Dwight Reynolds

The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.

Medieval Arab Music and Musicians offers complete, annotated English translations of three of the most important medieval Arabic texts on music and musicians: the biography of the musician Ibrahim al-Maw?ili from al-I?bahani’s Kitab al-Aghani (10th c), the biography of the musician Ziryab from Ibn ?ayyan’s Kitab al-Muqtabis (11th c), and the earliest treatise on the muwashsha? Andalusi song genre, Dar al-?iraz, by the Egyptian scholar Ibn Sana’ al-Mulk (13th c). Al-Maw?ili, the most famous musician of his era, was also the teacher of the legendary Ziryab, who traveled from Baghdad to al-Andalus and is often said to have laid the foundations of Andalusi music. The third text is crucial to any understanding of the medieval muwashsha? and its possible relations to the Troubadours, the Cantigas de Santa María, and the Andalusi musical traditions of the modern Middle East.

The Musical Heritage of Al-Andalus is a critical account of the history of Andalusian music in Iberia from the Islamic conquest of 711 to the final expulsion of the Moriscos (Spanish Muslims converted to Christianity) in the early 17th century. This volume presents the documentation that has come down to us, accompanied by critical and detailed analyses of the sources written in Arabic, Old Catalan, Castilian, Hebrew, and Latin. It is also informed by research the author has conducted on modern Andalusian musical traditions in Morocco, Algeria, Tunisia, Egypt, Lebanon and Syria. While the cultural achievements of medieval Muslim Spain have been the topic of a large number of scholarly and popular publications in recent decades, what may arguably be its most enduring contribution – music – has been almost entirely neglected. The overarching purpose of this work is to elucidate as clearly as possible the many different types of musical interactions that took place in medieval Iberia and the complexity of the various borrowings, adaptations, hybridizations, and appropriations involved.

The Arab world is constantly in the news. This book gives students and general readers an introduction to Arab culture by surveying the folklore of the region. The volume defines and classifies different types of folklore and provides a wide range of examples and texts. It looks at the critical and scholarly response to Arab folklore and the place of Arab folklore in contemporary culture. Included are references to numerous print and electronic works for further reading. The Arab world is constantly in the news, and students and general readers need to become familiar with Arab culture. Central to any society are the beliefs and customs held dear by the people. In examining Arab folklore, this book provides a fundamental understanding of the ways of the Arab world. In doing so, it helps readers appreciate Arab culture and gain insight into one of the world's most politically and economically important regions. Arab folklore is exotic to most students, and this volume begins by defining and classifying different folklore types. It then provides a wide range of examples and texts related to Arab folklore. It surveys the critical and scholarly response to Arab folklore and discusses the importance of Arab folklore to popular culture. The volume closes with a bibliography of print and electronic sources for further reading.