Genesis P-Orridge

The Fenris Wolf is a research journal focussed on the human mind, developments in comparative magico-anthropology, and on the occultural implications and applications of these fields of study. This volume, which is an anthology of the first three issues (originally published 1989-1993), contains material by Anton LaVey, Genesis Breyer P-Orridge, William Burroughs, Austin Osman Spare, Hymen us Beta, Ben Kadosh, Freya Aswynn, Rodney Orpheus, ONA, William Heidrick, Terence Sellers, Zbigniew Karkowski, Carl Michael von Hausswolff and Leif Elggren (KREV), Lionel Snell, Stein Jarving, John Alexander, Tim O'Neill, Peter Gilmore, Phauss, Frater Nigris, Jack Stevenson, TOPYUS, Nemo, Philip Marsh, Beatrice Eggers, Andrew McKenzie, Fetish 23, and Carl Abrahamsson, on topics as diverse as dreams, Christian right-wing conspiracies, ritual aspects of performance art, Aleister Crowley's roots and his philosophy of Thelema, Thee Temple Ov Psychick Youth (TOPY), Jayne Mansfield, Kenneth Anger, Harry Smith, Satanism, Pythagoras, Plato, the Hellenes, demonic aspects of cinema, the Ordo Templi Orientis (O.T.O.), psychedelics as agents of creativity, Acid House as a liberating subculture, the inauguration of the Kingdoms of Elgaland-Vargaland, the technology of consciousness, pornography, the esotericism of the left-hand path, Northern magic, and much more... Trapart Books 2020, 6x9" paperback, 322 pages.

A revealing and beautifully open memoir from pioneering industrial music artist, visual artist, and transgender icon Genesis P-Orridge—now in paperbackIn this groundbreaking book spanning decades of artistic risk-taking, the inventor of “industrial music,” founder of Throbbing Gristle and Psychic TV, and world-renowned fine artist with COUM Transmissions, Genesis P-Orridge (1950–2020) takes us on a journey searching for identity and their true self. It is the story of a life of creation and destruction, where Genesis P-Orridge reveals their unwillingness to be stuck—stuck in one place, in one genre, or in one gender. Nonbinary is Genesis’s final work and is shared with hopes of being an inspiration to the newest generation of trailblazers and nonconformists.Nonbinary is the intimate story of Genesis’s life, weaving the narrative of their history in COUM Transmissions, Throbbing Gristle, and Psychic TV. It also covers growing up in World War II’s fallout in Britain, contributing to the explosion of new music and radical art in the 1960s, and destroying visual and artistic norms throughout their entire life. In addition to being a captivating memoir of a singular artist and musician, Nonbinary is also an inside look at one of our most remarkable cultural lives that will be an inspiration to fans of industrial music, performance art, the occult, and a life in the arts.

A revealing memoir from a pioneering industrial musician and visual artist who inspired generations of outsiders, rebels, and risk-takers In a memoir spanning decades of artistic risk-taking, Genesis P-Orridge, the inventor of “industrial music,” founder of Throbbing Gristle and Psychic TV, and world-renowned ?ne artist takes us on a journey through creativity and destruction, pleasure and pain. Genesis’s unwillingness to be stuck—in one place, in one genre, or in one gender—will be an inspiration to the newest generation of trailblazers and nonconformists. It’s for an audience that cannot and will not be ignored. Nonbinary has far-reaching potential because of Genesis’s remarkable body of work. It is full of great stories about Genesis’s experiences with icons like William S. Burroughs and Ian Curtis.