Geraldine Harris

In the concluding part of Seven Citadels', Prince Kerish and his companions have been captured by the barbarians. A ruthless escape plan ends in tragedy. In war-torn Galkis, Kerish and his brother, Forollkin, are forced to part so that each can fight for the future in his own way. Disguised as musicians, Kerish and Gidjabolgo travel among the ordinary people of Galkis. Desperate to help them, Kerish continues his quest to save an Empire he no longer believes in. When Kerish and Gidjabolgo find the seventh sorcerer in the Forbidden Jungle of Jenze, startling truths are revealed. Kerish must face the last ordeal alone and discover whether he is prepared to pay the price for the return of the Savior. Seven Citadels' This acclaimed quartet, set in the exotic world of Zindar, tells the story of Kerish and Forollkin, two very different brothers sent on an epic journey to save their country. Forollkin is a formidable warrior but ultimately the success of their quest will depend on Kerish's powers of insight and persuasion. As they encounter strange new cultures and confront seven immortal sorcerers, the brothers learn to question everything they thought they knew. Danger, death and love will reshape the future they are fighting for. The unique Speaking Volumes edition is the first to print the author's preferred text. It is also the first English language edition to include the vital epilogue to The Seventh Gate', which continues the story of Kerish and Forollkin.

In the third part of Seven Citadels', Prince Kerish, his half-brother Forollkin, his cousin Gwerath and the enigmatic Gidjabolgo, have escaped from the nomads and reached the corrupt Queendom of Seld. After battling the terrible creatures which guard the fourth citadel, worse dangers await Kerish in the ghostly kingdom of the tormented fifth sorcerer. In the brothers' homeland, Galkis, traitors are plotting to seize the throne and the barbarians have invaded. The quest for the legendary Savior seems more urgent than ever, but the eccentric sixth sorcerer makes the companions rethink their destinies. Seven Citadels'This acclaimed quartet, set in the exotic world of Zindar, tells the story of Kerish and Forollkin, two very different brothers sent on an epic journey to save their country. Forollkin is a formidable warrior but ultimately the success of their quest will depend on Kerish's powers of insight and persuasion. As they encounter strange new cultures and confront seven immortal sorcerers, the brothers learn to question everything they thought they knew. Danger, death and love will reshape the future they are fighting for.The unique Speaking Volumes edition is the first to print the author's preferred text. It is also the first English language edition to include the vital epilogue to The Seventh Gate', which continues the story of Kerish and Forollkin.

Beyond representation explores whether the last thirty years witnessed signs of 'progress’ or ’progressiveness’ in the representation of ‘marginalised’ or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book examines ideas around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including ‘Ally McBeal', 'Supply and Demand', 'The Bill', 'Second Generation', 'Star Trek: Enterprise', 'Queer as Folk', 'Metrosexuality' and 'The Murder of Stephen Lawrence'.

In the first part of 'Seven Citadels', Prince Kerish, pampered favorite son of the Emperor of Galkis, and his half-brother Forollkin, are sent to find seven sorcerers who each hold the key to a gate. Legend says that that the seven gates imprison a Savior, who alone can save the embattled Galkian Empire and its Godborn rulers. In the dangerous world beyond Galkis, Kerish is forced to depend on his soldier brother. The prince soon discovers something that will make their quest much more difficult-if a sorcerer surrenders his key, he also gives up immortality. When the first sorcerer turns out to be a benevolent philosopher king, the brothers begin to question whether the cost of saving Galkis is too high. 'Seven Citadels' This acclaimed quartet, set in the exotic world of Zindar, tells the story of Kerish and Forollkin, two very different brothers sent on an epic journey to save their country. Forollkin is a formidable warrior but ultimately the success of their quest will depend on Kerish's powers of insight and persuasion. As they encounter strange new cultures and confront seven immortal sorcerers, the brothers learn to question everything they thought they knew. Danger, death and love will reshape the future they are fighting for. The unique Speaking Volumes edition is the first to print the author's preferred text. It is also the first English language edition to include the vital epilogue to 'The Seventh Gate', which continues the story of Kerish and Forollkin.

Drawing on hands-on experience from workshops and interviews, this innovative book explores the work of eight gender aware theatre and performance artists and companies. The authors offer rare insights into the processes as well as the practice of these artists and employ an 'inside', practical approach to understanding their ground-breaking work

Drawing on hands-on experience from workshops and interviews, this innovative book explores the work of eight gender aware theatre and performance artists and companies. The authors offer rare insights into the processes as well as the practice of these artists and employ an 'inside', practical approach to understanding their ground-breaking work

Beyond representation poses the question as to whether over the last thirty years there have been signs of ‘progress’ or ’progressiveness’ in the representation of ‘marginalised’ or subaltern identity categories within television drama in Britain and the US. In doing so, it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book can function as an introduction because it provides students with a clear and coherent pathway through complex, wide-reaching and highly influential interdisciplinary terrain. Chapters examine ideas circling around politics and aesthetics, which emerge from such theories as Marxist-socialism and postmodernism, feminism and postmodern feminism, anti-racism and postcolonialism, queer theory and theories of globalisation, and evaluates their impact on television criticism and on television as an institution. These discussions are consolidated through a number of case studies that offer analyses of a range of television drama texts including Ally McBeal, Supply and Demand, The Bill, Second Generation, Star Trek: Enterprise, Queer as Folk, Metrosexuality and The Murder of Stephen Lawrence.