Donald Gene Pace

The Guide to AIDS is succinct review of HIV/AIDS from a human-interest perspective. Chapters focus on some of the common patterns and prevention of HIV transmission and debunks misconceptions about HIV and AIDS. Brief descriptions the human immune system and epidemiology of HIV are included. The cultural component of disease, treatment and living with AIDS is central to much of this guide intended to synthesize, explain and de-mystify HIV and AIDS.key selling featurws: Provides a simplified brief review of HIV and the disease it causes - AIDSDebunks myths associated with HIV transmision such as through mosquito bitesIdentifies simple and low cost ways to prevent the transmission and spread of HIVIllustrates the crucial role that culture plays in the prevention of HIV spread and AIDS treatmentPuts a human face on the problem of diagnosing and living with AIDS

The Guide to AIDS is succinct review of HIV/AIDS from a human-interest perspective. Chapters focus on some of the common patterns and prevention of HIV transmission and debunks misconceptions about HIV and AIDS. Brief descriptions the human immune system and epidemiology of HIV are included. The cultural component of disease, treatment and living with AIDS is central to much of this guide intended to synthesize, explain and de-mystify HIV and AIDS.

Confessional literature stretches beyond autobiography and overlaps every literary genre. It is eminently dramatic and always performative, it is a hopeful crying out in response to crisis, and a plea for reconciliation with community. It is an individual's private admission of guilt or a community's open plea for mercy, an auricular-ocular confession, and a pervasive human activity that is both heard and seen. This study introduces two major theoretical perspectives that have been consistently overlooked: the performance nature of confession, and the incorrect classification of confession as only a subset of autobiography. As this book demonstrates, confession is not always autobiographical but is always performative.