Fenton Johnson

Minor Notes Vol. 1 features the work of three poets. Published in 1837, Poems by a Slave is one of the lesser-known works by George Moses Horton (1798-1883), once popularly known as the 'black bard of North Carolina.' Visions of the Dusk (1915) is an American prose poem known for its formal innovation by Fenton Johnson, a poet, essayist, editor and educator from Chicago. Georgia Douglas Johnson was the most widely read black woman poet in the US during the first three decades of the 20th century. Bronze: A Book of Verse (1922) was introduced with a foreword by W. E. B. Du Bois.

A contemplative monk's musings on living a "useless life.""Brother Paul bears witness of being keenly aware that every aspect of his monastic vocation has been carefully crafted to nurture and protect the contemplative way of life in which one is called to seek and to find and give oneself to God who is wholly poured out and given to us in the gift of life itself." --James Finley, author of The Healing PathIn the spirit of Thomas Merton's The Sign of Jonas come five decades of life at the Abbey of Gethsemani in Kentucky from the private journals of one of Merton's former novices, Brother Paul Quenon.Readers are introduced to multiple aspects--the inwards and outwards--of a monk's life. Reflections, meditations, insights, and wanderings are mingled with outward experiences in nature, community, and sketches of monks--saintly, comical, or strange--poetic moments. Remarks are made on world events, seen from a local and momentary perspective, such as the war in Iraq, or the end of the war in Vietnam. Private discoveries of animal behavior, and magical locations for prayer are experienced with wonder. No daily chronology is followed, but entries are arranged from the 1970s to the 2000s according to the decade they occurred in, including the visit of the Dalai Lama and other occasions when this contemplative's life has intersected with spiritual teachers outside the monastery. Overall, a multi-colored, diverse, and surprising display of what it is like to live "an enclosed life."

Fenton Johnson’s lyrical prose and searching sensibility explore what it means to choose solitude and to celebrate the notion that solitude is a legitimate and dignified calling. He delves into the lives and works of nearly a dozen iconic solitaries he considers his kindred spirits, from Thoreau at Walden Pond and Emily Dickenson in Amherst, to the fiercely self-protective Zora Neale Hurston. The bright wakes these figures have left behind illuminate Fenton Johnson’s journey from his childhood in rural Kentucky to his solitary travels in America, France, and India. Woven into his musings about better-known solitaries are stories of friends and family he has lost and found along the way.”

Whether seeking more time for solitude or suffering what seems a surfeit of it, readers will find the best of companions here. Fenton Johnson’s lyrical prose and searching sensibility explores what it means to choose to be solitary and celebrates the notion, common in his Roman Catholic childhood, that solitude is a legitimate and dignified calling. He delves into the lives and works of nearly a dozen iconic “solitaries” he considers his kindred spirits, from Thoreau at Walden Pond and Emily Dickinson in Amherst, to Bill Cunningham photographing the streets of New York; from Cézanne (married, but solitary nonetheless) painting Mont Sainte-Victoire over and over again, to the fiercely self-protective Zora Neale Hurston. Each character portrait is full of intense detail, the bright wakes they’ve left behind illuminating Fenton Johnson’s own journey from his childhood in the backwoods of Kentucky to his travels alone throughout the world and the people he has lost and found along the way. Combining memoir, social criticism, and devoted research, At the Center of All Beauty will resonate with solitaries and with anyone who might wish to carve out more space for solitude.

Part retrospective, part memoir, Fenton Johnson's collection Everywhere Home: A Life in Essays explores sexuality, religion, geography, the AIDS crisis, and more. Johnson's wanderings take him from the hills of Kentucky to those of San Francisco, from the streets of Paris to the sidewalks of Calcutta. Along the way, he investigates questions large and small: What's the relationship between artists and museums, illuminated in a New Guinean display of shrunken heads? What's the difference between empiricism and intuition?The collection draws together essays that originally appeared in Harper's, The New York Times, All Things Considered and elsewhere, along with new work. Johnson reports from the front lines of the AIDS epidemic, from Burning Man, from monasteries near and far. His subject matter ranges from Oscar Wilde to censorship in journalism to Kentucky basketball.Everywhere Home is the latest title in Sarabande's Bruckheimer Series in Kentucky Literature.Fenton Johnson is the author of the novels The Man Who Loved Birds, Scissors, Paper, Rock, and Crossing the River, and the nonfiction books Keeping Faith and Geography of the Heart. Johnson has received fellowships from the Guggenheim Foundation and the National Endowment for the Arts. He writes regularly for Harper's, and is a professor in the creative writing programs at the University of Arizona and Spalding University.

Having taken great risks -- to immigrate to America, to take monastic vows -- Bengali physician Meena Chatterjee and Brother Flavian are each seeking safety and security when they encounter Johnny Faye, a Vietnam vet, free spirit, and expert marijuana farmer. Amid the fields and forests of a Trappist monastery, Johnny Faye patiently cultivates Meena's and Flavian's capacity for faith, transforming all they thought they knew about duty and desire. In turn they offer him an experience of civilization other than war and chaos.But Johnny Faye's law-breaking sets him against a district attorney for whom the law is a tool for ambition rather than justice. Their confrontation leads to a harrowing reckoning that ensnares Dr. Chatterjee and Brother Flavian, who must make a life-or-death choice between an act of justice that may precipitate their ruin or a betrayal that offers salvation.Inspired by the real-life state police kidnapping and murder of a legendary storyteller and petty criminal, The Man Who Loved Birds engages pressing contemporary issues through a timeless narrative of ill-fated romance. Celebrated author Fenton Johnson has woven a seamless, haunting fable exploring the eternal conflicts between free will and destiny, politics and nature, the power of law and the power of love.

Along with his siblings, Raphael Hardin left his childhood home in rural Kentucky. Grappling with an AIDS diagnosis, he returns to care for his dying father. Told from the perspectives of Raphael, his family, and their lifelong neighbor, Fenton Johnson's landmark novel reveals the blood struggles and binding loves of a broken family made whole.

Make no mistake: Martha Bragg Picket is a headstrong southern woman with a rebellious spirit, a characteristic her son Michael shares. Yet to see her after almost twenty years of marriage, it might no longer seem clear. A Yankee contractor's arrival in town catalyzes her dissatisfaction, leading her to turn her life upside down -- unaware that her son will follow suit. Both heartfelt and shrewdly humorous, this widely acclaimed first novel from author Fenton Johnson is an affecting look at one woman's reawakening and her son's coming of age in the heartland of America.

The author of the award-winning Crossing the River recounts his spiritual journey from the abbey of Gethsemane to the San Francisco Zen Center, during which he explored world religions and considered his role as a faithful skeptic. Reprint.