Helen Thomas

This is the first book in English on the Italian architects Mario Asnago (1896-1981) and Claudio Vender (1904-1986). Their city was mid-twentieth century Milan in transformation, and the extraordinary Milanese architectural scene of that time is revealed in their work and through the writings of their contemporaries. Cino Zucchi and Adam Caruso provide in-depth analyses of the conceptual and material quali- ties of the buildings, which are illustrated in survey drawings and photographs of a selection of Asnago Vender's urban projects. The book is the second in a series on 'The Limits of Modernism - a Forgotten Generation of European Architects'.

Providing a new insight into twentieth-century architecture, this is the first book in English on the work of French architect Fernand Pouillon (1912-1986). It includes Jacques Lucan's analysis of his post-war urbanism and its critique of mainstream modernism, a description of material construction by Adam Caruso, and Pouillon himself inspired by Aix-en-Provence and reflecting on the contemporary architect's position in a cultural continuum. At the book's heart lie survey drawings and photographs of Pouillon's key Parisian housing projects. This book is first in a series on 'The Limits of Modernism - a Forgotten Generation of European Architects'.

In recent years, there has been an explosion of interest in the contemporary social study of the body which has raised important theoretical and methodological questions regarding traditional social and cultural analysis. It has also generated corporeal theories that highlight the fluid, shifting, yet situated character of the body in society. In turn, these corporeal theories have implications for social relations in an era of new technologies and global market economies.The Body and Everyday Life offers a lively and comprehensive introduction to the study of the body. It uses case studies in performance practices to examine the key concepts, methods and critical insights gained from this area. It includes sections on: ethnographies of the bodybodies of performanceperforming genderthe ageing performing body.This book clearly illustrates the complex relationships that exist between the body, society and everyday life, and considers the negative and positive implications for the development of future socio-cultural analysis in the field. It will be an invaluable introduction for students of sociology, body studies, gender studies, dance and performance, and cultural studies.

In recent years, there has been an explosion of interest in the contemporary social study of the body which has raised important theoretical and methodological questions regarding traditional social and cultural analysis. It has also generated corporeal theories that highlight the fluid, shifting, yet situated character of the body in society. In turn, these corporeal theories have implications for social relations in an era of new technologies and global market economies.The Body and Everyday Life offers a lively and comprehensive introduction to the study of the body. It uses case studies in performance practices to examine the key concepts, methods and critical insights gained from this area. It includes sections on: ethnographies of the bodybodies of performanceperforming genderthe ageing performing body.This book clearly illustrates the complex relationships that exist between the body, society and everyday life, and considers the negative and positive implications for the development of future socio-cultural analysis in the field. It will be an invaluable introduction for students of sociology, body studies, gender studies, dance and performance, and cultural studies.

Helen Thomas, who covered the administrations of ten presidents in a career spanning nearly sixty years, teams up with veteran journalist Craig Crawford to provide a witty, history-rich examination of what it takes to be a good president and lead our nation. With sharp observations and dozens of examples, Thomas and Crawford outline the qualities, attitudes, and political and personal choices that make for the most successful leaders . . . and the least. Calvin Coolidge, who hired the first professional speechwriter in the White House, illuminates the importance of choosing words wisely. William Howard Taft, notorious for being so fat he broke his White House bathtub, shows how not to cultivate a strong public image. John F. Kennedy, who could handle the press corps and their questions with aplomb, demonstrates how to establish a rapport with the press and open oneself up to the public. Ronald Reagan, who acknowledged the Iran- Contra affair in a television address, illustrates how telling hard truths can earn forgiveness and even public trust. Part history lesson, part guide to the presidency, this entertaining and exceedingly edifying read highlights what presidents should aspire to and what every citizen should expect and demand from our leaders.

As a messenger of television news, an anchorperson must hook the audience and make them pay attention. In America, there has been a strong tradition of male news anchors—Edward R. Murrow, Walter Cronkite, Dan Rather, Peter Jennings. These men, perched at their 'electronic hearths', recounted the details of America's most significant history to its citizens. Today, women are visible in every area of television news, even in the hallowed anchor chair, but their presence has been hard-fought and continues to present unique challenges. When Oprah Winfrey edorsed the presidential candidacy of Barack Obama, it reinforced the tremendous power a broadcaster can wield. Seen and Heard examines the lives, careers, and communication styles of twelve of the most compelling and recognizable women of television news, including Christiane Amanpour, Elizabeth Vargas, Diane Sawyer, Paula Zahn, Judy Woodruff, and Candy Crowley. From Barbara Walters's vast career that spans more than half a century to Katie Couric's historic appointment as the sole anchor of the CBS Evening News, this book explores the obstacles and opportunities for women in broadcasting.

As a messenger of television news, an anchorperson must hook the audience and make them pay attention. In America, there has been a strong tradition of male news anchors_Edward R. Murrow, Walter Cronkite, Dan Rather, Peter Jennings. These men, perched at their 'electronic hearths', recounted the details of America's most significant history to its citizens. Today, women are visible in every area of television news, even in the hallowed anchor chair, but their presence has been hard-fought and continues to present unique challenges. When Oprah Winfrey edorsed the presidential candidacy of Barack Obama, it reinforced the tremendous power a broadcaster can wield. Seen and Heard examines the lives, careers, and communication styles of twelve of the most compelling and recognizable women of television news, including Christiane Amanpour, Elizabeth Vargas, Diane Sawyer, Paula Zahn, Judy Woodruff, and Candy Crowley. From Barbara Walters's vast career that spans more than half a century to Katie Couric's historic appointment as the sole anchor of the CBS Evening News, this book explores the obstacles and opportunities for women in broadcasting.

Whilst much has been written about the identification of resilience in children and their families, comparatively little has been written about what practitioners can do to support those children and families who need the most pressing help. Resilient Therapy explores a new therapeutic methodology designed to help children and young people find ways to keep positive when living amidst persistent disadvantage. Using detailed case material from a range of contexts, the authors illustrate how resilient mechanisms work in complex situations, and how resilient therapy works in real-life situations. In addition to work with families, helping welfare organisations achieve greater resilience is also tackled. This book will be essential reading for practitioners working with children, adolescents and their families who wish to help their clients cope with adversity and promote resilience.

Whilst much has been written about the identification of resilience in children and their families, comparatively little has been written about what practitioners can do to support those children and families who need the most pressing help. Resilient Therapy explores a new therapeutic methodology designed to help children and young people find ways to keep positive when living amidst persistent disadvantage. Using detailed case material from a range of contexts, the authors illustrate how resilient mechanisms work in complex situations, and how resilient therapy works in real-life situations. In addition to work with families, helping welfare organisations achieve greater resilience is also tackled. This book will be essential reading for practitioners working with children, adolescents and their families who wish to help their clients cope with adversity and promote resilience.

In the course of more than sixty years spent covering Washington politics, Helen Thomas has witnessed firsthand a raft of fundamental changes in the way news is gathered and reported. Today, she sees a growing -- and alarming -- reluctance among reporters to question government spokesmen and probe for the truth. The result has been a wholesale failure by journalists to fulfill what is arguably their most vital role in contemporary American life -- to be the watchdogs of democracy. Here, the legendary journalist and bestselling author delivers a hard-hitting manifesto on the precipitous decline in the quality and ethics of political reportage -- and issues a clarion call for change. Thomas confronts some of the most significant issues of the day and provides readers with rich historical perspective on the roots of American journalism, the circumstances attending the rise and fall of its golden age, and the nature and consequences of its current shortcomings. The book is a powerful, eye-opening discourse on the state of political reportage -- as well as a welcome and inspiring demand for meaningful and lasting reform.

Helen Thomas examines the ways in which Caryl Phillips responds both creatively and critically to the psychological effects of cultural dispersal, racism and economic exploitation in the black Atlantic. Highlighting the continuing negotiations between Britain and its previous colonies, this study demonstrates the ways in which Phillips’s fictional and non-fictional work reformulates contemporary and historical traumatic crises and corresponding agents of survival. Phillips’s work is discussed not only in terms of critical emphasis upon past events, but also in terms of its vision of a more expansive dimension of collective experience.

Helen Thomas’s study opens a new avenue for Romantic literary studies by exploring connections with literature produced by slaves, slave owners, abolitionists and radical dissenters between 1770 and 1830. In the first major attempt to relate canonical Romantic texts to the writings of the African diaspora, she investigates English literary Romanticism in the context of a transatlantic culture, and African culture in the context of eighteenth-century Britain. In so doing, the book reveals an intertextual dialogue between two diverse yet equally rich cultural spheres, and their corresponding systems of thought, epistemology and expression. Showing how marginalised slaves and alienated radical dissenters contributed to transatlantic debates over civil and religious liberties, Helen Thomas remaps Romantic literature on this broader canvas of cultural exchanges, geographical migrations and identity-transformation, in the years before and after the abolition of the slave trade.

This book takes its point of departure from the overwhelming interest in theories of the body and performativity in sociology and cultural studies in recent years. It explores a variety of ways of looking at dance as a social and artistic (bodily) practice as a means of generating insights into the politics of identity and difference as they are situated and traced through representations of the body and bodily practices. These issues are addressed through a series of case studies.

Synopsis coming soon.......

Synopsis coming soon.......

Helen Thomas’s study opens a new avenue for Romantic literary studies by exploring connections with literature produced by slaves, slave owners, abolitionists and radical dissenters between 1770 and 1830. In the first major attempt to relate canonical Romantic texts to the writings of the African diaspora, she investigates English literary Romanticism in the context of a transatlantic culture, and African culture in the context of eighteenth-century Britain. In so doing, the book reveals an intertextual dialogue between two diverse yet equally rich cultural spheres, and their corresponding systems of thought, epistemology and expression. Showing how marginalised slaves and alienated radical dissenters contributed to transatlantic debates over civil and religious liberties, Helen Thomas remaps Romantic literature on this broader canvas of cultural exchanges, geographical migrations and identity-transformation, in the years before and after the abolition of the slave trade.

This exciting new and original collection locates dance within the spectrum of urban life in late modernity, through a range of theoretical perspectives. It highlights a diversity of dance forms and styles that can be witnessed in and around contemporary urban spaces: from dance halls to raves and the club striptease; from set dancing to ballroom dancing, to hip hop and swing, and to ice dance shows; from the ballet class, to fitness aerobics; and 'art' dance which situates itself in a dynamic relation to the city.

This exciting new and original collection locates dance within the spectrum of urban life in late modernity, through a range of theoretical perspectives. It highlights a diversity of dance forms and styles that can be witnessed in and around contemporary urban spaces: from dance halls to raves and the club striptease; from set dancing to ballroom dancing, to hip hop and swing, and to ice dance shows; from the ballet class, to fitness aerobics; and 'art' dance which situates itself in a dynamic relation to the city.