Don Handelman

One, God, Two Goddesses presents three studies, one of Tamil myths of the god Murugan and two of goddess rituals: Gangamma in Tirupati and Paiditalli in Vizianagaram, both in Andhra Pradesh. All three essays search for lineaments of the cosmos that these deities inhabit and shape. These cosmoi are characterised by the dynamism of their incessant interior movement. Should they become still, they would die. Deities activate and regenerate such a cosmos. The dynamism of Murugan’s cosmos eliminates the chaotic. Through ritual, Gangamma regenerates her cosmos through feminising it. Through ritual, Paiditalli annually re-grows the historic little kingdom of Vizianagaram, regenerating its kingship. All three studies point to the need to rethink cosmology in South India.

National festivals. Military parades. Patriotic memorials. Such public events and tributes naturally bring to mind the idea of nationalism. But what is the cultural logic behind them? How does a country such as Israel facilitate state-related public events as enactments of nationalism? To answer these questions, renowned anthropologist Don Handelman unpacks the meaning of national ritual and symbol in Israel today. He argues that public events mirror social order, a mirror that reflects to its participants and audiences the message that the designers of such events wish to communicate. Handelman considers the meaning of Holocaust and military memorialism, and he investigates the role of holiday celebrations, especially how they affect young children first learning about their country. Analyzing state ceremonies such as Holocaust Remembrance Day for the war dead, and Independence Day, he notes the absence of minorities and examines their significance in the promotion of a national identity. He also looks at how Israel exports powerful symbols of statehood. Throughout, Handelman develops his theory of bureaucratic logic as the driving force behind expressions of nationalism in the modern state. He argues that bureaucratic logic has a much wider cachet than simply functioning as a way of thinking only about bureaucratic institutions. The logic is crucial to how these institutions function, but more so, it is a dominant force in forming modern state social order. Bureaucratic logic is used incessantly to invent and to modify all kinds of systems of classification that often have profound consequences for individuals and for groups, and that are ritualized powerfully through a host of state-related public events.

National festivals. Military parades. Patriotic memorials. Such public events and tributes naturally bring to mind the idea of nationalism. But what is the cultural logic behind them? How does a country such as Israel facilitate state-related public events as enactments of nationalism? To answer these questions, renowned anthropologist Don Handelman unpacks the meaning of national ritual and symbol in Israel today. He argues that public events mirror social order, a mirror that reflects to its participants and audiences the message that the designers of such events wish to communicate. Handelman considers the meaning of Holocaust and military memorialism, and he investigates the role of holiday celebrations, especially how they affect young children first learning about their country. Analyzing state ceremonies such as Holocaust Remembrance Day for the war dead, and Independence Day, he notes the absence of minorities and examines their significance in the promotion of a national identity. He also looks at how Israel exports powerful symbols of statehood. Throughout, Handelman develops his theory of bureaucratic logic as the driving force behind expressions of nationalism in the modern state. He argues that bureaucratic logic has a much wider cachet than simply functioning as a way of thinking only about bureaucratic institutions. The logic is crucial to how these institutions function, but more so, it is a dominant force in forming modern state social order. Bureaucratic logic is used incessantly to invent and to modify all kinds of systems of classification that often have profound consequences for individuals and for groups, and that are ritualized powerfully through a host of state-related public events.

Ritual is one of the most discussed cultural practices, yet its treatment in anthropological terms has been seriously limited, characterized by a host of narrow conceptual distinctions. One major reason for this situation has been the prevalence of positivist anthropologies that have viewed and summarized ritual occasions first and foremost in terms of their declared and assumed functions. By contrast, this book, which has become a classic, investigates them as epistemological phenomena in their own right. Comparing public events - a domain which includes ritual and related occasions - the author argues that any public event must first be comprehended through the logic of its design. It is the logic of organization of an occasion which establishes in large measure what that occasion is able to do in relation to the world within which it is created and practiced.

This book offers a new exploration of the mythology of the Hindu god Siva, who spends his time playing dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. Hindus maintain that Siva is perpetually absorbed in this game, which is recreated in innumerable stories, poems, paintings, and sculptural carvings. This notion of the god at play, arguee Handelman and Shulman, is one of the most central and expressive veins in the metaphysics elaborated through the centuries, in many idioms and modes, around the god. The book comprises three interlocking essays; the first presents the dice-game proper, in the light of the texts and visual depictions the authors have collected. The second and third chapters take up two mythic "sequels" to the game. Based on their analysis of these sequels, the authors argue that notions of "asceticism" so frequently associated with Siva, with Yoga, and with Hindu religion are, in fact, foreign to Hinduism's inherent logic as reflected in Siva's game of dice. They suggest an alternative reading of this set of practices and ideas, providing startling new insights into Hindu mythology and the major poetic texts from the classical Sanskrit tradition.

This book offers a new exploration of the mythology of the Hindu god Siva, who spends his time playing dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. Hindus maintain that Siva is perpetually absorbed in this game, which is recreated in innumerable stories, poems, paintings, and sculptural carvings. This notion of the god at play, argue Handelman and Shulman, is one of the most central and expressive veins in the metaphysics elaborated through the centuries, in many idioms and modes, around the god. The book comprises three interlocking essays; the first presents the dice-game proper, in the light of the texts and visual depictions the authors have collected. The second and third chapters take up two mythic "sequels" to the game. Based on their analysis of these sequels, the authors argue that notions of "asceticism" so frequently associated with Siva, with Yoga, and with Hindu religion are, in fact, foreign to Hinduism's inherent logic as reflected in Siva's game of dice. They suggest an alternative reading of this set of practices and ideas, providing startling new insights into Hindu mythology and the major poetic texts from the classical Sanskrit tradition.