Emily Schultz

Love him or hate him, the world over cannot ignore Michael Moore. Left and right can both agree that this son of a Flint autoworker has single-handedly revitalized liberal politics, and turned his unique style of political filmmaking into an expectation-defying brand. But long before he shocked the nation on the Academy Awards stage, he was picking fights with everyone from big business to friends and compatriots. Without an agenda to prove Moore right or wrong, Michael Moore by Emily Schultz is the first book to tell Moore's life story--from the shy Eagle Scout to the most vocal critic of the Bush Presidency. Moore's detractors on both sides of the fence claim that he flubs facts, personally and professionally. Schultz sorts truth from lies with in-depth research and interviews, and presents a man honestly passionate and professionally conflicted. In his cap and windbreaker--always aware of the power of media--Moore has spent a life refining his image as the everyday rebel. He is a man who, at age 18, ran for the local school board so he could fire his principal, and who spent three years suing a magazine where he worked for two issues. With information never before revealed, Schultz looks into Moore's mysterious and disastrous jump from local muckraker to editor of Mother Jones, the runaway success of his first film Roger & Me, and the scandal it caused that lost him an Oscar. Regardless of scandal, Roger & Me became his ticket from his economically devastated hometown of Flint to Hollywood. Was he a hero or villain for his portrayal of the death of small town America? The people of Flint were as divided as the rest of the world would soon be. As the '90s saw Moore becoming a powerhouse television producer of the cult hit TV Nation, and a best-selling author, the contradictions between success and his roots became ever more apparent. Is the ball cap and jeans uniform incongruous with his Upper West Side Manhattan life? With Fahrenheit 9/11 catapulting Moore to the front of pop cultural recognition, many from his past say that the line between the man and the myth has vanished. Moore has spent his life walking that line, and Schultz has written an incisive account that lets readers see beyond the myths surrounding one of the most important public figures of our age.

In this sharp and suspenseful sequel to Sleeping with Friends, a reluctant detective investigates a suspicious death, the party where it happened—and the secrets no one’s willing to tell.Book editor Agnes Nielsen never anticipated the viral celebrity that would come after solving the attempted murder of her best friend. Suddenly swept up in a world of luxury, she finds herself mingling with New York’s movers, shakers, and moneymakers—among them the enigmatic heiress Charlotte Bond, who takes Agnes under her wing.But those wings, it turns out, aren’t enough to save Charlotte from a fatal fall.When police dismiss the death as accidental, Agnes takes on the scions and wannabes of New York society, even if she sometimes doubts her new skill set as a hipster detective. After all, she only has a vague recollection of the party that ended Charlotte’s life, and everyone else has a different story. Or so they say.As she digs into the details of that night, Agnes finds that the sparkling veneer of wealth and success hides plenty of blemishes…and the cracks below may be deep enough to swallow her whole.

From the author of The Blondes comes a twisted, darkly humorous story about a woman’s attempted murder, her lost memories, and the old friends who try to put her back together—or finish her off for good.When Mia Sinclair-Kroner wakes from a coma, all she can remember are the movies she’s known and loved. Her college friends quickly assemble for a weekend party, in an effort to help her remember. But with old friends come old wounds, and it soon becomes clear that Mia’s accident might not have been an accident at all.Was it Agnes, driven by her unspoken resentments? Or Zoey, who covets everything Mia has? Have the years apart only fanned the extinguished flame between Ethan and Mia, compelling him to violence? Or did Victor, who moved away, return with an agenda? Or was it Martin, the wealthy husband, who put a country estate between Mia and her past?As old tensions and new suspicions rise, these friends must wade through their film knowledge, shared history, and everything that’s kept them apart in order to figure out which one of them is trying to end things once and for all.

Both a taut whodunit and a haunting snapshot of the effects of a violent crime, Little Threats tells the story of a woman who served fifteen years in prison for murder...and now it's time to find out if she's guilty. In the summer of 1993, twin sisters Kennedy and Carter Wynn are embracing the grunge era and testing every limit in their privileged Richmond suburb. But Kennedy's teenage rebellion goes too far when, after a night of partying in the woods, her best friend, Haley, is murdered, and suspicion quickly falls upon Kennedy. She can't remember anything about the night in question, and this, along with the damning testimony from a college boy who both Kennedy and Haley loved, is enough to force Kennedy to enter a guilty plea. In 2008, Kennedy is released into a world that has moved on without her. Carter has grown distant as she questions Kennedy's innocence, and begins a relationship with someone who could drive the sisters apart forever. The twins' father, Gerry, is eager to protect the family's secrets and fragile bonds. But Kennedy's return brings the tragedy back to the surface, along with a whole new wave of media. When a crime show host comes to town asking questions, believing the murder wasn't as simple as it seemed, murky memories of Haley's death come to light. As new suspects emerge and the suburban woods finally give up their secrets, two families may be destroyed again.

This utterly addictive, brilliant novel about rum-running in the 1920s is like The Wire transplanted to Prohibition-era Detroit, by a writer of whom Stephen King has said: "Emily Schultz is my new hero." Men Walking on Water opens on a bitter winter's night in 1927, with a motley gang of small-time smugglers huddled on the banks of the Detroit River, peering towards Canada on the opposite side. A catastrophe has just occurred: while driving across the frozen water by moonlight, a decrepit Model T loaded with whisky has broken the ice and gone under--and with it, driver Alfred Moss and a bundle of money. From that defining moment, the novel weaves its startling, enthralling story, with the missing man at its centre, a man who affects all the characters in different ways. In Detroit, a young mother becomes a criminal to pay down the debt her husband, assumed dead, has left behind; a Pentecostal preacher brazenly uses his church to fund his own bootlegging operation even as he lectures against the perils of drink; and across the river, a French-Canadian woman runs her booming brothel business with the permission of the powerful Detroit gangsters who are her patrons. The looming background to this extraordinary story, as compelling as any character, is the city of Detroit--a place of grand dreams and brutal realities in 1927 as it is today, fuelled by capitalist expansion and by the collapse that follows, sitting on the border between countries, its citizens walking precariously across the river between pleasure and abstinence. This is an absolutely stunning, mature, and compulsively readable novel from one of our most talented and unique writers.

The Blondes on NPR's Best Books of 2015 list and a Bookpage Best Book of 2015 "Emily Schultz is my new hero." --Stephen King The Blondes is a hilarious and whip-smart novel where an epidemic of a rabies-like disease is carried only by blonde women, all of whom must go to great lengths to conceal their blondeness. Emily Schultz's beautifully realized novel is a mix of satire, thriller, and serious literary work. With biting satiric wit, The Blondes is at once an examination of the complex relationships between women and a merciless but giddily enjoyable portrait of what happens in a world where beauty is--literally--deadly.

It's 1984 and in the town of South Wakefield, 14-year-old Chris Lane is sure that he can see the future, or at least guess what's inside of Christie Brinkley's mind. Unfortunately, he can't foresee the closing of Joyland, the town's only video arcade. As the arcade fades from his life, Chris is forced to find a new source of entertainment, and ends up getting more than he bargained for--a summer of teenage lust and violence. "Joyland" is about the impossibility of knowing the future, bringing the Cold War home in a novel set to the digital pulse of video games and the echoes of hair metal. Illustrations by Eisner Award winner Nate Powell head up each chapter, and this new paperback edition includes an alternate ending and an author interview that provides new insights into this powerful piece of fiction.

"Like a Reagan-era Ice Storm, Emily Schultz's novel Joyland captures the confusion of adolescent sexuality in a tangle of pixelated icons via the video-game generation. Set in the summer of 1984, this book will have you thinking twice about the video-game generation and the power of pining and Pac-Man." -- Flare Welcome to 1984 and the town of South Wakefield. Chris Lane is 14 and he's sure that he can see the future, or at least guess what's inside of Christie Brinkley's mind. But he can't foresee the closing of Joyland, the town's only video arcade. With the arcade's passing comes a summer of teenage lust, violence, and a search for new entertainment. Never far away is Chris's younger sister, Tammy, who plays spy to the events that will change the lives of her family and town forever. Joyland is a novel about the impossibility of knowing the future. Schultz bring the Cold War home in a novel set to the digital pulse of video games and the echoes of hair metal. Joyland is illustrated throughout by graphic novelist Nate Powell, whose work has been praised by Sin City creator Frank Miller as "observant, intimate cartooning that] surgically cuts to the bone."