Eve Ensler

As Eve Ensler says in her inspired foreword to this book, "Jody Williams is many things - a simple girl from Vermont, a sister of a disabled brother, a loving wife, an intense character full of fury and mischief, a great strategist, an excellent organizer, a brave and relentless advocate, and a Nobel Peace Prize winner. But to me Jody Williams is, first and foremost, an activist". From her modest beginnings to becoming the tenth woman - and third American woman - to receive the Nobel Peace Prize, Jody Williams takes the reader through the ups and downs of her tumultuous and remarkable life. In a voice that is at once candid, straightforward, and intimate, Williams describes her Catholic roots, her first step on a long road to standing up to bullies with the defense of her deaf brother Stephen, her transformation from good girl to college hippie at the University of Vermont, and her protest of the war in Vietnam. She relates how, in 1981, she began her lifelong dedication to global activism as she battled to stop the U.S. backed war in El Salvador. Throughout the memoir, Williams underlines her belief that an "average woman" - through perseverance, courage and imagination - can make something extraordinary happen. She tells how, when asked if she'd start a campaign to ban and clear anti-personnel mines, she took up the challenge, and the International Campaign to Ban Landmines (ICBL) was born. Her engrossing account of the genesis and evolution of the campaign, culminating in 1997 with the Nobel Peace Prize, vividly demonstrates how one woman's commitment to freedom, self-determination, and human rights can have a profound impact on people all over the globe.

Five noted writers and thinkers profile five of the world's leaders. For some of us, these leaders are heroes; for others, villains; for all of us--strongmen. We're edging towards a new kind of global fascism driven by aggression and strident nationalism. In this energetic, focused book, a group of five accomplished writers confronts five would-be dictators. American playwright Eve Ensler (The Vagina Monologues) burrows beneath the skin of Donald Trump. Danish Husain, Indian storyteller and actor, finds himself recounting the story not only of Indian Prime Minister Narendra Modi, but also of the ascension of the extremism of the Sangh Parivar. Burhan S nmez, Turkish novelist, ferrets about amidst the bewildering career of the Turkish President Recep Tayyip Erdoğan. Lara Vapnyar, Russian-American novelist and journalist, ponders the Stalinist origins of the Supreme Leader of All the Russias. Ninotchka Rosca, Filipina feminist novelist, unravels the macho world of Rodrigo Duterte. These essays do not presume to be neutral. They are by partisan thinkers, magical writers, people who see not only the monsters but also a future beyond the ghouls. A future that is necessary. The present is too painful.

A powerful, inspiring and courageous memoir of cancer and conflict, from the author of THE VAGINA MONOLOGUES. Now a critically acclaimed play. 'A masterpiece' NAOMI KLEIN

The expanded 20th anniversary edition of the bestselling classic, featuring six never-before-published monologues and a never-before-published introduction by Jacqueline Woodson

A landmark in women's empowerment--as relevant as ever in the age of #MeToo--that honors female sexuality in all its complexity It's been more than twenty years since Eve Ensler's international sensation The Vagina Monologues gave birth to V-Day, the radical, global grassroots movement to end violence against women and girls. This special edition features six never-before-published monologues, a new foreword by National Book Award winner Jacqueline Woodson, a new introduction by the author, and a new afterword by One Billion Rising director Monique Wilson on the stage phenomenon's global impact. Witty and irreverent, compassionate and wise, this award-winning masterpiece gives voice to real women's deepest fantasies, fears, anger, and pleasure, and calls for a world where all women are safe, equal, free, and alive in their bodies. Praise for The Vagina Monologues "Probably the most important piece of political theater of the last decade."--The New York Times "This play changed the world. Seeing it changed my soul. Performing in it changed my life. I am forever indebted to Eve Ensler and the transformative legacy of this play."--Kerry Washington "Spellbinding, funny, and almost unbearably moving . . . both a work of art and an incisive piece of cultural history, a poem and a polemic, a performance and a balm and a benediction."--Variety "Often wrenching, frequently riotous. . . . Ensler is an impassioned wit."--Los Angeles Times "Extraordinary . . . a compelling rhapsody of the female essence."--Chicago Tribune

Playwright, author, and activist Eve Ensler has devoted her life to the female body--how to talk about it, how to protect and value it. Yet she spent much of her life disassociated from her own body--a disconnection brought on by her father's sexual abuse and her mother's remoteness. "Because I did not, could not inhabit my body or the Earth," she writes, "I could not feel or know their pain." But Ensler is shocked out of her distance. While working in the Congo, she is shattered to encounter the horrific rape and violence inflicted on the women there. Soon after, she is diagnosed with uterine cancer, and through months of harrowing treatment, she is forced to become first and foremost a body--pricked, punctured, cut, scanned. It is then that all distance is erased. As she connects her own illness to the devastation of the earth, her life force to the resilience of humanity, she is finally, fully--and gratefully--joined to the body of the world. Unflinching, generous, and inspiring, Ensler's In the Body of the World calls on us all to embody our connection to and responsibility for the world.

In this daring book, internationally acclaimed author and playwright Eve Ensler offers fictional monologues and stories inspired by girls around the globe. Fierce, tender, and smart, I Am an Emotional Creature is a celebration of the authentic voice inside every girl and an inspiring call to action for girls everywhere to speak up, follow their dreams, and become the women they were always meant to be. This paperback edition features new material about starting a discussion group based on the book.

Female spoken word artists have become the spokeswomen for a new generation. This demanding oral poetry of the early 21st century has defined a vanguard of lithely muscled voices women who think and act decisively to create their distinctive and desperately earned realities. The combination of the eminent slam movement and the upsurge of bold underground feminism has created a unique pool of women who verbally challenge society on all fronts.Editor Alix Olson (internationally touring spoken word artist-activist) brought together a variety of astounding spoken word artists for Word Warriors . Included in this collection are Patricia Smith and Eileen Myles, two of our most formidable spoken-word foremothers, Tony-award winners Sarah Jones, Suheir Hammad and Staceyann Chin, recording artists Bitch and Lynn Breedlove from the dyke-punk band Tribe 8, award-winning writer Michelle Tea, and many more. These women join other amazing artists from many different backgrounds to create Word Warriors , a powerful and comprehensive collection of work from the best and brightest female spoken word artists today.

Botox, bulimia, breast implants: Eve Ensler, author of the international sensation The Vagina Monologues, is back, this time to rock our view of what it means to have a "good body." "In the 1950s," Eve writes, girls were "pretty, perky. They had a blond Clairol wave in their hair. They wore girdles and waist-pinchers. . . . In recent years good girls join the army. They climb the corporate ladder. They go to the gym. . . . They wear painful pointy shoes. They don't eat too much. They . . . don't eat at all. They stay perfect. They stay thin. I could never be good."The Good Body starts with Eve's tortured relationship with her own "post-forties" stomach and her skirmishes with everything from Ab Rollers to fad diets and fascistic trainers in an attempt get the "flabby badness" out. As Eve hungrily seeks self-acceptance, she is joined by the voices of women from L.A. to Kabul, whose obsessions are also laid bare: A young Latina candidly critiques her humiliating "spread," a stubborn layer of fat that she calls "a second pair of thighs." The wife of a plastic surgeon recounts being systematically reconstructed-inch by inch-by her "perfectionist" husband. An aging magazine executive, still haunted by her mother's long-ago criticism, describes her desperate pursuit of youth as she relentlessly does sit-ups. Along the way, Eve also introduces us to women who have found a hard-won peace with their bodies: an African mother who celebrates each individual body as signs of nature's diversity; an Indian woman who transcends "treadmill mania" and delights in her plump cheeks and curves; and a veiled Afghani woman who is willing to risk imprisonment for a taste of ice cream. These are just a few of the inspiring stories woven through Eve's global journey from obsession to enlightenment. Ultimately, these monologues become a personal wake-up call from Eve to love the "good bodies" we inhabit.

Eve Ensler is back and has set her sight slightly higher with an intimate contemplation of her second greatest obsession: her tortured relationship with her post-forties stomach. Ensler toured the world asking women about their bodies and gives us their wild and wonderful and deeply moving stories.