Geoffrey Edwards

One of the most significant developments in 19th-century Italian opera was the genesis of the Verdi baritone. The authors argue that the composer's baritone characters embody "a quintessential humanity, expressing needs and temptations, confusions and understandings, griefs and joys that transcend the particulars of time and place." The Verdi Baritone explores seven of the most fascinating roles in the repertory, revealing how they were conceived and executed. This eloquent book opens with a discussion of Verdi's early triumph, Nabucco; proceeds with Ernani, Macbeth, Rigoletto, La Traviata, and Simon Boccanegra; and concludes with his final great tragedy, Otello. Voice students, professional performers, their teachers and coaches, and opera lovers, will gain insight into Verdi's masterful use of text, music, and staging to portray each character's inner self.

Filled with historic details of the time, Fire Bell in the Night explores the explosive tension between North and South, black and white, that gripped Charleston, South Carolina, in the summer of 1850. Geoffrey S. Edwards's first novel tells the story of New York Tribune reporter John Sharp, sent to cover the capital trial of Darcy Calhoun, a farmer who stands accused of harboring a fugitive slave. As the trial begins, John quickly realizes that not everything is as it appears in the genteel city of Charleston. A series of mysterious fires in white establishments brings the state militia, a curfew for the black population, and rising tension at the courthouse. To unravel the city's secrets, Sharp must enter Charleston's plantation society, where he is befriended by Tyler Breckenridge, owner of the Willowby plantation, and his beautiful sister Clio. Set against the backdrop of a nation headed toward civil war, Fire Bell in the Night is a page-turning account of a trial and one young reporter's efforts to discover the truth.

New in paperback! This book comes at a time when opera-lovers, singers, directors, and critics alike are taking a new look at the dramatic soprano heroines created by Giuseppe Verdi and Giacomo Puccini, endeavoring to delve beyond inherited scholarly interpretation and gain a richer understanding of these compelling female characters. Artistically limited by the bel canto musical tradition popular at the time, Verdi launched a new style dramma per musica which also demanded a new soprano archetype. This book illustrates the musical evolution of the Verdi and Puccini soprano while illuminating the dramatic scope and power of these great heroines. Avoiding critical reductionism, Verdi and Puccini Heroines provides an unprecedented and probing discussion of how these great soprano roles were conceived and executed. Accordingly, the authors take a three-dimensional look at these heroines, examining seven operas: Il Trovatore, La Forza del Destino, Aida, La Bohème, Tosca, Madama Butterfly, and Turandot. The chapters, which are fully self-contained analyses, contain translations, illustrative musical examples, supplementary notes, and references to each opera's literary sources. The musical analysis, while thorough, is descriptive and accessible to all levels of readers.

A survey of two thousand years of Christianity, this wide-ranging and authoritative hisotry starts with the birth of Jesus and maps out the broad sweep of the Christian religion as it has taken root in cultures and societies over five continents. The author sets each period in it's historical, political and philosophical context. David Edwards assumes no specialist knowledge, yet this sensitive critique will also be satisfying to the theologically educated. But the year AD 2000 is not the end of history. If, for the historian, the millenium provides a platform for looking back over the panorama of the past, it is also a standpoint for looking forwar, and so the book ends with a challenging question: what will the next two thousand years bring?

A celebration of 2000 years of Christianity, this history starts with the birth of Jesus and the Christian religion as it developed through many cultures. Setting each period in its historical, political and philosophical context, the book looks past the millennium and anticipates the future.

The purpose of this revised and extended book is to try to explain how the policies of the Community are meant to achieve its primary objectives. A short history of the foundation and major events are included and the formal institutions and the actual decision-making processes are explained.