Derek J. Thiess

American Fantastic challenges readers to recognize an organizing myth in modern American culture's perception of its imperialist past: 'the myth of redemptive violence.' Derek J. Thiess persuasively argues that this myth serves to obscure the deep thread of Christian supremacy that underwrites America's colonial and imperial impulse, from the early colonial period to westward expansion to the contemporary period. This American imaginary that enmeshes religion with violence is constructed in multiple contentious and productive contact zones: between genres, between cultures, and between past and present. Thiess's interdisciplinary study examines America's past and present imperial projects, from the periphery of the Hawaiian Islands to the mainland core, as they proliferate in popular story forms. By interrogating American myths, legends, and fantastic narratives across an impressive array of genres, including folk narratives, science fiction, movies, and more, Thiess exposes how the 'myth of redemptive violence' manifests in contemporary constructions of America's fantastic imaginaries.

Sport and Monstrosity in Science Fiction examines fantastic representations of sport in science fiction, both cataloguing this almost entirely unexamined literary tradition and arguing that the reason for its neglect reflects a more widespread social suspicion of the athletic body as monstrous. Combining scholarship of monstrosity with a biopolitically focused philosophy of embodiment, this work plumbs the depths of our abjection of the athletic body and challenges us to reconsider sport as an intersectional space. In this latter endeavour it contradicts the image presented by both the most dystopian films such as Deathrace and Rollerball as well as social criticism of sport that limits its focus to an essentially violent masculinity. The book traces an alternative tradition of sport sf through authors as diverse as Arthur C. Clarke, Steven Barnes, and Joan Slonczewski, exploring the way the intersectional categories of gender, race, and age in these works are negotiated in, for example, a solar wind sailing race or futuristic anti-gravity boxing. These complex athletic bodies display the social mobility that sport allows and challenge us to acknowledge our own monstrously animal bodies and our place in a “cycle of living and dying.”

Sport and Monstrosity in Science Fiction examines fantastic representations of sport in science fiction, both cataloguing this almost entirely unexamined literary tradition and arguing that the reason for its neglect reflects a more widespread social suspicion of the athletic body as monstrous. Combining scholarship of monstrosity with a biopolitically focused philosophy of embodiment, this work plumbs the depths of our abjection of the athletic body and challenges us to reconsider sport as an intersectional space. In this latter endeavour it contradicts the image presented by both the most dystopian films such as Deathrace and Rollerball as well as social criticism of sport that limits its focus to an essentially violent masculinity. The book traces an alternative tradition of sport sf through authors as diverse as Arthur C. Clarke, Steven Barnes, and Joan Slonczewski, exploring the way the intersectional categories of gender, race, and age in these works are negotiated in, for example, a solar wind sailing race or futuristic anti-gravity boxing. These complex athletic bodies display the social mobility that sport allows and challenge us to acknowledge our own monstrously animal bodies and our place in a “cycle of living and dying.”