Dennis Walder

Amid the Alien Corn is a vivid, stylishly written memoir that takes its narrator from the bewilderment of childhood and youth towards the unfolding of a mother’s secrets, long suspected from a pervasive sense of something missing at the heart of his family. The book charts the journey from personal and political disorientation in apartheid Cape Town to professional fulfilment in Britain, where the discovery of an identity framed by the author’s commitment to literary study prompts a quest to explore the relationship between the individual and their times. To understand the roots of his mother Ruth’s emotional detachment, the writer pursues the truth about a family entwined within the systems of oppression that devastated the lives of Black Africans and European Jews throughout the 20th century.

Amid the Alien Corn is a vivid, stylishly written memoir that takes its narrator from the bewilderment of childhood and youth towards the unfolding of a mother’s secrets, long suspected from a pervasive sense of something missing at the heart of his family. The book charts the journey from personal and political disorientation in apartheid Cape Town to professional fulfilment in Britain, where the discovery of an identity framed by the author’s commitment to literary study prompts a quest to explore the relationship between the individual and their times. To understand the roots of his mother Ruth’s emotional detachment, the writer pursues the truth about a family entwined within the systems of oppression that devastated the lives of Black Africans and European Jews throughout the 20th century.

The importance of understanding Dickens's religion to obtain a full appreciation of his achievement has long been admitted; but this is the first critical study of the interaction between Dickens's religious beliefs and his creative imagination throughout his career. The novelist's religious beliefs are a pervasive and deeply felt presence in his works even if they are not always clearly thought out or expressed. Too discreet and humane to be as explicit, or as dull, as most of the professedly religious novelists of his time, Dickens nevertheless suggests in his own way a liberal Protestant belief, shot through with Romantic, transcendental yearnings, which undoubtedly appealed to a very wide range of readers. Dickens's religion is shown to be that of a great popular writer, who created a unique kind of fiction, and a unique relationship with his readers, by the absorption and transformation of less respectable contemporary forms, from fairy-tale and German romance to tract and print.Walder's thoroughly researched and lively book provides students of Dickens and the Victorian period with an original perspective on the novelist's methods and attitudes. He offers a judicious and informed exploration of Dickens's obsessive themes, from the 'fall' of innocence in Pickwick Papers, to the search for a religious 'answer' in Little Dorrit. Each chapter focuses upon the striking congruences revealed between individual novels, or groups of novels, and particular religious themes. The views expressed in Dickens's lesser fiction and non-fiction are drawn on throughout, as are those in the influential contemporary press.

This book offers an original and informed critique of a widespread, yet often misunderstood, condition — nostalgia, a pervasive human emotion connecting people across national, historical, and personal boundaries. Walder analyses the writings of some of those entangled in the aftermath of empire, tracing the hidden connections underlying their yearnings for a common identity and a homeland, and their struggles to recover their histories. Through a series of comparative reflections upon the representation in literary and related cultural forms of memory, he shows how admitting the past into the present through nostalgia enables former colonial or diasporic subjects to gain a deeper understanding of the networks of power within which they are caught in the modern world, and beyond which it may yet be possible to move. Considering authors as varied as V.S Naipaul, J.G. Ballard, Doris Lessing, W.G. Sebald, and Chimamanda Ngozi Adichie, as well as versions of "Bushman" song, Walder pursues the often wayward, ambiguous paths of nostalgia as it has been represented beyond, but also within, Europe, so as to identify some of those processes of communal and individual experience that constitute the present and, by implication, the future.

This book offers an original and informed critique of a widespread, yet often misunderstood, condition — nostalgia, a pervasive human emotion connecting people across national, historical, and personal boundaries. Walder analyses the writings of some of those entangled in the aftermath of empire, tracing the hidden connections underlying their yearnings for a common identity and a homeland, and their struggles to recover their histories. Through a series of comparative reflections upon the representation in literary and related cultural forms of memory, he shows how admitting the past into the present through nostalgia enables former colonial or diasporic subjects to gain a deeper understanding of the networks of power within which they are caught in the modern world, and beyond which it may yet be possible to move. Considering authors as varied as V.S Naipaul, J.G. Ballard, Doris Lessing, W.G. Sebald, and Chimamanda Ngozi Adichie, as well as versions of "Bushman" song, Walder pursues the often wayward, ambiguous paths of nostalgia as it has been represented beyond, but also within, Europe, so as to identify some of those processes of communal and individual experience that constitute the present and, by implication, the future.

The importance of understanding Dickens's religion to obtain a full appreciation of his achievement has long been admitted; but this is the first critical study of the interaction between Dickens's religious beliefs and his creative imagination throughout his career. The novelist's religious beliefs are a pervasive and deeply felt presence in his works even if they are not always clearly thought out or expressed. Too discreet and humane to be as explicit, or as dull, as most of the professedly religious novelists of his time, Dickens nevertheless suggests in his own way a liberal Protestant belief, shot through with Romantic, transcendental yearnings, which undoubtedly appealed to a very wide range of readers. Dickens's religion is shown to be that of a great popular writer, who created a unique kind of fiction, and a unique relationship with his readers, by the absorption and transformation of less respectable contemporary forms, from fairy-tale and German romance to tract and print.Walder's thoroughly researched and lively book provides students of Dickens and the Victorian period with an original perspective on the novelist's methods and attitudes. He offers a judicious and informed exploration of Dickens's obsessive themes, from the 'fall' of innocence in Pickwick Papers, to the search for a religious 'answer' in Little Dorrit. Each chapter focuses upon the striking congruences revealed between individual novels, or groups of novels, and particular religious themes. The views expressed in Dickens's lesser fiction and non-fiction are drawn on throughout, as are those in the influential contemporary press.

Athol Fugard is widely recognised as one of the most important living dramatists, a total man of the theatre. Professor Walder's study asks how successfully the South African's dramatist's work continues the search for reconciliation and harmony in a country still haunted by its terrible past.

In this original and accessible introduction to post-colonial literatures in English, Dennis Walder guides the reader through the historical, linguistic, and theoretical issues that inform post-colonial literary study.