Elana Gomel

Waking up on the beach in Greece after a midnight party, Cleo, a British-Greek tourist, sees a stranger sitting next to her. The stranger has a giant spider on his forearm.So begins an incredible odyssey through the nine levels of the mysterious mountain populated by an odd assortment of monsters, demons, and avatars of dead gods. Still grieving the unsolved disappearance of her twin sister Cora, Cleo is thrust into the world whose rules she does not understand and whose inhabitants confound everything she thought she knew about Greek mythology. Confronted by Woven Women, masked huntresses, sentient graffiti, and Mother of Monsters, Cleo has to make sense of it all. And meanwhile, a mysterious Call reverberates in her brain: You have to go up. You have to find your sister.A story of self-discovery, courage, and breathtaking adventure, Nine Levels is a highly imaginative, innovative, and engrossing retelling of familiar legends with a twist you won't see coming.

All fairy tales were history once. Ally is a Ukrainian bride who married a wealthy Californian, Carl Morris. Everything is strange in her new home: the shadowy redwoods, the peculiar neighbors, and the mystery surrounding the death of Carl's first wife. But Ally is determined to leave her own tragic past behind and to be a good wife and a good American. Escaping darkness is not so easy, however. Ally discovers that her house is situated on the borders of Nightwood, where fairy tales become nightmares and nightmares become reality. And the ruler of Nightwood has plans of his own. When Carl is abducted by a forest monster, Ally follows him into the land where the Red, Black, and White Horsemen drag the sun in their wake. There she is taken prisoner by the ghoulish Little Mother and is forced to labor in a filthy farmyard filled with deformed human livestock. But Little Mother is not the most terrifying creature in Nightwood. The Ogre, squatting in the Castle with no Windows, is poised to invade our world. He has Carl; and he wants Ally. Unexpectedly joined by new friends, Ally escapes to embark on a perilous journey across a dying land filled with mythical beasts and creatures from fairy tales. To save Carl, Ally will have to brave the horrors of Nightwood and uncover the shattering secret of her own identity.

A haunting collection of dark fairy tales, "My Lady of Plagues and Other Gothic Fairy Tales" contains stories set in monster-infested woods and in elf-plowed lava fields; in modern-day Jerusalem and in medieval Venice; among deadly flowers and inside the body of a giant. Wildly imaginative and ranging in tone from gruesome to lyrical, these stories include new and surprising takes on traditional fairy tales ("Jack the Giant Killer" and "My Lady of Plagues"); bold feminist revisions of classic Greek myths ("Wings" and "Rattlesnake"); and contemporary political horror ("Death in Jerusalem" and "Alexei's Godmother"). Award-winning author and academic Elana Gomel brings her unique vision and her knowledge of fairy tales to create a kaleidoscopic collection of old and new stories that take you on a dark journey into magical realms you will never forget.

A schoolgirl steps between a soldier and a ravening monster... 1943. Soviet Union is under attack as WW2 is raging. Fighting in the doomed battle of Kursk, Andrei finds himself in a strange city where Svetlana, a girl he has never seen but who looks eerily familiar, saves him from a fist-faced creature. When Svetlana's family is lost, the two embark on a harrowing odyssey across the snow-covered plain, battling deformed former humans and taken prisoners by the army of black stars. Against impossible odds, they reach their destination where they discover a secret that will change history. Little Sister is a dystopian historical fantasy set in the Soviet Era. Presenting a richly imagined alternative history world, this is a tale of friendship, survival, and heartbreak. Fans of The Book Thief and The Wolfhound Century will enjoy this striking fantasy rooted in Russian fiction. Proudly represented by Crystal Lake Publishing-Tales from the Darkest Depths.

A woman with no memory wakes up in a city with no history.The city is alive. Among skyscrapers of flesh and bridges of bone, rogue trains consume their passengers, prophetic Buddhas grow out of sidewalks, and the night is lit up with walking neon signs.The city is under siege from famine victims turned ravenous monsters, while the city's own flesh begins to mutate.Somehow, the woman is the key in an eternal struggle pitting city against country, corruption against starvation, a power-crazed madman against a dying infant.Hunted as a pawn by several factions, she alone may have the power to end the conflict, if she dare unlock her terrible memories. But she has to choose: between the country and the city; between the lost boy-next-door and the man who is not human; between survival and self-sacrifice.This dark fantasy novel - at times wondrous, at others horrific - will amaze and haunt you. "an interesting read... It starts in an empty hotel. A woman, waking, dreaming of food, her memory gone. A mystery... Here the fascination begins. She has a mission yet to be discovered, but within a city that is itself living... Half the enjoyment is simply in the exploration, a magical journey surrounded by wonders, but also indications of tension, perhaps even war. And always avoiding the zombie-like "Hungry Ones" of the book's title. Fascinating." --James Dorr, Bram Stoker Award nominee for The Tears of Isis "an exquisitely complex and unique story...the ending just walloped me. Very, very impressive " --Laurie Hilburn, Clicking Keys

Space is a central topic in cultural and narrative theory today, although in most cases theory assumes Newtonian absolute space. However, the idea of a universal homogeneous space is now obsolete. Black holes, multiple dimensions, quantum entanglement, and spatio-temporal distortions of relativity have passed into culture at large. This book examines whether narrative can be used to represent these "impossible" spaces.Impossible topologies abound in ancient mythologies, from the Australian Aborigines’ "dream-time" to the multiple-layer universe of the Sumerians. More recently, from Alice’s adventures in Wonderland to contemporary science fiction’s obsession with black holes and quantum paradoxes, counter-intuitive spaces are a prominent feature of modern and postmodern narrative. With the rise and popularization of science fiction, the inventiveness and variety of impossible narrative spaces explodes. The author analyses the narrative techniques used to represent such spaces alongside their cultural significance. Each chapter connects narrative deformation of space with historical problematic of time, and demonstrates the cognitive and perceptual primacy of narrative in representing, imagining and apprehending new forms of space and time.This book offers a comprehensive analysis of the connection between narratology, cultural theory, science fiction, and studies of place.

Space is a central topic in cultural and narrative theory today, although in most cases theory assumes Newtonian absolute space. However, the idea of a universal homogeneous space is now obsolete. Black holes, multiple dimensions, quantum entanglement, and spatio-temporal distortions of relativity have passed into culture at large. This book examines whether narrative can be used to represent these "impossible" spaces.Impossible topologies abound in ancient mythologies, from the Australian Aborigines’ "dream-time" to the multiple-layer universe of the Sumerians. More recently, from Alice’s adventures in Wonderland to contemporary science fiction’s obsession with black holes and quantum paradoxes, counter-intuitive spaces are a prominent feature of modern and postmodern narrative. With the rise and popularization of science fiction, the inventiveness and variety of impossible narrative spaces explodes. The author analyses the narrative techniques used to represent such spaces alongside their cultural significance. Each chapter connects narrative deformation of space with historical problematic of time, and demonstrates the cognitive and perceptual primacy of narrative in representing, imagining and apprehending new forms of space and time.This book offers a comprehensive analysis of the connection between narratology, cultural theory, science fiction, and studies of place.

Are we living in a post-temporal age? Has history come to an end? This book argues against the widespread perception of postmodern narrativity as atemporal and ahistorical, claiming that postmodernity is characterized by an explosion of heterogeneous narrative "timeshapes" or chronotopes. Chronological linearity is being challenged by quantum physics that implies temporal simultaneity; by evolutionary theory that charts multiple time-lines; and by religious and political millenarianism that espouses an apocalyptic finitude of both time and space. While science, religion, and politics have generated new narrative forms of apprehending temporality, literary incarnations can be found in the worlds of science fiction. By engaging classic science-fictional conventions, such as time travel, alternative history, and the end of the world, and by situating these conventions in their cultural context, this book offers a new and fresh perspective on the narratology and cultural significance of time.

Through the lens of science fiction, this book investigates representations of time in postmodernism. Are we living in a post-temporal age? Has history come to an end? This book argues against the widespread perception of postmodern narrativity as atemporal and a historical, claiming that postmodernity is characterized by an explosion of heterogeneous narrative 'timeshapes' or chronotopes. Chronological linearity is being challenged by quantum physics that implies temporal simultaneity; by evolutionary theory that charts multiple time-lines; and by religious and political millenarianism that espouses an apocalyptic finitude of both time and space. While science, religion, and politics have generated new narrative forms of apprehending temporality, literary incarnations can be found in the worlds of science fiction. By engaging classic science-fictional conventions, such as time travel, alternative history, and the end of the world, and by situating these conventions in their cultural context, this book offers a new and fresh perspective on the narratology and cultural significance of time.