E. L. Doctorow

'I was living in even greater circles of gangsterdom than I had dreamed, latitudes and longitudes of gangsterdom'It's 1930's New York and fifteen-year-old streetkid Billy, who can juggle, somersault and run like the wind, has been taken under the wing of notorious gangster Dutch Schultz. As Billy learns the ways of the mob, he becomes like a son to Schultz - his 'good-luck kid' - and is initiated into a world of glamour, death and danger that will consume him, in this vivid, soaring epic of crime and betrayal.

The classic novel of an America inflamed by Cold War hysteria.

The brilliant new novel by an American master.

NEW YORK TIMES BESTSELLER With brilliant and audacious strokes, E. L. Doctorow creates a breathtaking collage of memories, events, visions, and provocative thought, all centered on an idea of the modern reality of God. At the heart of this stylistically daring tour de force is a detective story about a cross that vanishes from a rundown Episcopal church in lower Manhattan only to reappear on the roof of an Upper West Side synagogue. Intrigued by the mystery--and by the maverick rector and the young rabbi investigating the strange act of desecration--is a well-known novelist, whose capacious brain is a virtual repository for the ideas and disasters of the age. Daringly poised at the junction of the sacred and the profane, filled with the sights and sounds of New York, and encompassing a large cast of vividly drawn characters including theologians, scientists, Holocaust survivors, and war veterans, City of God is a monumental work of spiritual reflection, philosophy, and history by America's preeminent novelist and chronicler of our time. Praise for City of God "A grander perspective on the universe . . . a novel that sets its sights on God."--The Wall Street Journal "Dazzling . . . The true miracle of City of God is the way its disparate parts fuse into a consistently enthralling and suspenseful whole."--Time "Blooms with humor, and a humanity that carries triumphant as intelligent a novel as one might hope to find these days."--Los Angeles Times "Radiates with] panoramic ambition and spiritual incandescence."--Chicago Tribune "One of the greatest American novels of the past fifty years . . . Reading City of God restores one's faith in literature."--The Houston Chronicle

From a master of modern American letters comes an enthralling collection of brilliant short fiction about people who, as E. L. Doctorow notes in his Preface, are somehow "distinct from their surroundings--people in some sort of contest with the prevailing world." Containing six unforgettable stories that have never appeared in book form, and a selection of previous classics, All the Time in the World is resonant with the mystery, tension, and moral investigation that distinguish the fiction of E. L. Doctorow.

Includes 'Wakefield', which is now a major motion picture starring Bryan Cranston.A wedge is driven between a husband and wife when a mysterious strangerarrives, claiming to have grown up in their home. After agreeing to marry abeautiful, headstrong Russian immigrant in exchange for a promotion, a bus boyturned waiter finds himself entangled in a web of organized crime. A strangeconfluence of circumstances at the end of an ordinary workday causes a man togo off the grid, living off what he can forage in the same affluent suburb where heonce lived comfortably with his family. These and the other mesmerizing works ofshort fiction in this collection are resonant with the mystery, tension, beauty, andinsight that distinguish E. L. Doctorow's novels. Containing six new stories thathave never appeared in book form, and a selection of previous Doctorow classics,All the Time in the World affords us another opportunity to savor the genius of this American master.

Doctorows klassiker i tysk översättning.

* A new masterpiece from E. L. Doctorow - the story of two eccentric New York brothers adapting to life in a century of change, it is humane, wise, funny and moving

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE SAN FRANCISCO CHRONICLE, THE CHICAGO TRIBUNE, THE ST. LOUIS POST-DISPATCH, THE KANSAS CITY STAR, AND BOOKLIST Homer and Langley Collyer are brothers--the one blind and deeply intuitive, the other damaged into madness, or perhaps greatness, by mustard gas in the Great War. They live as recluses in their once grand Fifth Avenue mansion, scavenging the city streets for things they think they can use, hoarding the daily newspapers as research for Langley's proposed dateless newspaper whose reportage will be as prophecy. Yet the epic events of the century play out in the lives of the two brothers--wars, political movements, technological advances--and even though they want nothing more than to shut out the world, history seems to pass through their cluttered house in the persons of immigrants, prostitutes, society women, government agents, gangsters, jazz musicians . . . and their housebound lives are fraught with odyssean peril as they struggle to survive and create meaning for themselves.

Innocence is lost to unforgettable experience in these brilliant stories by E. L. Doctorow, as full of mystery and meaning as any of the longer works by this American master. In "The Writer in the Family," a young man learns the difference between lying and literature after he is induced into deceiving a relative through letters. In "Wili," an early-twentieth-century idyll is destroyed by infidelity. In "The Foreign Legation," a girl and an act of political anarchy collide with devastating results. These and other stories flow into the novella "Lives of the Poets," in which the images and themes of the earlier stories become part of the narrator's unsparing confessions about his own mind, offering a rare look at the creative process and its connection to the heart.

To open this book is to enter the perilous, thrilling world of Billy Bathgate, the brazen boy who is accepted into the inner circle of the notorious Dutch Schultz gang. Like an urban Tom Sawyer, Billy takes us along on his fateful adventures as he becomes good-luck charm, apprentice, and finally prot g to one of the great murdering gangsters of the Depression-era underworld in New York City. The luminous transformation of fact into fiction that is E. L. Doctorow's trademark comes to triumphant fruition in Billy Bathgate, a peerless coming-of-age tale and one of Doctorow's boldest and most beloved bestsellers.

E. L. Doctorow is acclaimed internationally for such novels as Ragtime, Billy Bathgate, and The March. Now here are Doctorow's rich, revelatory essays on the nature of imaginative thought. In Creationists, Doctorow considers creativity in its many forms: from the literary (Melville and Mark Twain) to the comic (Harpo Marx) to the cosmic (Genesis and Einstein). As he wrestles with the subjects that have teased and fired his own imagination, Doctorow affirms the idea that "we know by what we create." Just what is Melville doing in Moby-Dick? And how did The Adventures of Tom Sawyer impel Mark Twain to radically rewrite what we know as Huckleberry Finn? Can we ever trust what novelists say about their own work? How could Franz Kafka have written a book called Amerika without ever leaving Europe? In posing such questions, Doctorow grapples with literary creation not as a critic or as a scholar-but as one working writer frankly contemplating the work of another. It's a perspective that affords him both protean grace and profound insight. Among the essays collected here are Doctorow's musings on the very different Spanish Civil War novels of Ernest Hemingway and Andr Malraux; a candid assessment of Edgar Allan Poe as our "greatest bad writer"; a bracing analysis of the story of Genesis in which God figures as the most complex and riveting character. Whether he is considering how Harpo Marx opened our eyes to surrealism, the haunting photos with which the late German writer W. G. Sebald illustrated his texts, or the innovations of such literary icons as Heinrich von Kleist, Harriet Beecher Stowe, and Sinclair Lewis, Doctorow is unfailingly generous, shrewd, attentive, surprising, and precise.In examining the creative works of different times and disciplines, Doctorow also reveals the source and nature of his own artistry. Rich in aphorism and anecdote, steeped in history and psychology, informed by a lifetime of reading and writing, Creationists opens a magnificent window into one of the great creative minds of our time.

Das große amerikanische Antikriegsepos - ausgezeichnet mit dem PEN/Faulkner Award. E.L. Doctorow erzählt von Liebe in Zeiten der Gewalt, von Idealen im Malstrom der Schlacht und vom Krieg als alles erschlingendem Ungeheuer - gestern wie heute. Ein von der Kritik gefeierter und mit dem PEN/Faulkner Award ausgezeichneter US-Bestseller (Platz 3). 1865, der Amerikanische Bürgerkrieg liegt in den letzten Zügen. General William T. Sherman marschiert mit einer Armee von sechzigtausend Mann durch Georgia, South und North Carolina. Die notdürftig ausgestatteten Rebellen der Südstaaten haben keine Chance gegen die hochgerüstete Union. Und folglich führt Shermans Marsch zum Sieg der Nord- über die Südstaaten und zur Abschaffung der Sklaverei. Doch am Ende ist jeder Opfer des Krieges: einfache Soldaten ebenso wie hochstehende Generäle, befreite Sklaven ebenso wie ihre Unterdrücker, die Bewohner des Nordens wie des Südens. ?Der Marsch? eröffnet das eindringliche Panorama einer der schmerzhaftesten Epochen der amerikanischen Geschichte. Mit großem Einfühlungsvermögen folgt er den Protagonisten dieses unfassbaren Dramas und zeigt dem Leser mit ungeheurer Suggestivkraft, mit welcher Wucht jeder Krieg eine zivilisierte Welt in Barbarei und Chaos stürzen kann - aber auch, dass in jedem Chaos der Keim für einen Neubeginn steckt.

Winner of the National Book Award - "Marvelous . . . You get lost in World's Fair as if it were an exotic adventure. You devour it with the avidity usually provoked by a suspense thriller."--The New York TimesHailed by critics from coast to coast and by readers of all ages, this resonant novel is one of E.L. Doctorow's greatest works of fiction. It is 1939, and even as the rumbles of progress are being felt worldwide, New York City clings to remnants of the past, with horse-drawn wagons, street peddlers, and hurdy-gurdy men still toiling in its streets. For nine-year-old Edgar Altschuler, life is stoopball and radio serials, idolizing Joe DiMaggio, and enduring the conflicts between his realist mother and his dreamer of a father. The forthcoming Word's Fair beckons, an amazing vision of American automation, inventiveness, and prosperity--and Edgar Altschuler responds. A marvelous work from a master storyteller, World's Fair is a book about a boy who must surrender his innocence to come of age, and a generation that must survive great hardship to reach its future. Praise for World's Fair"Something close to magic."--Los Angeles Times"World's Fair is better than a time capsule; it's an actual slice of a long-ago world, and we emerge from it as dazed as those visitors standing on the corner of the future."--Anne Tyler"Doctorow has managed to regain the awed perspective of a child in this novel of rare warmth and intimacy. . . . Stony indeed in the heart that cannot be moved by this book."--People"Fascinating . . . exquisitely rendered details of a lost way of life."--Newsweek"Wonderful reading."--USA Today

The central figure of this novel is a young man whose parents were executed for conspiring to steal atomic secrets for Russia. His name is Daniel Isaacson, and as the story opens, his parents have been dead for many years. He has had a long time to adjust to their deaths. He has not adjusted. Out of the shambles of his childhood, he has constructed a new life--marriage to an adoring girl who gives him a son of his own, and a career in scholarship. It is a life that enrages him. In the silence of the library at Columbia University, where he is supposedly writing a Ph.D. dissertation, Daniel composes something quite different. It is a confession of his most intimate relationships--with his wife, his foster parents, and his kid sister Susan, whose own radicalism so reproaches him. It is a book of memories: riding a bus with his parents to the ill-fated Paul Robeson concert in Peekskill; watching the FBI take his father away; appearing with Susan at rallies protesting their parents' innocence; visiting his mother and father in the Death House. It is a book of investigation: transcribing Daniel's interviews with people who knew his parents, or who knew about them; and logging his strange researches and discoveries in the library stacks. It is a book of judgments of everyone involved in the case--lawyers, police, informers, friends, and the Isaacson family itself. It is a book rich in characters, from elderly grand- mothers of immigrant culture, to covert radicals of the McCarthy era, to hippie marchers on the Pen-tagon. It is a book that spans the quarter-century of American life since World War II. It is a book about the nature of Left politics in this country--its sacrificial rites, its peculiar cruelties, its humility, its bitterness. It is a book about some of the beautiful and terrible feelings of childhood. It is about the nature of guilt and innocence, and about the relations of people to nations. It is The Book of Daniel.

"An elegant page-turner of nineteenth-century detective fiction."-The Washington Post Book World One rainy morning in 1871 in lower Manhattan, Martin Pemberton a freelance writer, sees in a passing stagecoach several elderly men, one of whom he recognizes as his supposedly dead and buried father. While trying to unravel the mystery, Pemberton disappears, sending McIlvaine, his employer, the editor of an evening paper, in pursuit of the truth behind his freelancer's fate. Layer by layer, McIlvaine reveals a modern metropolis surging with primordial urges and sins, where the Tweed Ring operates the city for its own profit and a conspicuously self-satisfied nouveau-riche ignores the poverty and squalor that surrounds them. In E. L. Doctorow's skilled hands, The Waterworks becomes, in the words of The New York Times, "a dark moral tale . . . an eloquently troubling evocation of our past." "Startling and spellbinding . . . The waters that lave the narrative all run to the great confluence, where the deepest issues of life and death are borne along on the swift, sure vessel of Doctorow's] poetic imagination."-The New York Times Book Review "Hypnotic . . . a dazzling romp, an extraordinary read, given strength and grace by the telling, by the poetic voice and controlled cynical lyricism of its streetwise and world-weary narrator."-The Philadelphia Inquirer "A gem of a novel, intimate as chamber music . . . a thriller guaranteed to leave readers with residual chills and shudders."-Boston Sunday Herald "Enthralling . . . a story of debauchery and redemption that is spellbinding from first page to last."-Chicago Sun-Times "An immense, extraordinary achievement."-San Francisco Chronicle

* A dazzling collection of short works crafted with all the weight and resonance of the novels for which E.L. Doctorow is famous