Elizabeth Inchbald

When Miss Milner announces her passion for her guardian, a Catholic priest, she breaks through the double barrier of religious vocation and society's standards of `proper' womanly behaviour. Her love is legitimized when Dorriforth is released from his vows, but she finds her own unorthodox nature cannot conform to a marriage where her husband continues to be a stern moral guide. With a surenees of touch that prefigures Jane Austen, Elizabeth Inchbald shows that there is no simple answer to their predicament, and that their conflict can only be resolved in the next generation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

After its publication in early 1791, A Simple Story was widely read in England and abroad, going into a second edition in March of the same year. The novel’s young heroine, Miss Milner, scandalously declares herself in love with her guardian, Dorriforth, a Catholic priest. Dorriforth returns her love and is released from his vows. Though the pair go on to marry, the second half of the novel reveals the disastrous and far-reaching consequences of Miss Milner’s subsequent adulterous affair. The critical introduction to this Broadview edition considers such issues as Catholicism, theatricality, the theatre, and the masquerade, while the appendices provide a wide selection of cultural, biographical, and literary contexts for the novel.

In scenes charged with understated erotic tension, A Simple Story - by groundbreaking playwright and novelist Elizabeth Inchbald - intertwines the tales of the flirtatious Miss Milner who falls in love with her guardian, a Roman Catholic priest and aristocrat, and of their daughter Matilda who, banished from her father's sight, craves his love.In her use of dramatic methods-expressive gestures, delayed revelations and economical dialogues-to present these two versions of the same power-struggle between an older father-lover figure and a young girl, Inchbald achieves a psychological intensity and subtlety of characterization rarely found in other late eighteenth-century novelists.