Geoffrey Rayner

The first publication devoted to the textile designs of one of the twentieth century’s greatest artists, showcasing a rarely discussed aspect of the Pop Art superstar’s career Andy Warhol (1928–1987), a giant of twentieth century art, is known to most people for his iconic images of soup cans, Coke bottles, and Marilyn Monroe. Before his meteoric rise to fame in the early 1960s as a Pop Art superstar, Warhol was a highly successful commercial artist in New York. The late Matt Wrbican, former chief archivist of the Warhol Museum in Pittsburgh, once said “there are very few stories left to tell about Warhol, but textiles is one of them”. This is the first book devoted to the commercial textile designs of this leading figure in the history of art. With stunning new photography throughout, including unpublished images of newly discovered textiles, the book sheds new light on a previously undocumented but important aspect of Warhol’s oeuvre. Featuring over 30 different textiles, from ice cream sundaes to acrobatic clowns, Warhol: The Textiles offers a unique record of the beginnings of one of the twentieth century’s greatest artists. Published in association with the Fashion and Textile Museum Exhibition Schedule: Fashion and Textile Museum, London (March 31–September 10, 2023)

"There have been volumes written on and by Terence Conran and Mary Quant, but this is the first time they have been placed together in a book. And it works." - Colin McDowell, The Times "It is given to a fortunate few to be born at the right time, in the right place, with the right talents. In recent fashion there have been three: Chanel, Dior and Mary Quant." - Ernestine Carter. Transporting you back to London at the height of the Swinging Sixties, this book provides vital context for two of the biggest and boldest names in 'Pop' fashion: Mary Quant, alleged mother of the miniskirt, and Terence Conran, the entrepreneur behind the new wave of 'lifestyle' stores. Friends, associates and allies in design, Quant and Conran stood at the head of an informal but influential bohemian group who steered the rudder of style during the Pop era. 'The Chelsea Set' resist definition; there was no comprehensive members list. Conran/Quant: Swinging London - A Lifestyle Revolution explores the contributions of designers and artists from Laura and Bernard Ashley to Eduardo Paolozzi, Nigen Henderson and Alexander Plunket Greene, all of whom were essential generators of Sixties Style.

POP! Design, Culture, Fashion 1955-1976 explores the impact of music, art and personality on the development of the design and fashion of the times. Published to accompany an exhibition at the Fashion and Textile Museum, London, July - October 2012. Pop! Design, Culture, Fashion 1956-1976 covers all aspects of Pop design in Britain and America, from early rock 'n' roll to punk. It looks at record covers and packaging designs by Pop artists such as Andy Warhol, Peter Blake and Richard Hamilton, and the work of fashion designers such as Mary Quant, Barbara Hulanicki from Biba, Vivienne Westwood and John Stephen of Carnaby Street fame, as well as their contemporaries in America such as Betsey Johnson of Paraphernalia. Pop graphics are also covered, from the psychedelic posters of Alan Aldridge, and the design collective 'Hapdash and the Coloured Coat' to rock posters from San Francisco and the west coast of America. There are also reproductions of rarely-seen underground magazines such as Oz, Gandalf's Garden, l' Actuel and the International Times. The ephemeral nature of much of Pop design is explored - from paper furniture and 'throwaway' paper dresses, to longer-lasting trends such as Union Jack clothing, metal badges, machine-embroidered denim, printed t-shirts and tin badges. The book also looks at the work of 'Them', an influential group of 'Baroque Pop' designers who coalesced around Zandra Rhodes in the early 70s, and ends with the anti-design of punk fashion by Vivienne Westwood, and the self-proclaimed 'horrible by design' punk graphics of Jamie Reid. Whilst there have been innumerable books on the Swinging Sixties, and on Pop Art, this is the first book to look at Pop design over a twenty year span, and to examine the interconnected nature of so many elements of the phenomenon such as books and magazines, music, film, fashion and graphic art. It is also unique in that the illustrations are not sourced from the usual magazine archive images, but are photographs of the artefacts themselves, from Elton John's waistcoat, embroidered with suns, stars and rainbows, to Twiggy coathangers, psychedelic book covers and every teenager's must-have item: 'Glo Glo boots for Go Go girls'. Geoff Rayner and Richard Chamberlain are experts in post-war design, specialising in the history of textiles. They have curated a number of exhibitions, and written (with Annamarie Stapleton) several books most recently Artists' Textiles 1945-76ISBN: 9781851496297 (published by Antique Collectors' Club, 2012).