Donald Patterson

This is the first book to focus exclusively on Vincent Persichetti, whose widespread influence as composer, conductor, and educator has had a significant impact on twentieth-century American music. A gifted pianist, Persichetti often performed the works of others as well as his own, and many of his compositions have become classics of the twentieth-century repertoire. Because of his long teaching career and guest appearances at universities throughout the United States, Persichetti became an important figure in American musical education as well, and is the author of the definitive textbook on twentieth-century harmony. The present volume contains the most extensive selection of biographical material ever published on Persichetti, and provides a listing of his compositions by chronology and opus number. It details the premiere of each work and describes other major performances, which are cross-referenced to citations in the bibliography and discography. Following the annotated bibliography of more than 507 entries on all aspects of Persichetti's style and music is an annotated bibliographical section on Persichetti's writings. There is an extensive discography of commercially produced recordings which includes, for each selection, information on performers date of issue and recording company. In addition, the appendixes provide alphabetical, chronological, and opus-number-order listing of all his works. This volume, Number 16 in The Music Reference Collection: Bio-Bibliographies in Music, is intended as an introduction to Persichetti's life and work, and it provides a source of useful research materials for scholars, educators performers, historians, and professionals in the field of music.

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This guide to the piano literature for the one-handed pianist surveys over 2,100 individual piano pieces which include not only concert literature but pedagogical pieces as well. Following the introduction are four chapters cataloguing original works for the right hand alone, original works for the left hand alone, music arranged or transcribed for one hand alone, and concerted works for one hand in concert with other pianists, instruments, or voices. Each entry assesses the individual composition, its quality, its difficulty, its particular appeal, and its uses with the composer's name, dates, and nationality, where possible. Also included is a selected discography of commercially produced phonodiscs, compact discs, and cassettes. Instructors and pianists alike will appreciate this exhaustive guide to one-handed piano music. To aid further research, a bibliography of books, articles, and theses about the literature is provided along with a chapter that lists the contents of thirty-six anthologies devoted to one-handed piano music. This unique reference also includes an index.