Edward Lee

Cult authors Edward Lee and Mary SanGiovanni’s novel follows an insufferable horror-con lurker as he spurns the wrong woman and is cursed to a monstrous dimension full of Lovecraftian creations.Professor Everard, weird fiction scholar and proclaimed critic of H.P Lovecraft's works, is no stranger to making people mad. Giving convention presentations on the triteness and melodrama of Lovecraft's work pays the bills, though. Sometimes he even gets laid. When he angers a beautiful but dangerous witch and devotee of Lovecraft's work, she casts a spell on him, sending him to a dimension where Lovecraft's works are very real—and very deadly. Everard must find a way through this alternate dimension to get home, before the worst of Lovecraft's horrors prove what a master of monstrosities he really was.Edward lee’s humorous transgressive style meets Mary SanGiovanni’s literary touch to carve out the Lovecraftian dimensions that is Strange Stones.

Three novels from the Godfather of Extreme Horror, Edward Lee, collected together in an orgy of erotic and unsettling tribute to H.P. Lovecraft.The Dunwhich Romance - Only hardcore horror scribe Edward Lee would dare sequelize Lovecraft's The Dunwich Horror in a manner so explicit and so sublimely obscene. A story that drags the reader through a screaming black arcade of jerkwater sex, articulate gore, and unmitigated grotesquerie.The Innswich Horror - In July, 1939, antiquarian and Lovecraft afficionado Foster Morley takes a scenic bus tour. He wants to go where Lovecraft went and to see what he saw. When he happens upon the curious, secluded waterfront prefect known as Innswich Point he assumes the curiosity of the name is mere coincidence, but in less than twenty-four hours, he'll learn that he couldn't be more mistaken. For beneath the rotting wharves and behind the teetering facades of the decrepit Innswich Point, the worst secret of all has yet to be revealed ... Trolley No. 1852 - Through the midnight bowels of New York City, the decrepit trolley clatters on, its single yellow headlight illumining one desolate alley and squalid, trash-strewn street after the next, through crumbling ghettos and betwixt drab skyscrapers and labyrinthine edifices-indeed, the very guts of the Depression-ravaged metropolis. The Trolley admits only a special sort of rider and takes them to a very select destination ... THE 1852 CLUB ... What is the meaning behind the cryptic number, and what is the ghastly truth behind the club's voluptuous madam? For, yes, the 1852 Club is a bordello of the most macabre discrimination.

In his highly anticipated follow-up to the James Beard Award-winning Buttermilk Graffiti, Edward Lee examines his favourite libation-bourbon-with recipes, essays, history, profiles, distillery tours, and more.Knowledgeable, entertaining, and more than a little infatuated with his subject, award-winning food writer and chef Edward Lee gives us his insight into bourbon, telling us everything we should know about the mellow honey-brown treasure that's put Kentucky on the global map: How bourbon is made. Its history. How to read a label. A look inside the famous distilleries, from Jack Daniel's to Buffalo Trace. The influence of oak. Tours of Kentucky's bourbon regions. How to taste bourbon like a professional. And, in the most delicious surprise, how to cook with bourbon, with 50 recipes from Bourbon-Glazed Chicken Wings and Blackened Salmon with Bourbon-Soy Marinade to a Bourbon and Butterscotch Pudding. Plus the best Old-Fashioned you'll ever mix.

The kids go into the bounce house, but when they come out...they're not kids anymore. When a cam girl drives to the nearest grocery store, her GPS navigator takes her to another far more interesting location. Very pregnant Teresa has all her stuck-up friends coming for her baby shower, but there's one guest who wasn't invited, and his gift is most unusual: a jellyfish. The billionaire's mansion has many dark hallways but at the end of one of them you'll find a curious array of artifacts, including Elvis Presley's excrement, President Kennedy's brain-bucket, and one other thing that really takes the cake... After forty years of writing demented horror fiction, Edward Lee is still truckin', and he invites you to pull up a chair and spend a few more evenings in his world...

COME TAKE A GUIDED TOUR OF LUCIFER'S HOUSE Theology student Hudson has just won the lottery, but not just any lottery-Satan's lottery. Only eleven people in all of human history have been so honored since Lucifer's fall from Heaven in 5318 B.C. All Hudson need do is say "yes," and he will receive an all-expenses-paid tour of Hell, and his tour-guide is the damned soul of H.P. Lovecraft, the greatest horror writer of all time... And into the Abyss, Hudson ventures, to witness carnal pleasures that boggle the mind and horrors piled upon horrors within the smoking, screaming metropolis that is now Lucifer's domain. But will Hudson make the ultimate choice and disavow his salvation to become an aristocrat in Hell? A house with atrocities soaked in its walls, a Christian church perverted into a chapel of abomination, infant corpses exhumed for a diabolic rite... These ingredients are only the beginning of Edward Lee's latest excursion into hardcore occult horror. LUCIFER'S LOTTERY takes the reader on a macabre and harrowing trek of unspeakable evil, devilish intrigue, demented eroticism, and ends in the very mansion of Satan himself...

The trichinosis worm is one of nature's most revolting parasites. Certain types of this tiny worm alter a host's DNA by injecting a virus which mutates the reproductive system. This forces the host to bear the worm's young. Typically these worms are never longer than a few millimeters. But guess what? Now there's a subspecies that's thirty feet long... When Nora and her team arrive at the island, she expects a routine zoological excursion...but it doesn't take her long to realize they're not alone. Are her lurid sexual dreams making her paranoid...or is she being watched? The dead bodies they find are bad enough, but then her own team members begin to disappear, and when they return, they've...changed. Indeed, there are other people on the island...along with something else far worse.

A leading legal scholar offers a compelling new theory to explain the meteoric rise of non-fungible tokens (NFTs) and their impact on art, business, entertainment, and society, and explains how they are revolutionizing our understanding of ownership.If you buy an NFT, do you own anything? Critics say no. Then why are people spending so much money to own them—to the tune of $27 billion in 2021? And why are big businesses and venture capital firms investing hundreds of millions to develop NFTs for people’s use in the metaverse, a purely imaginary world? In Creators Take Control, Edward Lee offers a compelling new theory he calls “Tokenism” that answers these perplexing questions. Using vivid examples, Lee lucidly explains how NFTs operate—and how they fundamentally change our understanding of ownership. Tokenism is an artistic, cultural, and technological movement that creates value in a new kind of ownership of a new type of property—symbolized by a virtual token—through a process of technological abstraction and artificial scarcity effectuated by NFTs. Ownership becomes virtual. What Cubism did in radically changing the twentieth-century perspective of creating and viewing art through cubes, Tokenism does today in altering our perspective of owning art and other things through tokens. Both movements radically reimagine what’s possible. Creators and businesses have seized upon this profound transformation. In a short time, they have developed a new market for digital art, important new rights for creators, innovative business models based on decentralized collaboration, and a new type of interactive ownership that enables identity, community, and patronage through NFTs. These innovations are just the start of revolutionary changes to society. Lee shows how NFTs create a new form of decentralized intellectual property, or De-IP. Comparable to the movement to decentralized finance (DeFi), De-IP empowers creators to take control of their artistic productions and livelihood. Lee’s intellectual tour de force is filled with practical insights—and hope—for fostering creativity and a Virtual Renaissance for the ages.