Heather McDonald

This is the debut novel for Heather McDonald and Matthew Leissring, was written in their teens. It was discovered as a loose-leaf manuscript in a storage carton. Heather and Matt taught in public school for 17 years quitting when "No child left" ruined professionalism in teaching. Partners for life, killed builders, musicians, spelunkers, expert figure skaters, collectors of artifacts, lovers of cats, the pair live in Northern California. The novel describes the adventures of a wonderful collection of characters including wizards, magicians, giants, dwarfs, beasties and more. This is a spanking good story.

p> Drama Characters: 9 male, 5 female (doubling possible). Unit set. Originally produced to acclaim by Washington D.C.'s famed Arena Stage, this is an engrossing political drama about the contemporary farm crisis in America and its effect on rural communities. "A haunting and emotionally draining play. A community of farmers and ranchers in a small Colorado town disintegrates under the weight of failure and thwarted ambitions. Most of the farmers, their spouses, children, clergyman, banker and greasy spoon proprietress survive, but it is survival without triumph. This is an Our Town for the 80's." -The Washington Post

New York Times bestselling author, comedian, and Chelsea Lately writer Heather McDonald’s hilarious true story of finding herself in the predicament of being an unwilling virgin at the age of twenty-seven.Can’t a girl dress like a hooker, dance like a stripper, and kiss like a porn star and still be a nineteen-year-old virgin? You’ll Never Blue Ball in This Town Again is the laugh-out-loud story of an attractive Los Angeles woman who found herself in the predicament of being an unwilling virgin. As an actress, writer, and stand-up comedienne, Heather McDonald passed up ample opportunities to have her V-card revoked by handsome, rich, and sometimes even fabulously famous men, but she could not bring herself to do “it” until well after her friends had been deflowered. As Chelsea Handler so lovingly puts it, “Thank God Heather waited twenty-seven years to lose her virginity or she wouldn’t have any material for this book.” Whether in a backseat, a community pool, or a sports stadium, with a frat boy, a doctor, or an A-list celebrity, Heather McDonald knew how to turn those boys blue. Unlike “putting out,” blue balling might not have paid her rent or landed her free trips to Hawaii, but it did provide her with hilarious stories and adventures in her search for true love—and, ultimately, her very own happy ending. Now, Heather McDonald will never blue ball in this town again.

In this fascinating and beautifully written book, Heather McDonald examines Aboriginal people's experiences of colonialism and post-colonialism in the nineteenth and twentieth centuries. Blood, Bones and Spirit analyses how Aboriginal people have appropriated Biblical stories of land inheritance, expansion and loss in order to make sense of their own dispossession and to construct a history of colonisation in the Kimberley. It investigates the embodiment of Christianity by Aboriginal people through their appropriation of Christ's body - his blood, bones and spirit - in order to replenish and heal their own colonised bodies. Finally, it is a local study of Christianisation in a small East Kimberley town, set within a broader enquiry into the Christianisation of European peoples and cultures. Aboriginal Christians are repossessing the land and reclaiming a traditional, earth-bound, world-immanent spirituality. These Aboriginal understandings of colonisation (including missionisation) and Aboriginal ways of interpreting and understanding Christianity offer a unique contribution to the reconciliation process.