Gregory Fraser

It is our everyday explorations—the small explosions within life, family, and “ordinary” survival—that make up Gregory Fraser’s fourth collection of poetry, Little Armageddon. Fraser writes at eye level, detailing the experiences of fatherhood, love, and the quiet of daily life, poised at the brink of abrupt upheaval.These poems are an exercise in precision and reflection. Free verse, prose, and precise sonnets blend with pastorals that show readers the life within the landscape. In “My Daughter and the Lizard,” the speaker reflects on grace, meditating on the reptile his child is inspecting: “I scissor-jab three holes through the lid / of a Mason jar and tell her to be gentle, / ‘It’s a living thing,’ I say, ‘not a toy.’” We are how we live. These poems balance imagination and truth telling with rich verse that brings the reader’s ear closer to the quiet—and how intense it truly is.

This title explains how to read, interpret and write about the world around us in a critical and informed way. How well are you able to decode the signs that surround us in our daily lives? All of us, consciously or unconsciously, are constantly engaged in the act of reading and interpreting the signs in the world around us. This book answers the needs of students of composition, rhetoric, creative writing, stylistics or literature: it provides a process orientated guide to analyzing anything. Fraser and Davidson teach the reader how to perform semiotic analysis and formulate in plain language a logical set of instructions on how to write it up. The central idea is that analytical writing can be performed on any kind of text. The authors move from theory to practical analysis, featuring sidebars throughout that expand on relevant points. There is a clear trajectory through research, planning and writing with concrete revision strategies. The book includes links to insightful and witty readings on its expansive Companion Website, together with a Lecturer Handbook, extra material and additional essay tasks. This is the textbook of choice for all students of writing.

This title explains how to read, interpret and write about the world around us in a critical and informed way. How well are you able to decode the signs that surround us in our daily lives? All of us, consciously or unconsciously, are constantly engaged in the act of reading and interpreting the signs in the world around us. This book answers the needs of students of composition, rhetoric, creative writing, stylistics or literature: it provides a process orientated guide to analyzing anything. Fraser and Davidson teach the reader how to perform semiotic analysis and formulate in plain language a logical set of instructions on how to write it up. The central idea is that analytical writing can be performed on any kind of text. The authors move from theory to practical analysis, featuring sidebars throughout that expand on relevant points. There is a clear trajectory through research, planning and writing with concrete revision strategies. The book includes links to insightful and witty readings on its expansive Companion Website, together with a Lecturer Handbook, extra material and additional essay tasks. This is the textbook of choice for all students of writing.

Writing Poetry combines an accessible introduction to the essential elements of the craft, with a critical awareness of its underpinnings. The authors argue that separating the making of poems from critical thinking about them is a false divide and encourage students to become accomplished critics and active readers of poetic texts.

The twelfth volume of poems in the ""Walt McDonald First-Book Series"", Gregory Fraser's ""Strange Piet"" is a compelling exploration of illness and family life, memory and desire, friendship and loss. A major focus of the collection is the poet's relationship to his brother Jonathan, who was born with spina bifida, a disease that rendered him both physically and mentally disabled. In rich and often wrenching detail, Fraser describes the emotional turmoil, familiar dysfunction, and complex social responses arising from the birth of a handicapped child. The book examines cultural standards of normalcy, and uncovers those aspects of the self and others that are often considered freakish, unnatural, or 'monstrous'. What emerges is a poetry of poignancy and intellectual rigor, of private discoveries and larger philosophical questions about faith, beauty, and the redemptive power of art. The various other poems in the volume frequently take up disturbing subjects from domestic abuse to violent global conflict, from the death of a parent to the breakup of a close friend's marriage. By turns urgent, tender, skeptical, and wry, Fraser's work displays a complexity of thought with a clarity of language and imagery. A two-time finalist for the Walt Whitman Award from the Academy of American Poets, ""Strange Piet"" is, according to Robert Phillips, 'an important debut'. Phillips also writes, 'This book, from beginning to end, shows the hand of one who has mastered his craft and lived long enough to have something to say'. James Olney of ""The Southern Review"" describes ""Strange Piet"" as 'a resounding triumph of strictly ordered emotion'.