Edward Phillips Oppenheim

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING

Edward Phillips Oppenheim (October 22, 1866 - February 3, 1946), was an English novelist, in his lifetime a major and successful writer of genre fiction including thrillers. Featured on the cover of Time magazine on September 12, 1927, he was the self-styled "prince of storytellers." He composed some one hundred and fifty novels, mainly of the suspense and international intrigue nature, but including romances, comedies, and parables of everyday life. He was the earliest writer of spy fiction as understood today, and invented the "Rogue Male" school of adventure thrillers that was later exploited by John Buchan and Geoffrey Household. Undoubtedly his most renowned work was The Great Impersonation: it was filmed thrice, the last time as a strong piece of wartime propaganda. Perhaps Oppenheim's most enduring creation is the character of General Besserley, the protagonist of General Besserley's Puzzle Box and General Besserley's New Puzzle Box (one of his last works). Much of Oppenheim's work possesses a unique escapist charm, featuring protagonists who delight in Epicurean meals, surroundings of intense luxury, and the relaxed pursuit of criminal practice, on either side of the law

An Amiable Charlatan by Edward Phillips Oppenheim "The thing happened so suddenly that I really had very little time to make up my mind what course to adopt under somewhat singular circumstances. I was seated at my favorite table against the wall on the right-hand side in Stephano's restaurant, with a newspaper propped up before me, a glass of hock by my side, and a portion of the plat du jour, which happened to be chicken en casserole, on the plate in front of me. I was, in fact, halfway through dinner when, without a word of warning, a man who seemed to enter with a lightfooted speed that, considering his size, was almost incredible, drew a chair toward him and took the vacant place at my table. My glass of wine and my plate were moved with smooth and marvelous haste to his vicinity. Under cover of the tablecloth a packet- I could not tell what it contained- was thrust into my hand." We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience. an amiable charlatan, the amiable charlatan,

An espionage novel set during World War I.

There were very few people upon Platform Number Twenty-one of Liverpool Street Station at a quarter to nine on the evening of April 2-possibly because the platform in question is one of the most remote and least used in the great terminus. The station-master, however, was there himself, with an inspector in attendance. A dark, thick-set man, wearing a long travelling ulster and a Homburg hat, and carrying in his hand a brown leather dressing-case, across which was painted in black letters the name MR. JOHN P. DUNSTER, was standing a few yards away, smoking a long cigar, and, to all appearance absorbed in studying the advertisements which decorated the grimy wall on the other side of the single track.