Edward Rhodes

International Relations explores the basic concepts of international politics and investigates the causes of war. The selections in this anthology are drawn from major theoretical writings on international relations and offer sophisticated explanations of the forces and factors that shape the behavior of states in the international system. Among the topics covered are the nature of anarchy, power, the state, the international system, and international society. The discussion of the causes of war considers the impact of security dilemmas, balance of power, hegemonic stability, domestic politics, bureaucratic politics, human aggressiveness, and human cognition.This book offers students an accessible introduction to the central principles of international politics and provides a theoretical grounding for further study or research.

Can great powers ensure the political outcomes they want and prevent political developments they oppose, by stationing their military forces in distant regions during peacetime? If so, what kinds of military capabilities yield this sort of peacetime political leverage? And what kinds of political goals can-and, just as importantly, cannot-be achieved through "forward military presence?" In the post-9/11 world, as the United States seeks to use its unrivalled global military predominance to build a safer, better world by preventing terrorism and encouraging societies around the world to embrace democracy, these questions take on enormous importance. Presence, Prevention, and Persuasion addresses these issues by looking at British, French, and American experiences in the Middle East, South America, the Caribbean basin, and Africa over the last two centuries. The authors' findings will have a significant impact on scholarship but, more importantly, on American decision-making communities. An essential volume for anyone working in the field of international relations whether it is policy making, diplomacy, military planning or the private sector.

Dismantling Glory presents the most personal and powerful words ever written about the horrors of battle, by the very soldiers who put their lives on the line. Focusing on American and English poetry from World War I, World War II, and the Vietnam War, Lorrie Goldensohn, a poet and pacifist, affirms that by and large, twentieth-century war poetry is fundamentally antiwar. She examines the changing nature of the war lyric and takes on the literary thinking of two countries separated by their common language.World War I poets such as Wilfred Owen emphasized the role of soldier as victim. By World War II, however, English and American poets, influenced by the leftist politics of W. H. Auden, tended to indict the whole of society, not just its leaders, for militarism. During the Vietnam War, soldier poets accepted themselves as both victims and perpetrators of war's misdeeds, writing a nontraditional, more personally candid war poetry.The book not only discusses the poetry of trench warfare but also shows how the lives of civilians -- women and children in particular -- entered a global war poetry dominated by air power, invasion, and occupation. Goldensohn argues that World War II blurred the boundaries between battleground and home front, thus bringing women and civilians into war discourse as never before. She discusses the interplay of fascination and disapproval in the texts of twentieth-century war and notes the way in which homage to war hero and victim contends with revulsion at war's horror and waste.In addition to placing the war lyric in literary and historical context, the book discusses in detail individual poets such as Wilfred Owen, W. H. Auden, Keith Douglas, Randall Jarrell, and a group of poets from the Vietnam War, including W. D. Ehrhart, Bruce Weigl, Yusef Komunyakaa, David Huddle, and Doug Anderson. Dismantling Glory is an original and compelling look at the way twentieth-century war poetry posited new relations between masculinity and war, changed and complicated the representation of war, and expanded the scope of antiwar thinking.