Gary D Rhodes

In the 1970s, an incredibly popular new film genre emerged, one that would later be reborn on television. And yet there has never been a book on the subject...until now.Weirdumentary examines over 45 movies, positioned as documentaries, that began with Chariots of the Gods (1970) and ended with The Man Who Saw Tomorrow (1981). Relying on spurious experts, questionable evidence, and low-budget dramatizations, these pseudo-scientific documentaries examined subjects ranging from the Bermuda Triangle to Bigfoot, from the paranormal to speculative histories. And they made millions of dollars from Americans who repeatedly bought tickets to them at movie theaters. Weirdumentary features a fun and accessible history of these crazy films, individual entries on all of them, and a plethora of fantastic images. Weirdumentary is a must for fans of the cinema, of pop culture, of the 1970s, and of UFOlogy, the paranormal, cryptids, and all things weird

Despite the enormous cultural impact of Nosferatu (1922) on modern entertainment, the history of vampires in silent film is largely unknown.Vampires in Silent Cinema covers the subject from 1896-1931, reclaiming a large array of forgotten films from countries ranging from the United States and France to Hungary and Russia. Drawing on thousands of primary sources, Rhodes explores vampirism in all of its manifestations, from the supernatural undead to the natural vamp.

Despite the enormous cultural impact of Nosferatu (1922) on modern entertainment, from cartoon parodies and collectible toys, the history of vampires in silent cinema is largely unknown. Vampires in Silent Cinema covers the subject from 1896-1931, reclaiming a large array of forgotten films while adding meaningfully to horror studies through the examination of thousands of primary sources.

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscoverynotably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscoverynotably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

The American television commercial has an aesthetic and historical dynamic linking it directly to cinematic and media cultures. Consuming Images: Film Art and the American Television Commercial establishes the complex vitality of the television commercial both as a short film and as an art form. Through close and comparative readings, the book examines the influence of Hollywood film styles on the television commercial, and the resulting influence of the television commercial on Hollywood, exploring an intertwined aesthetic and technical relationship. Analysing key commercials over the decades that feature new technologies and film aesthetics that were subsequently adopted by feature filmmakers, the book establishes the television commercial as a vital form of film art.

The cobwebs of time and space are finally cleared. Drawing on years of research across four countries, excavating and analyzing thousands of yellowed documents in archives as well as every digitized source, Gary D. Rhodes and Bill Kaffenberger shine light from their candelabrum onto a long-forgotten past, onto the creation of a legend. Becoming Dracula is a two-volume biography covering Bela Lugosi's life from his birth to 1930, when he first played the famous vampire onscreen. "No one has chronicled the life and career of Bela Lugosi with more precision than Gary Rhodes. With Becoming Dracula: The Early Years of Bela Lugosi, Volume One, Rhodes and Bill Kaffenberger detail Lugosi's heretofore obscure early life in Austria-Hungary with a level of focused research akin to literary paleontology. As fascinating as the future Count Dracula's journey through Europe to America is, Lugosi-philes everywhere will rejoice that there will be a Volume Two continuation "- Alan K. Rode, author of Michael Curtiz: A Life in Film (2017) "The path to becoming a vampire is simplicity itself: one need only fall victim to the notorious Count Dracula. The path that led to becoming Count Dracula, though, was lengthy, arduous, and fraught with disappointment, especially for the noble bloodsucker's initial cinematic portrayer, Bela Lugosi. Gary D. Rhodes and Bill Kaffenberger have returned to focus their impeccable research and unimpeachable historicity on that path. 'Tis a path that begs to be followed."- John Soister, author of Conrad Veidt on Screen (2009) and Many Selves: The Horror and Fantasy Films of Paul Wegener (2017)

The cobwebs of time and space are finally cleared. Drawing on years of research across four countries, excavating and analyzing thousands of yellowed documents in archives as well as every digitized source, Gary D. Rhodes and Bill Kaffenberger shine light from their candelabrum onto a long-forgotten past, onto the creation of a legend. Becoming Dracula is a two-volume biography covering Bela Lugosi's life from his birth to 1930, when he first played the famous vampire onscreen. "No one has chronicled the life and career of Bela Lugosi with more precision than Gary Rhodes. With Becoming Dracula: The Early Years of Bela Lugosi, Volume One, Rhodes and Bill Kaffenberger detail Lugosi's heretofore obscure early life in Austria-Hungary with a level of focused research akin to literary paleontology. As fascinating as the future Count Dracula's journey through Europe to America is, Lugosi-philes everywhere will rejoice that there will be a Volume Two continuation "- Alan K. Rode, author of Michael Curtiz: A Life in Film (2017) "The path to becoming a vampire is simplicity itself: one need only fall victim to the notorious Count Dracula. The path that led to becoming Count Dracula, though, was lengthy, arduous, and fraught with disappointment, especially for the noble bloodsucker's initial cinematic portrayer, Bela Lugosi. Gary D. Rhodes and Bill Kaffenberger have returned to focus their impeccable research and unimpeachable historicity on that path. 'Tis a path that begs to be followed."- John Soister, author of Conrad Veidt on Screen (2009) and Many Selves: The Horror and Fantasy Films of Paul Wegener (2017)

While stuck in traffic, Birch considers just how far he has come in life, at least in between interruptions from his fan-boy limousine driver. He takes pride in the fact that the President of the United States has requested a one-on-one meeting with him. Amazing, really, to become the first serial killer ever received at the White House. "The underpinnings of this morality play will make you squirm because it strikes so close to home in our violent, celebrity-fuelled times." - Ashley Jude Collie, The Huffington Post "The whacked narrator of Gary D. Rhodes' Offed, a hard-boiled serial killer with a sure-fire method for finding fame, splatters the page with invectives against today's media-soaked landscape while going about his sinister business. You find yourself nodding at his rants in admiration until your conscience tracks you down and you realize that you, too, are a victim of Rhodes' killer prose." - Michael L. Shuman, The Mailer Review "Gary D. Rhodes' darkly absurd tale of a sociopathic serial killer being elevated to the status of a twenty-first century folk hero couldn't be more relevant during these hyper-strange times in which we all find ourselves. If Bret Easton Ellis (American Psycho), Rex Miller (Slob), and Jerzy Kosinski (Being There) had all hooked up for a delightfully perverse m nage trois, Offed might very well have been the unholy result." - Robert Guffey, author of Until the Last Dog Dies, Chameleo, Spies & Saucers, and Cryptoscatology

While stuck in traffic, Birch considers just how far he has come in life, at least in between interruptions from his fan-boy limousine driver. He takes pride in the fact that the President of the United States has requested a one-on-one meeting with him. Amazing, really, to become the first serial killer ever received at the White House. "The underpinnings of this morality play will make you squirm because it strikes so close to home in our violent, celebrity-fuelled times." - Ashley Jude Collie, The Huffington Post "The whacked narrator of Gary D. Rhodes' Offed, a hard-boiled serial killer with a sure-fire method for finding fame, splatters the page with invectives against today's media-soaked landscape while going about his sinister business. You find yourself nodding at his rants in admiration until your conscience tracks you down and you realize that you, too, are a victim of Rhodes' killer prose." - Michael L. Shuman, The Mailer Review "Gary D. Rhodes' darkly absurd tale of a sociopathic serial killer being elevated to the status of a twenty-first century folk hero couldn't be more relevant during these hyper-strange times in which we all find ourselves. If Bret Easton Ellis (American Psycho), Rex Miller (Slob), and Jerzy Kosinski (Being There) had all hooked up for a delightfully perverse m nage trois, Offed might very well have been the unholy result." - Robert Guffey, author of Until the Last Dog Dies, Chameleo, Spies & Saucers, and Cryptoscatology

The American television commercial has an aesthetic and historical dynamic linking it directly to cinematic and media cultures. Consuming Images: Film Art and the American Television Commercial establishes the complex vitality of the television commercial both as a short film and as an art form. Through close and comparative readings, the book examines the influence of Hollywood film styles on the television commercial, and the resulting influence of the television commercial on Hollywood, exploring an intertwined aesthetic and technical relationship. Analysing key commercials over the decades that feature new technologies and film aesthetics that were subsequently adopted by feature filmmakers, the book establishes the television commercial as a vital form of film art.

BETWEEN 1941 AND 1944, BELA LUGOSI starred in a series of low-budget films released by Monogram Pictures. To many viewers at the time and during the decades that followed, the "Monogram Nine" were overacted and underproduced, illogical and incoherent. But their increasing age has recast such condemnations into appropriate praise: in the 21st century, they seem so different not only from modern cinema, but also from Classical Hollywood, enough so as to make the aforementioned deficits into advantages. The entries in the Monogram Nine are bizarre and strange, populated by crazy, larger-than-life characters who exist in wacky, alternative worlds. In nine films, the improbable chases the impossible. This book, in turn, chases them. "Gary Rhodes has become my favorite nonfiction author, while the subject of some of his writings, Bela Lugosi, has long been one of my favorite actors. Now Gary has teamed up with co-author Robert Guffey to present, for the first time, a collection of in-depth and insightful essays evaluating those lesser 'classics' that comprise the so-called 'Monogram Nine.' If you are a Lugosi fan and also a fan of old 'B' horror films, you will love this book." - Donald F. Glut, filmmaker, Marvel Comics writer, and author of The Empire Strikes Back novelization "An extraordinary volume. Rhodes and Guffey refract these films through the lens of surrealism, detailed genre study, auteurist-informed close readings, star studies, and vigorous historicism to name a few of the kaleidoscope of methods employed. This book provides a breakthrough model for serious work on films that have to date received very little scholarly attention." - Michael Lee, Ph.D. (University of Oklahoma), editor at the journal Horror Studies

Between 1941 and 1944, Bela Lugosi starred in a series of low-budget films released by Monogram Pictures. To many viewers at the time and during the decades that followed, the "Monogram Nine" were overacted and underproduced, illogical and incoherent. But their increasing age has recast such condemnations into appropriate praise: in the 21st century, they seem so different not only from modern cinema, but also from Classical Hollywood, enough so as to make the aforementioned deficits into advantages. The entries in the Monogram Nine are bizarre and strange, populated by crazy, larger-than-life characters who exist in wacky, alternative worlds. In nine films, the improbable chases the impossible. This book, in turn, chases them. "Gary Rhodes has become my favorite nonfiction author, while the subject of some of his writings, Bela Lugosi, has long been one of my favorite actors. Now Gary has teamed up with co-author Robert Guffey to present, for the first time, a collection of in-depth and insightful essays evaluating those lesser 'classics' that comprise the so-called 'Monogram Nine.' If you are a Lugosi fan and also a fan of old 'B' horror films, you will love this book." - Donald F. Glut, filmmaker, Marvel Comics writer, and author of The Empire Strikes Back novelization"An extraordinary volume. Rhodes and Guffey refract these films through the lens of surrealism, detailed genre study, auteurist-informed close readings, star studies, and vigorous historicism to name a few of the kaleidoscope of methods employed. This book provides a breakthrough model for serious work on films that have to date received very little scholarly attention." - Michael Lee, Ph.D. (University of Oklahoma), editor at the journal Horror Studies

One of the most important yet overlooked of Hollywood auteurs, Budd Boetticher was responsible for a number of classic films, including his famous 'Ranown' series of westerns starring Randolph Scott. With influential figures like Martin Scorsese and Clint Eastwood acknowledging Boetticher's influence, and with growing academic interest in his work, Gary D. Rhodes and Robert Singer present a vital collection of essays on the director's long career, from a range of international scholars. Looking at celebrated films like Buchanan Rides Alone (1958) and Comanche Station (1960), as well as at lesser-known works like Escape in the Fog (1945) and Behind Locked Doors (1948), this book also addresses Boetticher's influential television work on the James Garner series Maverick, and Boetticher's continuing aesthetic influence on contemporary TV classics like Breaking Bad.

"Gary Rhodes and Bill Kaffenberger have added the final chapter to Bela Lugosi's career, combining fascinating unknown details of his film and stage activities with post-WWII film history. Superbly researched and written as an engrossing story of an actor's struggle against professional decline. A must-read " - Robert Cremer, author of Lugosi: The Man Behind the Cape (Henry Regnery, 1976). "Gary Rhodes represents that elusive Gold Standard in narrative research into the full depth and breadth of Bela Lugosi's complicated career. Rhodes' devotion to the banishment of myth, and to its replacement with frank and humanizing truth, has provided a wealth of historical storytelling that, in turn, renders the actor's known body of work all the more fascinating and comprehensible. Just when I catch myself believing I know all there is to be known about Lugosi -- along comes Gary Rhodes and Bill Kaffenberger with a fresh brace of revelations. The process advances immeasurably in No Traveler Returns: The Lost Years of Bela Lugosi." - Michael H. Price, coauthor of the Forgotten Horrors series. In No Traveler Returns, Bela Lugosi scholar extraordinaire Gary D. Rhodes and Bill Kaffenberger provide a fascinating time travel journey back to the late 1940s/early 1950s, when Lugosi - largely out of favor in Hollywood - embarked on a Gypsy-like existence of vaudeville, summer stock, and magic shows. While many historians have considered this era a limbo in Lugosi's career, with precious few facts unearthed, Rhodes and Kaffenberger take the reader along for a wide-eyed ride as Bela performs in a nightclub so notorious that armed guards keep watch on the roof, dresses as Dracula in a magic show where he and a gorilla (a man in a suit) play football with the guillotined head of a woman (a dummy), and races from one stock engagement to another without ever missing a cue. Never in his American career was Bela so busy, and never did his light shine so brightly as he valiantly troupes to support his family, dominate age and illness, and please his audiences. It's a fastidiously researched education in the show business world of the time - and a stirring tribute to the charm, brilliance and inexhaustible professionalism of the star who was Dracula. - Gregory William Mank, author of Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration (McFarland, 2009).

The latest in a series of books by researchers extraordinaire Gary D. Rhodes and Bill Kaffenberger, Bela Lugosi in Person brims with new facts, figures, and never-seen photos documenting the actor's scores of live public performances from 1931 to 1945, the era of his greatest fame. Three-act plays, vaudeville sketches, variety shows, and personal appearances are all chronicled at length, bringing new perspective to Lugosi's life and career. Gary Rhodes and Bill Kaffenberger have once again delivered the goods with their latest work Bela Lugosi in Person. They have combined their gift for scholarly research with an entertaining style to unveil fascinating aspects of Lugosi's stage career and the personal dramas that took place behind stage. Chockfull of surprises and new revelations that will delight every reader, but particularly aficionados who know Lugosi, but not "Lugosi in Person." Simply superb. - Robert Cremer, author of Lugosi: The Man Behind the Cape I've been a fan of Bela Lugosi for some six decades. Ironically I'd never heard of the actor until the day in 1956 that he died, when my Mother informed me of his passing. Now I'm also a fan of Gary D. Rhodes and Bill Kaffenberger, a team who, it seems, know - and care - more about the man best known for his role of Count Dracula, and getting the facts about that man accurately recorded, than anyone else on the planet. Rhodes' previous book, Tod Browning's Dracula, and Rhodes and Kaffenberger's No Traveler Returns, are incredibly well-researched and entertaining studies of the actor's career that I could not put down once I began reading them ... and this new tome, written with the same scholarship and style, completes a literary trilogy every Bela Lugosi enthusiast should own and read. Highly recommended - Donald F. Glut, author of The Dracula Book and The Empire Strikes Back novelization. I witnessed the intensity of my father, Bela Lugosi, firsthand. But I did not at the time realize how unique the experience was. His personal magnetism has survived in people's memories and in our culture. This is evidenced by the desire of so many people wanting to connect to Dad by connecting to me - at conventions, on the street and anywhere they hear the name "Bela Lugosi." It was Dad's elegance and captivating personality that made Count Dracula such an alluring yet horrific figure, so I can imagine the draw my father must have created when he was to appear in person - and the effect he must have had on a live audience. I am grateful that Gary Rhodes and Bill Kaffenberger's new book shines a light on Dad's personal appearances, a previously uncovered facet of his career and legacy. - Bela G. Lugosi