Eleanor Farjeon

Eleanor Farjeon, first met Edward Thomas in 1912, when her brother invited him to tea. It was the beginning of a deep friendship between the shy 31-year-old woman and the reserved writer. Though he died at the Battle of Arras in 1917, it was a friendship which for Eleanor did not end with his death, but lived beyond in his letters and poems. This double memoir uses Edward's letters and Eleanor's diaries and linking commentary to provide a candid account of their developing friendship. Edward was often deeply depressed but Eleanor also shows another side to his character, capturing moments of joy and humour. She offers a unique account of Thomas' development as a poet, including the momentous meeting with American poet Robert Frost whose encouragement led to Thomas' first poems. Thomas describes for her his family, his friendships with other writers, including D.H. Lawrence, and provides a detailed account of his First World War experiences. First published in 1948, this is an acclaimed classic. This edition, published for the 90th anniversary of Thomas' death, includes an introduction by Anne Harvey, a selection of Eleanor's sonnets, and "Walking Tom", the little-known poem about Edward by Clifford Bax and Herbert Farjeon.

Dieses klassische Buch wurde urspr nglich vor Jahrzehnten ver ffentlicht als Gypsy and Ginger . Es wurde jetzt von Writat f r seine deutschsprachigen Leser ins Deutsche bersetzt. Bei Writat liegt uns die Bewahrung des literarischen Erbes der Vergangenheit am Herzen. Wir haben dieses Buch ins Franz sische bersetzt, damit heutige und zuk nftige Generationen es lesen und bewahren k nnen.

Ce livre classique a t initialement publi il y a des d cennies sous le titre " Gypsy and Ginger . Il a maintenant t traduit par Writat en langue fran aise pour leurs lecteurs francophones. Chez Writat, nous sommes passionn s par la pr servation du patrimoine litt raire du pass . Nous avons traduit ce livre en fran ais afin que les g n rations pr sentes et futures puissent le lire et le conserver.

Pan-Worship, and Other Poems, has been considered important throughout human history. In an effort to ensure that this work is never lost, we have taken steps to secure its preservation by republishing this book in a modern format for both current and future generations. This complete book has been retyped, redesigned, and reformatted. Since these books are not scans of the authors' original publications, the text is readable and clear.

The book "" Dream-Songs for the Belov d, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.

27 illustrated short stories full of heart and whimsy, by the Carnegie Medal-winning author--a perfect read-aloud collection for middle grade readers who love folklore and fairy tales. In The Little Bookroom, Eleanor Farjeon mischievously tilts our workaday world to reveal its wonders and follies. Her selection of her favorite stories describes powerful--and sometimes exceedingly silly--monarchs, and commoners who are every bit their match; musicians and dancers who live for aft rather than earthly reward; and a goldfish who wishes to "marry the Moon, surpass the Sun, and possess the World." Featuring an afterword by Rumer Godden

I have been asked to introduce Miss Farjeon to the American public, and although I believe that introductions of this kind often do more harm than good, I have consented in this case because the instance is rare enough to justify an exception. If Miss Farjeon had been a promising young novelist either of the realistic or the romantic school, I should not have dared to express an opinion on her work, even if I had believed that she had greater gifts than the ninety-nine other promising young novelists who appear in the course of each decade. But she has a far rarer gift than any of those that go to the making of a successful novelist. She is one of the few who can conceive and tell a fairy-tale; the only one to my knowledge-with the just possible exceptions of James Stephens and Walter de la Mare-in my own generation. She has, in fact, the true gift of fancy. It has already been displayed in her verse-a form in which it is far commoner than in prose-but Martin Pippin is her first book in this kind.