Elke Krasny

A rich exploration of the extraordinary life and work of celebrated architect Yasmeen Lari, winner of the 2023 RIBA Royal Gold Medal.After more than three decades as a renowned global architect, Yasmeen Lari, the first woman to open her own architecture firm in Pakistan in 1964, developed Zero Carbon Architecture, which unites ecological and social justice. This volume, edited by Angelika Fitz, Elke Krasny, and Marvi Mazhar, presents Lari’s trajectory from exemplary modernist to zero carbon revolutionary, with a focus on her remarkable contributions to the global architectural movement to decarbonize and decolonize. The book includes extensive photographs, drawings, and plans from Lari’s archive, most of which have not previously been shown or published.Lari’s architectural thinking and activism have always gone beyond the quest for a singular built solution. Rather, she strategically plans systemic approaches and solutions, be it for housing, a heritage foundation, or zero-carbon shelters with communities at risk. Original essays from diverse international contributors contextualize Lari’s work; investigate architecture and the postimperial, postcolonial, and postpartition condition; and examine the intersections of architecture and human rights, climate change, decolonization, gender, care, activism, and vernacular innovation. More than a tribute to Yasmeen Lari’s extraordinary career, this volume brings her legacy forward and shows how to create change today.Contributors:Abira Ashfaq, Cassandra Cozza, Angelika Fitz, Runa Kahn, Anne Karpf, Elke Krasny, Marvi Mazhar, Chris Moffat, Anila Naeem, Raquel Rolnik, Helen Thomas, Rafia Zakaria

What if architecture were not an instrument of capital? How to imagine and build a non-extractivist and non-exploitative architecture. Capital s voracious appetite forces architecture into a regime of never enough. The current realities of building involve extraction and exploitation, which, in turn, cause climate breakdown, environmental ruin, alienated labor conditions, and the destruction of local construction knowledge. But what if we could do architecture differently? What does non-extractivist architecture look like? In this book, Angelika Fitz and Elke Krasny introduce the concept of abundance to call for a paradigm shift in architecture. Using as its example the exceptional work of architect Anupama Kundoo, this book shows that non-extractivist and non-exploitative architecture is undeniably possible. Kundoo, born in Pune, India, weaves together innovative technological experimentation and traditional crafts. With careful consideration of local resources, building skills, climate, and environment, she makes buildings that embody spatial beauty and graceful materiality. Abundance Not Capital is a manifesto for creating a future-forward, alternative architecture. Contributors: Shumi Bose, Jordan Carver, Peggy Deamer, Madhavi Desai, Angelika Fitz, Rupali Gupte, Ranjit Hoskote, Elke Krasny, Charlotte Malterre-Barthes, Shannon Mattern, and Laurie Parsons. Copublished with Architekturzentrum Wien.

»We must declare war on the virus,« stated UN chief António Guterres on March 13, 2020, just two days after the WHO had characterized the outbreak of the novel Covid-19 virus as a pandemic. Elke Krasny introduces feminist worry in order then to develop a feminist cultural theory on pandemic frontline ontologies, which give rise to militarized care essentialism and forced heroism. Feminist hope is gained through the attentive reading of feminist recovery plans and their novel care feminism, with the latter's insistence that recovery from patriarchy is possible.

How are art, architecture, critical research, and activism entangled with the politics of urban transformation under the regimes of modern capitalist colonialism and contemporary neoliberalism? Accelerated developments heighten classed, gendered, and radicalized urban injustices.Addressing these issues, Urban Curating is concerned with the interconnectedness of economy, ecology, and labor in urban history as well as practices of remembrance. Drawing on the author's work as an urban curator in cities such as Hong Kong, Vancouver, and Vienna, the focus is on caring repair, refusal, and resistance – fighting the spatialization of injustice by building feminist solidarities and emancipatory imaginaries.

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In the 1920s, the Thyssen-Bornemisza family began amassing an art collection which now comprises almost 1,000 works, from the thirteenth century through the close of the twentieth. Herein, works from Madrid's Thyssen-Bornemisza Museum--with works by Holbein, Titian, Rembrandt, Monet, Picasso, Hopper and others.