Georg Trakl

Reproduktion des Originals: Die Dichtungen von Georg Trakl

Reproduktion des Originals: Gedichte von Georg Trakl

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The work of poet Georg Trakl, a leading Austrian-German expressionist, has been praised by many, including his contemporaries Rainer Maria Rilke and Else Lasker-Schuler, as well as his patron Ludwig Wittgenstein. Wittgenstein famously wrote that while he did not truly understand Trakl's poems, they had the tone of a "truly ingenious person," which pleased him.A Skeleton Plays Violin comprises the final volume in a trilogy of works by Trakl published by Seagull Books. This selection gathers Trakl's early, middle, and late work, none of it published in book form during his lifetime. The work here ranges widely, from his haunting prose pieces to his darkly beautiful poems documenting the first bloody weeks of World War I on the Eastern Front. Book Three of Our Trakl the series that began with Trakl's first book Poems and his posthumously published Sebastian Dreaming also includes translations of unpublished poems and significant variants. Interpolated throughout this comprehensive and chronological selection is a biographical essay that provides more information about Trakl's gifted and troubled life, especially as it relates to his poetry, as well as the necessary context of his relationship with his favorite sibling, his sister Grete, whose role as a muse to her brother is still highly controversial. Trakl's life was mysterious and fascinating, a fact reflected in his work. A Skeleton Plays Violin should not be missed.

Sto let nazad, v 1915 g., vyshla v svet vtoraja kniga Georga Traklja (1887-1914) "Sebastjan vo sne". Trakl uspel prochitat lish ejo korrekturu: v 1914 godu on, frontovoj sanitar, pokonchil zhizn samoubijstvom. A za god do etogo, v 1913 g., v Lejptsige vyshla v svet pervaja kniga togda eschjo nikomu ne izvestnogo avtora - "Stikhotvorenija".I togda zhe, pust i nemnogim, stalo jasno: pojavilsja novyj velikij nemetskij poet. I eto vo vremja, kogda pisali i byli v rastsvete poeticheskikh sil starshie sovremenniki Traklja, perezhivshie svoego junogo posledovatelja, - Stefan George i Rajner Marija Rilke!Literaturnoe nasledie Georga Traklja neveliko. V nastojaschee izdanie voshli obe znamenitye knigi poeta, a takzhe razroznennye stikhi, izdannye uzhe posmertno, chto i sostavljaet "Polnoe sobranie stikhotvorenij". Mnogie veschi publikujutsja v novoj perevodcheskoj redaktsii Vladimira Letuchego.Perevodchik: Letuchij Vladimir

The second book in Seagull’s ambitious series of Georg Trakl’s works, Sebastian Dreaming was the second, and final, collection prepared for publication by Trakl himself. Published after his death, it was perhaps even tied to it: forced into a military hospital by the psychological trauma of his World War I experiences, the Austrian poet requested that his publisher send him proofs of the book. He waited a week, and then overdosed on cocaine. A century later, the book appears for the first time in English. While a number of its poems have been included in other collections, translator James Reidel argues that this particular book deserves to stand on its own and be read as one piece, as Trakl intended. Only by doing this can we begin to see Trakl in his proper time and place, as an early modern poet whose words nonetheless continue to exert a powerful hold on us while we make our way through a new, uncharted century.

For første gang i tyve år er Georg Trakls visionære og indflydelsesrige lyrik igen tilgængelig på dansk, her i Rolf Gjedsteds gendigtning. Den østrigske forfatter Georg Trakl – en af den tysksprogede ekspressionismes betydeligste digtere – skrev i sit korte liv omkring 100 digte, der udkom enkeltvis i avangardetidsskriftet Der Brenner. Først senere kom de i egentlige samlinger. I sine tekster skaber Trakl en særegen visionær verden, hvor farvemættet forfald, hårdhed og voldsomhed står i kontrast til små scener af forløsning og ro. Trakl var ikke kendt i sin samtid, men hans lyrik har haft stor indflydelse på digtere som Ingeborg Bachman og Paul Celan og har inspireret danske digtere som Michael Strunge og Søren Ulrik Thomsen. Sebastian i drømme udkom i foråret 1915, knap et halvt år efter digterens død. Med denne nyudgivelse er Trakls poetiske vision atter tilgængelig for danske læsere. Pressen skriver: "Det kan være svært at få hænderne ned af ren begejstring over forlaget Rosinantes flotte og imponerende klassikerserie. Klaus Mann, Primo Levi, Elie Wiesel, Joseph Roth, Stefan Zweig, Virginia Woolf, Emily Brontë, Georges Perec er nogle af de mange forfattere, hvis bedste bøger er udgivet som klassikere. At den bogserie endnu ikke har vundet hæder og priser er helt uforståeligt. Nu udkommer så, ganske vist i et lidt andet format, Georg Trakls Sebastian i drømme i Rolf Gjedsteds gendigtning af et af den tyske ekspressionismes absolutte hovedværker." - Information

ber den schwarzen Winkel hasten Am Mittag die Raben mit hartem Schrei. Ihr Schatten streift an der Hirschkuh vorbei Und manchmal sieht man sie m rrisch rasten. O wie sie die braune Stille st ren, In der ein Acker sich verz ckt,

The work of poet Georg Trakl, a leading Austrian-German expressionist, has been praised by many, including his contemporaries Rainer Maria Rilke and Else Lasker-Schuler, as well as his patron Ludwig Wittgenstein. Wittgenstein famously wrote that while he did not truly understand Trakl's poems, they had the tone of a "truly ingenious person," which pleased him. This difficulty in understanding Trakl's poems is not unique. Since the first publication of his work in 1913, there has been endless discussion about how the verses should be understood, leading to controversies over the most accurate way to translate them. This new translation marks the hundredth anniversary of Trakl's death during the first months of World War I. In a refreshing contrast to previous translated collections of Trakl's work, James Reidel is mindful of how the poet himself wished to be read, emphasizing the order and content of the verses to achieve a musical effect. Trakl's verses were also marked by allegiance to both the nineteenth and twentieth centuries, a fact which Reidel honors with impressive research into the historicity of the poet's language. The first book in a three-volume collection of Trakl's work, Poems sets itself apart as the best translation of Trakl available today and will introduce English readers to the powerful verses of this wartime poet.

Trakl's poetry is amazing. His reader is gifted with visions of a darker world, an autumnal place of surreal beauty and a dying splendor. It is not a world friendly to people--it is full of death, desolation, and decay, strange creatures and arcane gods. But it is beautiful nonetheless. Hauntingly beautiful.--Chris Faatz, Powells.comI do not understand them; but their tone pleases me. It is the tone of true genius.--Ludwig WittgensteinSong of the Departed brings back into print poems written at the height of Georg Trakl's career. Trakl boldly confronted the conflicts created by the pursuit of truth amidst the fallenness of the human condition, writing of the unspeakable that lies beyond language, creating poetry that is intensely personal and eerily beautiful. Included in this revised edition are several new translations and an introduction by the translator.All roads disgorge to black decay.Beneath the golden boughs of night and starsThe sister's shadow flutters through the silent groveTo greet the spirits of the heroes, bleeding heads.And softly in the reeds drone the dark flutes of autumn.O prouder grief you brazen altars;Tonight a mighty anguish feeds the hot flame of spirit: Unborn grandchildren.Georg Trakl was born in Austria in 1887. He served as a medical officer during World War I. As a lyric poet, he set a dark, introspective tone that deeply influenced the course of German expressionism. He died in 1914 after an overdose of cocaine.