Gabriel Marcel

These lectures and essays were regarded by Marcel as the best introduction to his thought. Creative Fidelity not only deals with perennial themes of faith, fidelity, belief, incarnate being, and participation, but also includes chapters on religious tolerance and orthodoxy and an important critical essay on Karl Jaspers.

These lectures and essays were regarded by Marcel as the best introduction to his thought. Creative Fidelity not only deals with perennial themes of faith, fidelity, belief, incarnate being, and participation, but also includes chapters on religious tolerance and orthodoxy and an important critical essay on Karl Jaspers.

The Mystery of Being contains the most systematic exposition of the philosophical thought of Gabriel Marcel, a convert to Catholicism and the most distinguished twentieth-century exponent of Christian existentialism. Its two volumes are the Gifford lectures which Marcel delivered in Aberdeen, Scotland, in 1949 and 1950. Marcel's work fundamentally challenges most of the major positions of the atheistic existentialists (Sartre, Beauvoir, Camus), especially their belief in an absurd, meaningless, godless universe. These volumes deal with almost all of the major themes of Marcel's thought: the nature of philosophy, our broken world, man's deep ontological need for being, i.e., for permanent eternal values, our incarnate bodily existence, primary and secondary reflection, participation, being in situation, the identity of the human self, intersubjectivity, mystery and problem, faith, hope, and the reality of God, and immortality. Gabriel Marcel was the greatest Christian existentialist of the twentieth century.

The Mystery of Being contains the most systematic exposition of the philosophical thought of Gabriel Marcel, a convert to Catholicism and the most distinguished twentieth-century exponent of Christian existentialism. Its two volumes are the Gifford lectures which Marcel delivered in Aberdeen, Scotland, in 1949 and 1950. Marcel's work fundamentally challenges most of the major positions of the atheistic existentialists (Sartre, Beauvoir, Camus), especially their belief in an absurd, meaningless, godless universe. These volumes deal with almost all of the major themes of Marcel's thought: the nature of philosophy, our broken world, man's deep ontological need for being, i.e., for permanent eternal values, our incarnate bodily existence, primary and secondary reflection, participation, being in situation, the identity of the human self, intersubjectivity, mystery and problem, faith, hope, and the reality of God, and immortality.

This volume presents for the first time in book form, two exciting plays by Gabriel Marcel: a powerful one act drama, The Lantern, that is in the permanent repertory of the Comedie FranAaise, and, for the first time in English, a full-length comedy in three acts, Colombyre or The Torch of Peace. This work also includes as its foreword a previously unpublished essay by Gabriel Marcel, From Comic Theater to Musical Creation, in which Marcel analyzes the role of comedy in his theater. An introduction by Joseph Cunnen situates Marcel's theater in the context of modern drama. An editor's preface introduces the two plays, and a list of Marcel's thirty plays completes the volume. Original illustrations, The Lantern and Colombyre have been sketched by Steve Healy.

A brief but representative sampling of the theater of Gabriel Marcel, renowned French existentialist writer. Valuable to Marcel scholars and students of literature, drama and philosophy.