In addition to over fifty photographs, each volume includes an introduction by a leading historian, activist, photographer or writer, and a foreword by the NMAAHC's founding director Lonnie Bunch. Photographers include Spider Martin, Gordon Parks, Ernest C. Withers, Wayne F. Miller and Henri Cartier- Bresson. There are iconic images, such as McPherson and Oliver's Gordon under Medical Inspection (circa 1867) and Charles Moore's photographs of the 1963 Birmingham Children's Crusade, as well as unfamiliar or recently discovered images, including Henry Clay Anderson's postwar pictures of everyday life in the segregated black community in Greenville, Mississippi.

Tucked away in the dusty halls of the Smithsonian archives and nearly forgotten by most historians, black culture is a vast, complex, interconnected web of different people, trends, and lifestyles. Deborah Willis has dug through the archives and hunted down the remnants that tell the wonderful and tragic history of a people. Tackling all subjects with bravery and frankness, Deborah Willis’s work is a true treasure to behold. Black: A Celebration of a Culture presents a vibrant panorama of twentieth-century black culture in America and around the world. Broken up into segments that examine in detail such subjects as children, work, art, beauty, Saturday night, and Sunday morning, the photos detail the history and the evolution of a culture. Each photograph, handpicked by Deborah Willis, America’s leading historian of African American photography, celebrates the world of music, art, fashion, sports, family, worship, or play. With five hundred photographs from every time period from the birth of photography to the birth of hip-hop, this book is a truly joyous exhibition of black culture. From Jessie Owens to Barry Bonds, Ella Fitzgerald to Halle Berry, Black: A Celebration of a Culture is joyous and inspiring.

Out [o] Fashion Photography: Embracing Beauty investigates the transformative experience of the photograph. In this book Deborah Willis explores historical perceptions of beauty and desire through artistic and ethnographic imagery and the role individual photographers play in constructing ways of seeing. Through the themes of idealized beauty, the unfashionable body, the gendered image, and photography as memory, Willis challenges and makes problematic the "reading" of photographic images in the twenty-first century.Working from the significant photographic holdings of the University of Washington's Henry Art Gallery, and the University of Washington Libraries, Special Collections, the author examines shifting gender attitudes that emerged in work by women photographers such as Gertrude Käsebier and Diane Arbus. Willis discusses ethnographic ideologies underpinning the work of Edward Sheriff Curtis and Fred E. Miller who worked with Native American subjects, as well as the framing and reframing of images of black people in the work of Samuel Montague Fassett and Carrie Mae Weems. Additionally, the effects of fashion and desire on the imaging of beauty are examined in the work of such artists as Don Wallen, Janieta Eyre, and Jan Saudek. The book includes full-page illustrations of works by more than fifty internationally recognized photographers including Lisette Model, Imogen Cunningham, Lewis Wickes Hine, Bruce Davidson, Cecil Beaton, Nan Goldin, André Kertész, Lee Friedlander, Lorna Simpson, Cindy Sherman, and Andy Warhol.

The Emancipation Proclamation is one of the most important documents in American history. As we commemorate its 150th anniversary, what do we really know about those who experienced slavery?In their pioneering book, Envisioning Emancipation, renowned photographic historian Deborah Willis and historian of slavery Barbara Krauthamer have amassed 150 photographs-some never before published-from the antebellum days of the 1850s through the New Deal era of the 1930s. The authors vividly display the seismic impact of emancipation on African Americans born before and after the Proclamation, providing a perspective on freedom and slavery and a way to understand the photos as documents of engagement, action, struggle, and aspiration.Envisioning Emancipation illustrates what freedom looked like for black Americans in the Civil War era. From photos of the enslaved on plantations and African American soldiers and camp workers in the Union Army to Juneteenth celebrations, slave reunions, and portraits of black families and workers in the American South, the images in this book challenge perceptions of slavery. They show not only what the subjects emphasized about themselves but also the ways Americans of all colors and genders opposed slavery and marked its end.Filled with powerful images of lives too often ignored or erased from historical records, Envisioning Emancipation provides a new perspective on American culture.

Celebrated photographer Catherine Opie (born 1961) has long documented the faces and landscapes of American communities, both inside and outside the mainstream. The subjects of her highly regarded portraits have ranged from California surfers, friends and fixtures in LGBT communities, high school football players and the artist herself. In this series of photographs documenting the inauguration of President Barack Obama, Opie broadens her focus to an expanded community of Americans: on January 20, 2009, over one million people gathered on the national mall to see the swearing in of America's first black president, united by their pride at what had been accomplished and a collective hope for the future. In the tradition of Robert Frank's photographs of the 1956 Democratic National Convention in Chicago and William Eggleston's 1976 Election Eve series, Opie's Inauguration, a series of 100 photographs, offers an intimate political and personal view of one of the most public days of a nation. Accompanying texts by author, curator and photo-historian Deborah Willis and writer Eileen Myles address the significance of Opie's achievement with this body of work and further explore the wonder, elation and the self-conscious anticipations of this historic moment.