Garry McGee

Doris Day, once called an Actors Studio unto herself, was one of the twentieth century's greatest entertainers, with a career spanning 39 films, more than 150 television shows, and more than 500 recordings. This work covers the life and career of the singer and star of such films as Pillow Talk, The Man Who Knew Too Much and Calamity Jane. The work is divided into four sections, beginning with a biography of Day's life from her birth in Cincinnati, Ohio, through four marriages, near-bankruptcy, and her dedication to animal rights, and concluding with her contented present life. A filmography lists each film with full credits, synopsis and reviews, plus her popularity rankings and awards. The third section lists complete record album releases with notes, single record releases, unreleased songs and recordings, music awards and nominations, radio appearances from big bands to solo work, her seven million-sellers, and chart placements. The final section lists Day's television appearances, including synopses and credits for her five-season run with The Doris Day Show on CBS, the cable show Doris Day's Best Friends, and her appearances in variety specials, talk shows, and documentaries.

Iowa-born Jean Seberg was a gifted actress whose compassion for oppressed people led her to champion the struggle for civil rights in volatile 1960s. Targeted for her ideals by powerful government forces out of control, she was neutralized and ultimately destroyed. It is a story of the '60s which is as new as today and tomorrow. Jean Seberg deserves recognition as a martyr of the civil rights era. Included in this edition are additional interviews as well as a conversation with two former FBI agents, ten pages of photographs, reproductions of pages from Seberg's FBI file, a dissection of an AIM (Accuracy In Media) report, and letters written to the FBI after the public revelation of the Bureau's counterintelligence program against Seberg.

Jean Seberg (1938-1979) was an American and French actress, and a champion of compassion, equality and kindness. She was from a "small town" in Iowa and became the darling of Paris. She alternated between European art films ("The Five-Day Lover," "Dead of Summer") and big Hollywood movies ("Paint Your Wagon," "Airport"), on the way helping Jean-Luc Godard to shape contemporary cinema ("Breathless"). Seberg moved between the worlds of show business and politics, from private and state dinners with leaders to clandestine activities supporting groups and individuals on both sides of the Atlantic. For one whose hope was a better life for those less fortunate, she found herself ultimately destroyed by one powerful institution (the FBI) manipulating another (the news media)."Jean Seberg -- Breathless" tells the story of this unique icon of the French New Wave. Featuring more than thirty photographs and selections from Seberg's private letters and poems, Garry McGee traces Seberg's personal, professional and artistic life through exclusive interviews with several people who knew the woman, some who have never spoken publicly until now.Rich in detail, "Jean Seberg -- Breathless" is the definitive portrait of an international icon whose story has never been told fully or justly until now.

Here is the first comprehensive examination of the international film career of Iowa-born actress Jean Seberg (1938-1979). Bursting onto the scene as star of Otto Preminger's controversial Saint Joan (1957), the 19-year-old Seberg encountered great difficulty recovering from the devastating criticism of her performance. The turnaround came in 1959 with her brilliant work in Jean-Luc Godard's "new wave" classic A bout de souffle (Breathless). Though her Hollywood prospects were harmed by subsequent political involvements, Seberg continued to work with some of Europe's finest directors. Her later films offer a fascinating view of the movie industry in the 1960s and 1970s--and of a courageous actress always ready for a new challenge. A biographical sketch provides a framework for detailed scrutiny of her 37 films. Background information and a critical evaluation is provided for each title.

After the breakup of the Beatles in 1971, Paul McCartney formed Wings with his wife Linda on keyboards, ex-Moody Blues guitarist Denny Laine, and American session drummer Denny Seiwell. For ten dramatic and turbulent years, the band weathered the critics, endured pot busts, survived a harrowing recording stint in Nigeria, changed drummers constantly, and produced a great deal of remarkable music. McGee's tale of one of the most successful bands of the seventies—the first book to focus exclusively on Paul's post-Beatles years-tells the stories behind the #1 hits "Listen To What the Man Said," "My Love," "Band on the Run," "Jet," "With a Little Luck," and "Coming Up." McGee reveals the band's inner dynamics and its relationship with the press and public, examining Paul's determination to pursue a new sound, the criticisms Linda initially got from fans and bandmates, and the character conflicts that kept the lineup changing. Appendices include interviews with former Wings guitarist Henry McCullough, a complete discography, a list of singles with Paul's comments on each, and rankings from the sales charts. Band on the Run also includes a trove of rare Wings promotional material—album covers, posters, ads, and candid photos of the band on tour.