Elliot Ackerman

From the widely acclaimed author of Waiting for Eden a stirring, timely new novel that unfolds in Istanbul over the course of a single day, when an American woman attempts to leave behind her life in Turkey--and her marriage. Catherine has been married for many years to Murat, an influential Turkish real estate developer, and they have a young son, William. But when she decides to return home to the United States with William and her lover, Peter, Murat takes a stand. He enlists the help of an American diplomat to prevent them from going--and, in so doing, becomes further enmeshed in a web of deception and corruption. As the hidden architecture of these relationships is gradually exposed, we move to the heart of intersecting worlds populated by struggling artists, wealthy businessmen, expats, spies. And, at the center, a child torn between his parents. Riveting and perceptive, Red Dress in Black and White is a novel of personal and political intrigue, a portrait of a nation on the brink.

SHORTLISTED FOR THE BRITISH ARMY MILITARY BOOK OF THE YEAR AWARD 2020 'A superb, unique, and unforgettable story of war and death, fear and cruelty, above all the horrors and allure of combat' Simon Sebag Montefiore'One of the most profound books I have ever read about the real nature of war and the abstract allure of the ideas and the bloodshed that fuels it' Jon Lee Anderson, author of The Fall of BaghdadAn astonishing account of the nature of war from acclaimed novelist and decorated former US marine Elliot AckermanIn a refugee camp in southern Turkey, Elliot Ackerman sits across the table from Abu Hassar, who fought for Al Qaeda in Iraq and has murky connections to the Islamic State. At first, Ackerman pretends to have been a journalist during the Iraq War, but after he establishes a rapport with Abu Hassar, he reveals that in fact he was a Marine. The two men then compare their fighting experiences in the Middle East, discovering they had shadowed each other for some time: a realisation that brings them to a strange kind of intimacy.Elliot Ackerman's extraordinary memoir explores the events that led him to come to this refugee camp and what, unable to forget his time in battle, he hoped to find there. Moving between his recent time on the ground as a journalist in Syria and his Marine deployments in Iraq and Afghanistan, he creates a work of astonishing atmospheric pressure, one which blends the American experience with the perspectives and stories of the Arab world, and draws a line between them.At once an intensely personal book about the terrible lure of combat and a brilliant meditation on the meaning of the past two decades of strife for the region and the world, Places and Names bids to take its place among our greatest books about modern war.

One of NPR's Best Books of 2019 "Lyrical . . . A thoughtful perspective on America's role overseas." --Washington Post From a decorated Marine war veteran and National Book Award finalist, an astonishing reckoning with the nature of combat and the human cost of the wars in Iraq, Afghanistan, and Syria. "War hath determined us." --John Milton, Paradise Lost Toward the beginning of Places and Names, Elliot Ackerman sits in a refugee camp in southern Turkey, across the table from a man named Abu Hassar, who fought for al-Qaeda in Iraq and whose connections to the Islamic State are murky. At first, Ackerman pretends to have been a journalist during the Iraq War, but after establishing a rapport with Abu Hassar, he takes a risk by revealing to him that in fact he was a Marine special operation officer. Ackerman then draws the shape of the Euphrates River on a large piece of paper, and his one-time adversary quickly joins him in the game of filling in the map with the names and dates of places where they saw fighting during the war. They had shadowed each other for some time, it turned out, a realization that brought them to a strange kind of intimacy. The rest of Elliot Ackerman's extraordinary memoir is in a way an answer to the question of why he came to that refugee camp, and what he hoped to find there. By moving back and forth between his recent experiences on the ground as a journalist in Syria and its environs and his deeper past in Iraq and Afghanistan, he creates a work of remarkable atmospheric pressurization. Ackerman shares vivid and powerful stories of his own experiences in combat, culminating in the events of the Second Battle of Fallujah, the most intense urban combat for the Marines since Hue in Vietnam, where Ackerman's actions leading a rifle platoon saw him awarded the Silver Star. He weaves these stories into the latticework of a masterful larger reckoning with contemporary geopolitics through his vantage as a journalist in Istanbul and with the human extremes of both bravery and horror. At once an intensely personal story about the terrible lure of combat and a brilliant meditation on the larger meaning of the past two decades of strife for America, the region, and the world, Places and Names bids fair to take its place among our greatest books about modern war.

NATIONAL BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post - NPR - The Christian Science Monitor - Military Times - Vogue - Bloomberg Haris Abadi, a wayward Arab American with a conflicted past, has finally found his purpose: he will cross into Syria and join the fight against Bashar al-Assad's oppressive regime. But before he can get there, he is robbed and abandoned on the Turkish side of the border. Fortunately for Haris, he is picked up by Amir, a charismatic revolutionary turned refugee. Amir's wife, Daphne, is a beautiful, grief-stricken woman who shares Haris's longing to make it into Syria--but for altogether different reasons. As he grows closer to the couple who rescued him, Haris must confront his own motivations and ask himself what kind of man--radical or idealist, hero or coward--he truly is.

From the author of Waiting for Eden and the National Book Award Finalist Dark at the Crossing, a "compassionate, provocative, and alive" (Vogue.com) debut war story about a young Afghan orphan, "Green on Blue is harrowing, brutal, and utterly absorbing. With spare prose, Ackerman has spun a morally complex tale of revenge, loyalty, and brotherly love" (Khaled Hosseini, author of The Kite Runner). Aziz and his older brother Ali are coming of age in a village amid the pine forests and endless mountains of eastern Afghanistan. They are poor, but inside their mud-walled home, the family has stability, love, and routine. One day a convoy of armed men arrives in their village and their world crumbles. The boys survive and make their way to a small city, where they gradually begin to piece together their lives. But when US forces invade the country, militants strike back. A bomb explodes in the market, and Ali is brutally injured. To save his brother, Aziz must join the Special Lashkar, a US-funded militia. As he rises through the ranks, Aziz becomes mired in the dark underpinnings of his country's war, witnessing clashes between rival Afghan groups--what US soldiers call "green on green" attacks--and those on US forces by Afghan soldiers, violence known as "green on blue." Trapped in a conflict both savage and contrived, Aziz struggles to understand his place. Will he embrace the brutality of war or leave it behind, and risk placing his brother--and a young woman he has come to love--in jeopardy? Green on Blue has broken new ground in the literature of our most recent wars, accomplishing an astonishing feat of empathy and imagination. Writing from the Afghan perspective, "Elliot Ackerman has done something brave as a writer and even braver as a soldier: He has touched, for real, the culture and soul of his enemy" (The New York Times Book Review).