Erik de Maaker

Audiovisual and Digital Ethnography is a state-of-the-art introduction to this dynamic and growing subject. The authors explain its fundamental aspects in a clear and systematic way. The chapters cover topics including: learning to see and listen in the field and the role of sensory attention the mediation of the senses doing anthropological fieldwork with video observational filmmaking ethnographic drawing multimodal anthropology digital ethnography interactive documentary the ethics and management of audiovisual and digital data. The result is a much-needed, up-to-date and concise guide to both the fundamental skills required for audiovisual and digital ethnographic production and the essential theoretical knowledge relating to this. It will be particularly useful for students and scholars in the fields of Anthropology, Sociology, Cultural Studies, Social Sciences, Media, Design, Art Practice and Sound Studies.

Audiovisual and Digital Ethnography is a state-of-the-art introduction to this dynamic and growing subject. The authors explain its fundamental aspects in a clear and systematic way. The chapters cover topics including: learning to see and listen in the field and the role of sensory attention the mediation of the senses doing anthropological fieldwork with video observational filmmaking ethnographic drawing multimodal anthropology digital ethnography interactive documentary the ethics and management of audiovisual and digital data. The result is a much-needed, up-to-date and concise guide to both the fundamental skills required for audiovisual and digital ethnographic production and the essential theoretical knowledge relating to this. It will be particularly useful for students and scholars in the fields of Anthropology, Sociology, Cultural Studies, Social Sciences, Media, Design, Art Practice and Sound Studies.

Reworking Culture: Relatedness, Rites, and Resources in Garo Hills, North-East India provides intimate insights into the lives of hill farmers and the challenges they face in day-to-day life. Focussing on the reinterpretation of traditions, or customs, the book critiques the all too often taken for granted assumption that upland societies are characterised by cultural homogeneity and strong internal cohesion. Based on extensive ethnographic fieldwork, the book focuses on a rural area in which land continues to constitute the most important resource that people have access to, and that has a substantial number of followers of traditional Garo community religion. In doing so, the book explores the creation and continuing reinterpretation of the multiple relationships through which people are connected to one another, as well as to their environment. These relationships are embedded in normative frameworks that are demanding, yet leave room for ambiguity and negotiation. Far from being immutable, these need to be constantly expressed, (re-)interpreted and enacted. Reworking Culture shows how what people perceive as tradition, is continuously revised and reworked in response to new economic and political opportunities, as well as to changes in the ontological landscape.