Harriet Harriss

Almost 40% of architecture graduates choose not to practise as architects. Instead, by ‘leaving’ their chosen profession, this surprisingly large but vastly overlooked cohort are making significant contributions to a wide range of other sectors, from politics to videogame design, demonstrating that architectural training can be a pathway to roles, and even leadership opportunities, across a variety of other professions.Architecture’s Afterlife is the first book to examine the sectors into which these graduates migrate, and to identify the transferable skills that are learned, but not always taught, in their degree programmes, and that prove most useful in their new careers.The book – a result of a three-year pan-European study funded by Erasmus+ – provides a roadmap for increasing graduate employment, addressing skills shortages across all sectors and adapting curricula to changing professional landscapes. It is therefore essential reading for all those responsible for curriculum design and delivery in architecture and other disciplines, including deans, professors, postgraduate researchers and policy makers, as well as students and professionals seeking to expand their career prospects.

Almost 40% of architecture graduates choose not to practise as architects. Instead, by ‘leaving’ their chosen profession, this surprisingly large but vastly overlooked cohort are making significant contributions to a wide range of other sectors, from politics to videogame design, demonstrating that architectural training can be a pathway to roles, and even leadership opportunities, across a variety of other professions.Architecture’s Afterlife is the first book to examine the sectors into which these graduates migrate, and to identify the transferable skills that are learned, but not always taught, in their degree programmes, and that prove most useful in their new careers.The book – a result of a three-year pan-European study funded by Erasmus+ – provides a roadmap for increasing graduate employment, addressing skills shortages across all sectors and adapting curricula to changing professional landscapes. It is therefore essential reading for all those responsible for curriculum design and delivery in architecture and other disciplines, including deans, professors, postgraduate researchers and policy makers, as well as students and professionals seeking to expand their career prospects.

All the architects in this book deserve international recognition. The reality is, though, that few are household names. Over the last decade, awareness of the need for gender balance in architecture has gained traction. Within the profession, women remain underrepresented, underpromoted and underpaid. Failure to acknowledge women’s contribution to the built environment has perpetuated this cycle and impoverished us all. By showcasing 100 exceptional architects – who happen to be women – this book provides a flagship reference to inspire and support everyone working in the profession, no matter how they identify. Global in outlook, the book presents an equitable sample of architects from every continent. We all need heroines as much as heroes. Through illustrated interviews, each woman shares how they are responding to a profound disconnect between architecture and the people and landscape it serves. Their visions, methods and models of leadership are essential to connecting the needs of humans and the planet. In the words of Indigenous Canadian architect Eladia Smoke: ‘Now is a critical time to seek out every opportunity to transmit this knowledge to future generations.’ Featuring: • 100 interviews with leading women architects, including: Tatiana Bilbao, Liz Diller, Farshid Moussavi, Mariam Issoufou, Sumayya Vally, Frida Escobedo and Sook Hee Chun. • Over 300 photographs and drawings. • Geographically balanced selection, with profiles across every continent.

All the architects in this book deserve international recognition. The reality is, though, that few are household names. Over the last decade, awareness of the need for gender balance in architecture has gained traction. Within the profession, women remain underrepresented, underpromoted and underpaid. Failure to acknowledge women’s contribution to the built environment has perpetuated this cycle and impoverished us all. By showcasing 100 exceptional architects – who happen to be women – this book provides a flagship reference to inspire and support everyone working in the profession, no matter how they identify. Global in outlook, the book presents an equitable sample of architects from every continent. We all need heroines as much as heroes. Through illustrated interviews, each woman shares how they are responding to a profound disconnect between architecture and the people and landscape it serves. Their visions, methods and models of leadership are essential to connecting the needs of humans and the planet. In the words of Indigenous Canadian architect Eladia Smoke: ‘Now is a critical time to seek out every opportunity to transmit this knowledge to future generations.’ Featuring: • 100 interviews with leading women architects, including: Tatiana Bilbao, Liz Diller, Farshid Moussavi, Mariam Issoufou, Sumayya Vally, Frida Escobedo and Sook Hee Chun. • Over 300 photographs and drawings. • Geographically balanced selection, with profiles across every continent.

Greta Magnusson Grossman (1906-1999) was a prolific designer working within the male-dominated world of mid-century modern design, whose status and influence has been largely ignored. Grossman was the ultimate polymath - an industrial designer, interior designer and architect working within two fascinating contexts: Scandinavia and North America.This book gives an overview of Grossman's background and education and the formative years of her career in Sweden, before describing her move to Los Angeles in 1940. While she is remembered for her work as a product and lighting designer, her work as an interior designer has been almost entirely overlooked.This book catalogues and emphasises the significance of her contribution to interior design: making the connections between ideas she tested at the scale of the product within the interior environment. It positions her contribution to interior design in relation to the canon of the genres to which she contributed, her discipline and the emerging canon of women designers — who are only now being recognised, whilst considering her enduring legacy upon the world of design today.

The issue of gender inequality in architecture has been part of the profession’s discourse for many years, yet the continuing gender imbalance in architectural education and practice remains a difficult subject. This book seeks to change that. It provides the first ever attempt to move the debate about gender in architecture beyond the tradition of gender-segregated diagnostic or critical discourse on the debate towards something more propositional, actionable and transformative.To do this, A Gendered Profession brings together a comprehensive array of essays from a wide variety of experts in architectural education and practice, touching on issues such as LGBT, age, family status, and gender-biased awards.

The anticipated reduction in the duration of architecture education in the UK and across Europe has encouraged a sense of collective openness towards exploring other models of professional education delivery. There’s never been a better time to be thoughtfully innovative and take the initiative. This book provides a much needed debate about the future of architectural education, placing it within its unique historic tradition and raising fundamental questions such as who should be teaching architecture. Where should they be situated and should it be viewed as an interdisciplinary, rather than silo-based subject? Featuring voices as varied as digital strategists, students and client managers, Radical Pedagogies consolidates academic and well as practice-based evidence into a set of actionable insights, aimed at empowering schools, educators, and students alike.