Frances Wilson

'Absolutely mesmerising. I was possessed by this book in the same way that I suspect its author was possessed by Spark. It still hasn’t put me down' Spectator 'Unputdownable' Financial Times 'Joyously, brilliantly intelligent. In Wilson, Spark has met her true match' Anne Enright From one of our leading biographers and critics comes an exhilarating, landmark new look at Muriel Spark. The word most commonly used to describe Muriel Spark is ‘puzzling’. Spark was a puzzle, and so too are her books. She dealt in word games, tricks, and ciphers; her life was composed of weird accidents, strange coincidences and spooky events. Evelyn Waugh thought she was a saint, Bernard Levin said she was a witch, and she described herself as ‘Muriel the Marvel with her X-ray eyes’. Following the clues, riddles, and instructions Spark planted for posterity in her biographies, fiction, autobiography and archives, Frances Wilson aims to crack her code. Electric Spark explores not the celebrated Dame Muriel but the apprentice mage discovering her powers. We return to her early years when everything was piled on: divorce, madness, murder, espionage, poverty, skulduggery, blackmail, love affairs, revenge, and a major religious conversion. If this sounds like a novel by Muriel Spark it is because the experiences of the 1940s and 1950s became, alchemically reduced, the material of her art.

The award-winning biographer Frances Wilson presents an exhilarating new look at Muriel Spark, the most consummate artist of the twentieth century. "Is the story fact? Is it fiction? It is what it is." --Muriel Spark The word most commonly used to describe Muriel Spark is "puzzling." Spark was a puzzle, and so too are her books. She dealt in word games, tricks, and ciphers; her life was composed of weird accidents, strange coincidences, and spooky events. Evelyn Waugh thought she was a saint, Bernard Levin said she was a witch, and she described herself as "Muriel the Marvel with her X-ray eyes." Following the clues, riddles, and instructions Spark planted for posterity in her biographies, fiction, autobiography, and archives, Frances Wilson aims to crack her code. Electric Spark explores not the celebrated Dame Muriel but the apprentice mage discovering her powers. We return to her early years when everything was piled on: divorce, madness, murder, espionage, poverty, skullduggery, blackmail, love affairs, revenge, and a major religious conversion. If this sounds like a novel by Spark, it is because the experiences of the 1940s and 1950s became, alchemically reduced, the material of her art. "As good a critic as she is a biographer and] as sharp a stylist as she is a reader" (The Boston Globe), Frances Wilson brings her enormous, incandescent powers to bear on one of the most formidable writers of the twentieth century.

'Absolutely mesmerising. I was possessed by this book in the same way that I suspect its author was possessed by Spark. It still hasn’t put me down' SPECTATOR'Unputdownable' FINANCIAL TIMES'Joyously, brilliantly intelligent. In Wilson, Spark has met her true match' ANNE ENRIGHTFrom one of our leading biographers and critics comes an exhilarating, landmark new look at Muriel Spark.The word most commonly used to describe Muriel Spark is ‘puzzling’. Spark was a puzzle, and so too are her books. She dealt in word games, tricks, and ciphers; her life was composed of weird accidents, strange coincidences and spooky events. Evelyn Waugh thought she was a saint, Bernard Levin said she was a witch, and she described herself as ‘Muriel the Marvel with her X-ray eyes’. Following the clues, riddles, and instructions Spark planted for posterity in her biographies, fiction, autobiography and archives, Frances Wilson aims to crack her code.Electric Spark explores not the celebrated Dame Muriel but the apprentice mage discovering her powers. We return to her early years when everything was piled on: divorce, madness, murder, espionage, poverty, skulduggery, blackmail, love affairs, revenge, and a major religious conversion. If this sounds like a novel by Muriel Spark it is because the experiences of the 1940s and 1950s became, alchemically reduced, the material of her art. *A 2025 HIGHLIGHT FOR: Telegraph, Financial Times, Guardian, Observer and Scotsman*'A brilliant, wonderfully shrewd biography' WILLIAM BOYD'Pitch-perfect, electrifying. Reconfirms Wilson's pre-eminence as Maestra of British biography' RACHEL HOLMES

From one of our leading biographers and critics comes an insightful look at the intoxicating nature of beautiful literature.

Shortlisted for the James Tait Black PrizeAn electrifying, revelatory new biography of D. H. Lawrence, with a focus on his difficult middle years "Never trust the teller," wrote D. H. Lawrence, "trust the tale." Everyone who knew him told stories about Lawrence, and Lawrence told stories about everyone he knew. He also told stories about himself, again and again: a pioneer of autofiction, no writer before Lawrence had made so permeable the border between life and literature. In Burning Man: The Trials of D. H. Lawrence, acclaimed biographer Frances Wilson tells a new story about the author, focusing on his decade of superhuman writing and travel between 1915, when The Rainbow was suppressed following an obscenity trial, and 1925, when he was diagnosed with tuberculosis. Taking after Lawrence's own literary model, Dante, and adopting the structure of The Divine Comedy, Burning Man is a distinctly Lawrentian book, one that pursues Lawrence around the globe and reflects his life of wild allegory. Eschewing the confines of traditional biography, it offers a triptych of lesser-known episodes drawn from lesser-known sources, including tales of Lawrence as told by his friends in letters, memoirs, and diaries. Focusing on three turning points in Lawrence's pilgrimage (his crises in Cornwall, Italy, and New Mexico) and three central adversaries--his wife, Frieda; the writer Maurice Magnus; and his patron, Mabel Dodge Luhan--Wilson uncovers a lesser-known Lawrence, both as a writer and as a man. Strikingly original, superbly researched, and always revelatory, Burning Man is a marvel of iconoclastic biography. With flair and focus, Wilson unleashes a distinct perspective on one of history's most beloved and infamous writers.

**LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2021****SHORTLISTED FOR THE DUFF COOPER PRIZE 2021** **SHORTLISTED FOR THE JAMES TAIT BLACK PRIZE****FINALIST FOR THE 2022 PLUTARCH AWARD**D. H. Lawrence is no longer censored, but he is still on trial – and the jury is still out on the verdict. Delving into the memoirs of those who both loved and loathed him, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author’s footsteps through the pages of his lesser-known work. Wilson presents a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'A work of art in its own right' OBSERVER 'Utterly enthralling' GEOFF DYER 'Brilliantly unconventional' RICHARD HOLMES 'A red-hot, propulsive book' THE TIMES

The prize-winning biography of Wordsworth's beloved sister, champion, muse who was at the heart of the Romantic movement in Britain - reissued to celebrate the 250th anniversary of Dorothy's birth.'Genius ... Its own kind of heaven.' New York Times 'A most beautiful, deep, and humble study of incredibly complex people.' Oliver Sacks Dorothy Wordsworth is an enigma. William's beloved sister was his muse, champion, and most valued reader. She is mythologised as a self-effacing spinster and saintly amanuensis, yet Thomas De Quincey described her as 'all fire and ardour'. Dorothy sacrificed a traditional life to share in her brother's world of words. In her Grasmere Journals, she vividly recorded their intimate life together in the Lake District, marked by a startling freedom from social convention. The tale that unfolds in her brief, electric entries reveals an intense bond between siblings, culminating in Dorothy's collapse on William's wedding day - after which the woman who once strode the hills in all weathers retreated inside the house for the last three decades of her life.In her magisterial biography, Frances Wilson uses the compressed emotion of Dorothy's journals to evoke the rich interior world of a woman determined to live on her own terms - one who deserves her own place in the history of the Romantic movement. 'Intelligent and intriguing ... A portrait of a peculiar, passionate, yet meticulous woman which is hauntingly strange.' Sunday Telegraph'Passion is the keynote of Wilson's fine biography ... Brims with the personality of [an] extraordinary woman ... Thrilling.' Sunday Times'This beautiful, wise biography draws Dorothy from her hiding places. She emerges as a passionate figure.' Daily Telegraph'Gripping ... Bold, witty, scholarly and speculative.' Margaret Drabble

Boldly combining the highly personal with the brilliantly scholarly, In the Dark Room explores the question of how memory works emotionally and culturally. It is narrated through the prism of the author's experience of losing both his parents, his mother when he was sixteen, his father when he was on the cusp of adulthood and of trying, after a breakdown some years later, to piece things together. Drawing on the lessons of centuries of literature, philosophy and visual art, Dillon interprets the relics of his parents and of his childhood in a singularly original and arresting piece of writing reissued for the first time since its original publication in 2005, and including a new foreword from prize-winning biographer Frances Wilson.

National Book Critics Circle Award, Biographers International Organization Plutarch Award and Los Angeles Times Book Prize Finalist New York Times Book Review, Times Literary Supplement and The Guardian Best Books of 2016 Thomas De Quincey was an obsessive. He was obsessed with Wordsworth and Coleridge, whose Lyrical Ballads provided the script to his life, and by the idea of sudden death. Running away from school to pursue the two poets, De Quincey insinuated himself into their world. Basing his sensibility on Wordsworth's and his character on Coleridge's, he forged a triangle of unusual psychological complexity. Aged twenty-four, De Quincey replaced Wordsworth as the tenant of Dove Cottage, the poet's former residence in Grasmere. In this idyllic spot he followed the reports of the notorious Ratcliffe Highway murders of 1811, when two families, including a baby, were butchered in their own homes. In his opium-soaked imagination the murderer became a poet while the poet became a murderer. Embedded in On Murder as One of the Fine Arts, De Quincey's brilliant series of essays, Frances Wilson finds the startling story of his relationships with Wordsworth and Coleridge. Opium was the making of De Quincey, allowing him to dissolve self-conflict, eliminate self-recrimination, and divest himself of guilt. Opium also allowed him to write, and under the pseudonym "The Opium-Eater" De Quincey emerged as the strangest and most original journalist of his age. His influence has been considerable. Poe became his double; Dostoevsky went into exile with Confessions of an English Opium-Eater in his pocket; and Charles Dickens, Oscar Wilde, George Orwell, Alfred Hitchcock, and Vladimir Nabokov were all De Quincey devotees. There have been other biographies of Thomas De Quincey, but Guilty Thing is the first to be animated by the spirit of De Quincey himself. Following the growth of his obsessions from seed to full flowering and tracing the ways they intertwined, Frances Wilson finds the master key to De Quincey's vast Piranesian mind. Unraveling a tale of hero worship and revenge, Guilty Thing brings the last of the Romantics roaring back to life and firmly establishes Wilson as one of our foremost contemporary biographers.

**LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2016** **New York Times Book Review, Times Literary Supplement and Guardian Best Books of 2016**‘Life for De Quincey was either angels ascending on vaults of cloud or vagrants shivering on the city streets.’ The last of the Romantics, Thomas De Quincey is a name synonymous with scandal. Modelling his character on Coleridge and his sensibility on Wordsworth, De Quincey took over the latter’s former cottage and turned it into an opium den. Here, in the throes of his high, he nurtured his growing hatred of his former idols and wrote the notorious and fascinatingly strange essay ‘On Murder Considered as one of the Fine Arts’. Despite never achieving the literary deification of his contemporaries, his narrative style – scripted and sculptured emotional memoir – was to inspire generations of writers: Dickens, Dostoevsky, Virginia Woolf. James Joyce knew whole pages of his work off by heart and he was arguably the father of what we now call psychogeography. Guilty Thing tells the riches-to-rags story of a dazzlingly complex and troubled figure, whose life was lived on the run, and affords De Quincey the literary biography he deserves.

Described by the writer and opium addict Thomas De Quincey as "the very wildest . . . person I have ever known," DorothyWordsworth was neither the self-effacing spinster nor the sacrificial saint of common telling. A brilliant stylist in her own right, Dorothy was at the center of the Romantic movement of the early nineteenth century. She was her brother William Wordsworth's inspiration, aide, and most valued reader, and a friend to Coleridge; both borrowed from her observations of the world for their own poems.William wrote of her, "She gave me eyes, she gave me ears." In order to remain at her brother's side, Dorothy sacrificed both marriage and comfort, jealously guarding their close-knit domesticity--one marked by a startling freedom from social convention. In the famed Grasmere Journals, Dorothy kept a record of this idyllic life together. The tale that unfolds through her brief, electric entries reveals an intense bond between brother and sister, culminating in Dorothy's dramatic collapse on the day of William's wedding to their childhood friend Mary Hutchinson. Dorothy lived out the rest of her years with her brother and Mary. The woman who strode the hills in all hours and all weathers would eventually retreat into the house for the last three decades of her life. In this succinct, arresting biography, Frances Wilson reveals Dorothy in all her complexity. From the coiled tension of Dorothy's journals, she unleashes the rich emotional life of a woman determined to live on her own terms, and honors her impact on the key figures of Romanticism.

It is now widely acknowledged that there is more to health than just the absence of illness. This book aims to widen the perspective of health professionals to encompass the concept of well-being across the lifespan. It has been written to introduce students to the theory and practical application of health improvement and well-being in the context of public health, providing global as well as domestic perspectives on key concepts, in particular:Social and health inequalitiesSocial justicePolitical influencesCommissioning, funding and delivery of servicesEach chapter defines and provides an outline of theoretical perspectives relevant to each topic, allowing the reader to critically evaluate the accepted wisdom in each of the fields under discussion. Case studies illustrate local and global perspectives and questions throughout the book encourage students to think and reflect on the key points of each chapter and apply theory to practice.With a delicate blend of theory and practice, Health Improvement and Well-Being considers the key influences on health improvement and the best ways to tackle them as a health professional. This book is key reading for experienced and senior public health professionals as well as masters level students taking courses in public health, health improvement or health promotion, or taking modules in health improvement as part of a more general health science course.Contributors: Donna Hart, Moyra Baldwin, Janine Talley and Allison Thorpe."A timely investigation of key factors that impact on well-being. Sets out the national and international policy context clearly and makes very good use of case studies and wider evidence to consider effectiveness of interventions. Thinking points and practical exercises encourage the student to apply knowledge to practice throughout."Paul Reid, Senior Lecturer, School of Health, University of Central Lancashire, UK"This book provides a comprehensive perspective on well-being within the context of health and health improvement both within this country and internationally.I would recommend this book as a key text for all students studying on the nursing, midwifery, social work and allied health profession courses. The chapters are structured well and provide a means for students to explore key concepts. The use of case studies helps the reader to appreciate the practical application of theoretical concepts and as such it brings alive the real issues within the practice setting.The structure and content is suitable for a wide range of academic levels and professional groups, making it a key text for health and social care professions." Patricia Livsey, Executive Dean, Faculty of Health and Human Sciences, Plymouth University, UK"This book would make an ideal resource for anyone working/managing in public health arenas"Quote from Nursing Times, February 2016

**WINNER OF THE ELIZABETH LONGFORD PRIZE FOR HISTORICAL BIOGRAPHY 2012**The strange and fascinating story of the owner of the Titanic, J. Bruce Ismay, the man who jumped ship'Beautifully written, and beautifully deconstructed' Sunday Times'Wonderfully rich and multi-layered . . . Full of fascinating details . . . Every sentence crackles with intelligence' Mail on SundayAs the Titanic sinks on that fateful day in April 1912, a thousand men prepared to die. J. Bruce Ismay, the ship’s owner and inheritor of the White Star fortune, however, jumps into a lifeboat with the women and children and rows away to safety.Publicly reviled as a coward, Ismay became, according to one headline, ‘The Most Talked-of Man in the World’ and the first victim of a press hate campaign. His reputation never recovered and while other survivors were piecing together their accounts, Ismay never spoke of his beloved ship again.With the help of that great narrator of the sea, Joseph Conrad, whose Lord Jim so uncannily foretold Ismay’s fate, Frances Wilson explores the reasons behind Ismay’s jump, his desperate need to make sense of the horror of it all, and to find a way of living with ignominy.Wilson’s biography of Ismay depicts the indelible stain of public disrepute and a life led in the aftermath of seismic disaster.

Award-winning historian Frances Wilson delivers a gripping new account of the sinking of the RMS Titanic, looking at the collision and its aftermath through the prism of the demolished life and lost honor of the ship's owner, J. Bruce Ismay. In a unique work of history evocative of Joseph Conrad's classic novel Lord Jim, Wilson raises provocative moral questions about cowardice and heroism, memory and identity, survival and guilt--questions that revolve around Ismay's loss of honor and identity as his monolithic venture--a ship called "The Last Word in Luxury" and "The Unsinkable"--was swallowed by the sea and subsumed in infamy forever.