Ellen Cheshire

What is Counterculture? – It’s an alternative lifestyle... – The ideas that spark a revolution... – A movement that changes the world... This new collection of essays celebrates the incredible originality of British post-war culture. British art, film, theatre, dance, literature and music have attracted international recognition, from the Angry Young Men to the Sex Pistols to Grayson Perry. Now gaming, the internet and social media enable creative communities to flourish and either fight for social justice – or just be entertained. Can we find the creative inspiration to succeed in a postcapitalist future?

Written by experienced Film Studies authors and teachers, this Student Book is endorsed by WJEC Eduqas and has been revised and updated to match the latest WJEC Eduqas A Level Film Studies specification. It provides the core knowledge and exemplification you will need throughout your Film Studies course and will help to prepare you thoroughly for your exams.- Concepts are explored through in-depth case study chapters on on 17 films from the specification including: Casablanca, Bonnie and Clyde, La La Land, Joker, Beasts of the Southern Wild, Get Out, Trainspotting, Mogul Mowgli, Mustang, Portrait of a Lady on Fire, Taxi Tehran, Parasite, For Sama, Sunrise, Buster Keaton shorts, Daisies,Saute ma ville and Mulholland Drive, as well as references to many other films.- A dedicated chapter on the Non-Examined Assessment production element of the specification provides practical tips on film production- Independent Activities provide direction and suggestions for study outside the classroom to broaden knowledge of the genres under study- Study Tips give advice on skills and highlight best practice when revising for your exams- Key Definitions introduce and reinforce key terminology and examples of how they should be used are provided- Exam-style questions enable you to test yourself and help you refine your exam technique

Ang Lee came to the forein the 1990s as one of the 'second wave' of Taiwanese directors. After studying at NewYork University, Lee returned to Taiwan where he directed Pushing Hands, The Wedding Banquet, Eat Drink Man Woman. Austen's Sense And Sensibility was a tremendous critical and commercial success. But it was his triumphant return to the East with Crouching Tiger, Hidden Dragon which has transformed him into an internationally successful director.

Jane Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, yet she has attracted 'A' List Hollywood superstars to appear in her films. Who else but Jane Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in The Piano, or for the multi-award winning Kate Winslet to pee down her legs in the middle of the desert in Holy Smoke? This book will cover Jane Campion's remarkable career from her Palma D'or winning debut short film Peel to her recent return to television with the Top of the Lake, reflecting on the influence of her study in anthropology as well as her formative years growing up in New Zealand.

Written as part of the Worthing WOW festival celebrations, Electric Pictures commemorates 120 years of film in the Sussex coastal towns of Worthing and Shoreham, capturing the region’s rich cinematic legacy and its place in British film history. From film-making pioneers through to blockbuster films and key events in the film history of the coast, this volume draws on research from film archives and local history resources to tell the story of the south coast film world. Richly illustrated and featuring contributions from local historians and film and theatre specialists, this book also includes an additional Heritage Trail guide that reveals key filming locations and the towns’ cinemas.

Bio-pics: A Life in Pictures offers a series of case studies which throw light on this most unique of genres. Is the bio-pic a genre in its own right? Or are such films merely footnotes in other more traditional genres such as the western or costume drama, depending on the historical figure under scrutiny. Unlike other genre forms bio-pics seemingly share no familiar iconography, codes or conventions. They can be set anywhere and at any time. What links them is quite simply that the films depict the life of an 'important' person. Through a carefully selected range of thematically linked (English-language) bio-pics released since 1990 this book explores key issues surrounding their resurgence, narrative structure, production, subject representation or misrepresentation, and critical response. The films under discussion are grouped around a profession (writers, singers, politicians, sportsmen, criminals, artists) allowing for comparisons to be drawn in approaches to similar subject matter.