Gail Lumet Buckley

This book is about four radical and daring Catholic women - radical and daring because they chose to enter the American maelstrom of race. One, Katharine Drexel, became a saint in 2000. The others, Dorothy Day, Catherine de Hueck Doherty, and Sister Thea Bowman were all declared Servants of God - the title bestowed by the Catholic Church on those on the first rung of official sanctity. Of the four women, three are white, one is black; two were nuns; two were laywomen; three were converts; two were mothers; one was divorced; one lived in a common law marriage and had an illegitimate child as well as an abortion and a suicide attempt. What makes for sanctity? Clearly, it doesn't mean obeying all the rules

This book is about four radical and daring Catholic women - radical and daring because they chose to enter the American maelstrom of race. One, Katharine Drexel, became a saint in 2000. The others, Dorothy Day, Catherine de Hueck Doherty, and Sister Thea Bowman were all declared Servants of God - the title bestowed by the Catholic Church on those on the first rung of official sanctity. Of the four women, three are white, one is black; two were nuns; two were laywomen; three were converts; two were mothers; one was divorced; one lived in a common law marriage and had an illegitimate child as well as an abortion and a suicide attempt. What makes for sanctity? Clearly, it doesn't mean obeying all the rules

Double Exposure is a dynamic series based on the notable photography collection supporting the Earl W. and Amanda Stafford Center for African American Media Arts at the Smithsonian National Museum of African American History and Culture. This, the fifth volume in the series, presents fifty images of African Americans in uniform, from the Civil War to the War in Iraq. The selection of photographs, which exemplify stories of patriotism, courage, and dignity, are enriched by the unique perspective of Frank Bolden, Jr., Administrator of NASA and Gail Lumet Buckley, author of American Patriots. Photographers include Anthony Barboza, a staff photographer in the U.S. Navy, Henry Clay Anderson who studied photography at Southern University under the G.I. Bill, and Robert Scurlock whose famous photographs of the Tuskegee Airmen still live with us today.

In The Black Calhouns, Gail Lumet Buckley--daughter of actress Lena Horne--delves deep into her family history, detailing the experiences of an extraordinary African-American family from Civil War to Civil Rights. Beginning with her great-great grandfather Moses Calhoun, a house slave who used the rare advantage of his education to become a successful businessman in post-war Atlanta, Buckley follows her family's two branches: one that stayed in the South, and the other that settled in Brooklyn. Their paths intersected with many prominent figures including Frederick Douglass, Booker T. Washington, Walter White, W. E. B. Du Bois, and Langston Hughes. Through the lens of her relatives' momentous lives, Buckley examines major events throughout American history. From Atlanta during Reconstruction and the rise of Jim Crow, to New York City during the Harlem Renaissance, from world wars to the civil rights movement, this ambitious, brilliant family witnessed and participated in the most crucial events of the nineteenth and twentieth centuries. Combining personal and national history, The Black Calhouns is a unique and vibrant portrait of six generations during dynamic times of struggle and triumph.