Don Cusic

As one of the most iconic American singer-songwriters in history, Bob Dylan has been a major figure in music and one of the best-selling artists for over sixty years. Coming out of the Greenwich folk scene in the 1960s, Dylan’s music has evolved over the years and defies musical genres. While countless books have been written about Dylan, none have focused on how country music shaped his songwriting, performance style, and musical evolution. From his earliest years, Dylan was drawn to the country sounds he heard on the radio and on records. As he once said, Hank Williams was his first musical hero. Music historian Don Cusic traces this deep connection from Dylan’s childhood through his folk years, his Nashville recordings, and into his later work—revealing how country music has remained a consistent thread throughout Dylan's long and restless career. Now in his eighties and still performing, Dylan continues to draw from the well of country music, learning new songs and incorporating them into his live sets and recordings. This book offers fresh insight into Dylan’s artistry by examining the genre that has inspired and sustained him for decades.

As one of the most iconic American singer-songwriters in history, Bob Dylan has been a major figure in music and one of the best-selling artists for over sixty years. Coming out of the Greenwich folk scene in the 1960s, Dylan’s music has evolved over the years and defies musical genres. While countless books have been written about Dylan, none have focused on how country music shaped his songwriting, performance style, and musical evolution. From his earliest years, Dylan was drawn to the country sounds he heard on the radio and on records. As he once said, Hank Williams was his first musical hero. Music historian Don Cusic traces this deep connection from Dylan’s childhood through his folk years, his Nashville recordings, and into his later work—revealing how country music has remained a consistent thread throughout Dylan's long and restless career. Now in his eighties and still performing, Dylan continues to draw from the well of country music, learning new songs and incorporating them into his live sets and recordings. This book offers fresh insight into Dylan’s artistry by examining the genre that has inspired and sustained him for decades.

"Take the backroads, not the highways," Minnie Pearl often said—a sentiment that captures her life's winding, unpredictable journey. Born Sarah Ophelia Colley in 1912, she grew up in Centerville, Tennessee. This small-town upbringing inspired her imagined hometown of Grinder's Switch.During the Great Depression, Sarah moved to Nashville to study theater at the Ward-Belmont School. After graduating, she joined a touring theater company and performed throughout the Southeast. It was on the road, in 1936, that she met and stayed with Mattie Burden. Mattie became the inspiration for Minnie Pearl's iconic persona—a witty country girl known for her signature greeting and straw hat with a dangling price tag. Minnie Pearl's big break came in 1940 when a friend of a WSM radio executive saw her perform and recommended her for the Grand Ole Opry. Her debut marked the beginning of a career that spanned more than fifty years. Garth Brooks later remarked, "When she walked out, everybody waited for the 'How-dee!' It's just two syllables, one word, but every time she said it—it felt like it was just for you." At the Opry, the "Queen of Country Comedy" shared the spotlight with legends like Patsy Cline and Hank Williams. After World War II, she became a mentor and matriarch, befriending a young June Carter and warming up the crowd for Johnny Cash's Opry debut in 1955. Throughout her career, Cannon skillfully balanced her dual roles as Minnie and Sarah. Whether at the Opry, on the road, or on Hee Haw, Minnie remained a trusted friend to female performers like Dolly Parton, Tanya Tucker, and Reba McEntire. As k.d. lang noted, "Minnie understood where country music needed to go and who it needed to embrace. She was a visionary." Rich with 155 historic photographs, this definitive biography covers the many chapters of Sarah Cannon's life. Drawing from archives and interviews with those who knew her, Howdy! The Minnie Pearl Story, captures not only Cannon's enduring humor and impact, but also the woman behind the laughter.

In America and the American Record Business, Don Cusic weaves the history of the music, the business and the technology that has created the contemporary recording industry against a backdrop of American history. The music, business is the music, the business and the technology rolled together and Cusic chronicles the development of each and how they are intertwined. The development of pop, country music, blues, jazz and other forms of commercial music, along with the creation of major record labels and the development of the technology that captured the music is told against the background of American history.

From the songs he learned as a school boy at Harrow to Music Hall songs and the operas of Gilbert and Sullivan, Winston Churchill had a lifelong love of music. During World War II, when Churchill led England and the world agains tthe Nazis, he often relaxed by listening to songs on the gramophone. In this book, Don Cusic tells the story of Winston Churchill's love of music.

While on a Nieman Fellowship at Harvard, journalist and novelist Paul Hemphill wrote of that pivotal moment in the late sixties when traditional defenders of the hillbilly roots of country music were confronted by the new influences and business realities of pop music. The demimonde of the traditional Nashville venues (Tootsie’s Orchid Lounge, Robert’s Western World, and the Ryman Auditorium) and first-wave artists (Roy Acuff, Ernest Tubb, and Lefty Frizzell) are shown coming into first contact, if not conflict, with a new wave of pop-influenced and business savvy country performers (Jeannie C. “Harper Valley PTA” Riley, Johnny Ryles, and Glen Campbell) and rock performers (Bob Dylan, Gram Parsons, the Byrds, and the Grateful Dead) as they took the form well beyond Music City. Originally published in 1970, The Nashville Sound shows the resulting identity crisis as a fascinating, even poignant, moment in country music and entertainment history.

Saved by Song returns to print with its sweeping overview of the history of gospel music. Powerful and incisive, the book traces contemporary Christianity and Christian music to the sixteenth century and the Protestant Reformation after examining music in the Bible and early church.In America, gospel music has been divided between white and black gospel. Within these divisions are further divisions: southern gospel, contemporary Christian music, spirituals, and hymns. Don Cusic has provided background and insight into the developments of all these rich facets of gospel music. From the psalms of the early Puritans through the hymns of Isaac Watts and the social activism of the Wesleys, to the camp meeting songs of the Kentucky Revival, the spirituals that came from the slave culture, and the hymns from the great revival after the Civil War, gospel music advanced through the nineteenth century. The twentieth century brought the technologies of recordings and the electronic media to gospel music.Saved by Song is ultimately the definitive and complete history of a uniquely American art form. It is a must for anyone interested in the musical and spiritual life of a nation.