Gary D. Schmidt

Carter Jones is astonished early one morning when he finds a real English butler, bowler hat and all, on the doorstep. He announces he is here to stay to help the Jones family, which is a little bit broken. In addition to figuring out middle school, Carter has to adjust to the unwelcome presence of this new know-it-all adult in his life and navigate the butler's notions of decorum and love of cricket. And ultimately, when his burden of grief and anger from the past can no longer be ignored, Carter learns that a burden becomes lighter when it is shared. Sparkling with humour, this insightful and compassionate story is the latest from the award-winning author of Orbiting Jupiter.

In this Newbery Honor-winning novel, Gary D. Schmidt offers an unforgettable antihero. The Wednesday Wars is a wonderfully witty and compelling story about a teenage boy's mishaps and adventures over the course of the 1967-68 school year in Long Island, New York. Meet Holling Hoodhood, a seventh-grader at Camillo Junior High, who must spend Wednesday afternoons with his teacher, Mrs. Baker, while the rest of the class has religious instruction. Mrs. Baker doesn't like Holling-he's sure of it. Why else would she make him read the plays of William Shakespeare outside class? But everyone has bigger things to worry about, like Vietnam. His father wants Holling and his sister to be on their best behavior: the success of his business depends on it. But how can Holling stay out of trouble when he has so much to contend with? A bully demanding cream puffs; angry rats; and a baseball hero signing autographs the very same night Holling has to appear in a play in yellow tights As fate sneaks up on him again and again, Holling finds Motivation-the Big M-in the most unexpected places and musters up the courage to embrace his destiny, in spite of himself.

Bestselling author Gary D. Schmidt tells a coming-of-age story with the light touch of The Wednesday Wars, the heart of Okay for Now, and the unique presence of a wise and witty butler. Carter Jones is astonished early one morning when he finds a real English butler, bowler hat and all, on the doorstep--one who stays to help the Jones family, which is a little bit broken. In addition to figuring out middle school, Carter has to adjust to the unwelcome presence of this new know-it-all adult in his life and navigate the butler's notions of decorum. And ultimately, when his burden of grief and anger from the past can no longer be ignored, Carter learns that a burden becomes lighter when it is shared. Sparkling with humor, this insightful and compassionate story will resonate with readers who have confronted secrets of their own.

In this riveting novel, two boys discover the true meaning of family and the sacrifices it requires.Two-time Newbery Honor winner Gary D. Schmidt delivers the shattering story of Joseph, a father at thirteen, who has never seen his daughter, Jupiter. After spending time in a juvenile facility, he's placed with a foster family on a farm in rural Maine. Here Joseph, damaged and withdrawn, meets twelve-year-old Jack, who narrates the account of the troubled, passionate teen who wants to find his baby at any cost. When Jack meets his new foster brother, he knows three things about him: Joseph almost killed a teacher.He was incarcerated at a place called Stone Mountain.He has a daughter. Her name is Jupiter. And he has never seen her.What Jack doesn't know, at first, is how desperate Joseph is to find his baby girl. Or how urgently he, Jack, will want to help.But the past can't be shaken off. Even as new bonds form, old wounds reopen. The search for Jupiter demands more from Jack than he can imagine.This tender, heartbreaking novel is Gary D. Schmidt at his best. He is the author of the Printz Honor and Newbery Honor Book Lizzie Bright and the Buckminster Boy; Okay for Now, a National Book Award finalist; and The Wednesday Wars, a Newbery Honor Book, among his many acclaimed novels for young readers.

Longlisted for the Carnegie Medal. A heartbreaking story, narrated by twelve-year-old Jack, whose family is caring for fourteen-year-old Joseph. Joseph is misunderstood. He was incarcerated for trying to kill a teacher. Or so the rumours say. But Jack and his family see something others in town don’t want to. What's more, Joseph has a daughter he’s never seen. The two boys go on a journey through the bitter Maine winter to help Joseph find his baby - no matter the cost.

In this riveting novel, two boys discover the true meaning of family and the sacrifices it requires.Two-time Newbery Honor winner Gary D. Schmidt delivers the shattering story of Joseph, a father at thirteen, who has never seen his daughter, Jupiter. After spending time in a juvenile facility, he's placed with a foster family on a farm in rural Maine. Here Joseph, damaged and withdrawn, meets twelve-year-old Jack, who narrates the account of the troubled, passionate teen who wants to find his baby at any cost. When Jack meets his new foster brother, he knows three things about him: Joseph almost killed a teacher.He was incarcerated at a place called Stone Mountain.He has a daughter. Her name is Jupiter. And he has never seen her.What Jack doesn't know, at first, is how desperate Joseph is to find his baby girl. Or how urgently he, Jack, will want to help.But the past can't be shaken off. Even as new bonds form, old wounds reopen. The search for Jupiter demands more from Jack than he can imagine.This tender, heartbreaking novel is Gary D. Schmidt at his best. He is the author of the Printz Honor and Newbery Honor Book Lizzie Bright and the Buckminster Boy; Okay for Now, a National Book Award finalist; and The Wednesday Wars, a Newbery Honor Book, among his many acclaimed novels for young readers.

2013 Pura Belpre Award for Illustration As the illegitimate son of a Spanish nobleman and a former slave, Martin de Porres was born into extreme poverty. Even so, his mother begged the church fathers to allow him into the priesthood. Instead, Martin was accepted as a servant boy. But soon, the young man was performing miracles. Rumors began to fly around the city of a strange mulatto boy with healing hands, who gave first to the people of the "barrios." Martin continued to serve in the church, until he was finally received by the Dominican Order, no longer called the worthless son of a slave, but rather a saint and the rose in the desert.

When Henry Smith's older brother goes into a coma after being hit by a Cambodian boy's pickup truck, the entire Smith family is engulfed in the tragedy. It takes a mountain, which Henry vows to climb, to open the eyes of this long-established Yankee family to their own prejudices and to an awareness that they can never insulate themselves against trouble.

In this Newbery Honor-winning novel, Gary D. Schmidt tells the witty and compelling story of a teenage boy who feels that fate has it in for him.Seventh grader Holling Hoodhood isn't happy. He is sure his new teacher, Mrs. Baker, hates his guts. Throughout the school year, Holling strives to get a handle on the Shakespeare plays Mrs. Baker assigns him to read on his own time, and to figure out the enigmatic Mrs. Baker. At home, Holling's domineering father is obsessed with his business image and disregards his family. As the Vietnam War turns lives upside down, Holling comes to admire and respect both Shakespeare and Mrs. Baker, who have more to offer him than he imagined. And when his family is on the verge of coming apart, he also discovers his loyalty to his sister, and his ability to stand up to his father when it matters most.Each month in Holling's tumultuous seventh-grade year is a chapter in this quietly powerful coming-of-age novel set in suburban Long Island during the late '60s.

It is the mid-eighteenth century, and young British subject Anson Granville Staplyton has traveled to Ireland, where his regiment has been sent to keep the king's peace. Anson has waited all his life for the day he would follow his father to serve His Majesty in the Staffordshire Fencibles. But the young drummer's notions of glory are shaken when he witnesses the violent injustices thrust upon the Irish people. Anson is torn even further when he meets an Irish hedge master who secretly teaches children the lilting language and history of their won country-lessons that it is Anson's duty to silence. Torn between family honor and his ever-changing sense of justice, Anson struggles to choose his own way in beautiful yet turbulent Ireland.

What fills a hand fuller than a skein of gold? By order of the king, two boys, Tousle and Innes, must find the answer to this puzzling riddle within seven days or be killed. A former nursemaid to the queen's child tells the boys that the banished queen may have the answer they seek. Danger presents itself at every turn, for the boys are pursued by the Great Barons, who are secretly plotting against the king. Another pursuer, the greedy King's Grip, reveals a strange story of a little man who once spun straw into gold of incredible beauty for the queen but then disappeared with her firstborn son. Tousle realizes that the man he calls Da is the strange little man and, even more amazing, that he himself may be the lost prince. Or could it be Innes, who although cruelly blinded can hear the music of the dawn?This skillful blend of fantasy and adventure reveals what might have happened before the queen makes her third and last guess and the story of Rumpelstiltskin--as we know it--ends.

A testament to the power of stories, and how they may bring hope even in times of darkness.As night falls, the women gather their children to listen to Mara tell her stories. They are stories of light and hope and freedom, stories of despair and stories of miracles, stories of expected pain and stories of unexpected joy--all told in the darkness of the concentration camp barracks. Through extensive research noted in the back of the book, Gary Schmidt has skillfully woven together stories from such sources as the Jewish religious scholar, Martin Buber; Holocaust survivor, Elie Wiesel; and folklorists, Steve Zeitlin and Yaffa Eliach. Combining lore of the past with tales born in the concentration camps, Mara's stories speak to us from a time that must never be forgotten.

Gary Schmidt's First Boy fast-paced political thriller will have the reader turning the pages in anticipation of the next clue."You're my first boy, Cooper, my first boy," grandfather says just before he dies. All alone in the world, without even a dog, the only thing that keeps Cooper going is running the dairy farm.Suddenly, black sedans are swarming all around Cooper's small New Hampshire town, driven by mysterious men in dark suits. Cooper's barn is burned to the ground, and his house is broken into and searched during the night. The President of the United States calls on Cooper for a visit, and her opponent wants Cooper to join him on the campaign trail. Who exactly is Cooper Jewett, and what does the government want with him?

During the 1967 school year, on Wednesday afternoons when all his classmates go to either Catechism or Hebrew school, seventh-grader Holling Hoodhood stays in Mrs. Baker's classroom where they read the plays of William Shakespeare and Holling learns muchof value about the world he lives in.During the 1967 school year, on Wednesday afternoons when all his classmates go to either Catechism or Hebrew school, seventh-grader Holling Hoodhood stays in Mrs. Baker's classroom where they read the plays of William Shakespeare and Holling learns muchof value about the world he lives in.

Must a folktale be connected to its culture? Can a tale with universal applications be transmitted from one culture to another without loss? Does a teller from one culture have the ability--or even the right--to relate a tale from another culture? What happens to a tale when it leaves the oral and adult arenas and appears in print for children? Is it legitimate for a reteller to create variants to suit a child audience?Children's literature is today the major conduit for folklore, and professionals in the field must consider these questions. Editors Gary Schmidt and Donald Hettinga have brought together twenty-three writers of children's literature, illustrators, storytellers, and literary critics, who explore the issues and offer their experiences and views. The scope of the volume is the North American folktale, a rich amalgam of four major distinct traditions: the Native American folktale, the African American folktale, the retold Western European folktale, and the American tall tale. Each tradition is separately presented with an introductory survey and a selection of essays by the writers and critics. This focused collection will be valuable to scholars and professions in folklore, anthropology, American literature, and children's literature and useful also as a text in courses on children's literature and folklore.