Hermione Lee

Hermione Lee sees Virginia Woolf afresh, in her historical setting and as a vital figure for our times. Her book moves freely between a richly detailed life-story and new attempts to understand crucial questions - the impact of her childhood, the cause and nature of her madness and suicide, the truth about her marriage, her feelings for women, her prejudies and obsessions. This is a vivid, close-up portrait, returning to primary sources, and showing Woolf as occupying a distinct, even uneasy position with 'Bloomsbury'. It is a writer's life, illustrating how the concerns of her work arise and develop, and a political life, which establishes Woolf as a radically sceptical, subversive, courageous feminist. Incorporating newly discovered sources and illustrated with photos and drawings never used before, this biography is a revelation - informed, intelligent and moving.

A unique portrait of a great playwright by one of our leadin literary biographers. With unprecedented access to private papers, diaries, letters, and countless interviews with figures ranging from Felicity Kendal to John Boorman and Trevor Nunn to Steven Spielberg, Hermione Lee builds a metiucously researched portrait of one of our greatest playwrights. Drawing on several years of long, exploratory conversations with Stoppard himself, it tracks his Czech origins and childhood in India to every school and home he's ever lived in, every piece of writing he's ever done, and every play and film he's ever worked on; but in the end this is the story of a complex, elusive and private man, which tells you an enormous amount about him but leaves you, also, with the fascinating mystery of his ultimate unknowability.

Hermione Lee's provocative and influential biography provides a sensitive reappraisal of a marvelous and often underrated writer. The Willa Cather she reveals here was a Nebraskan who spent much of her life in self-imposed exile from the prairies she celebrated in O Pioneers and My Antonia, a woman whose life was riddled with the tension between masculine and feminine, and a writer whose naturalness of style disguised exquisite artistry. By exposing the contradictions that lie at the heart of much of Cather's life and work, Lee locates new layers of meaning and places her firmly at the forefront of the modern literary tradition that was taking shape in her time.

On its original publication in 1982 this book was the first full-length study of Philip Roth as a major twentieth-century writer. As well as setting the novelist’s work in the context of Jewish-American writing (and Jewish-American families) and twentieth-century American politics, the book explores the characteristic paradoxes in Roth: self-disgust and self-consciousness, restraint and letting go, nausea and appetite, energy and frustration, stylishness and vulgarity, surrealism and the mundane. Roth is a highly literary and referential character and an assessment is made of the conflicting influnces on his work of Kafka, Chekov, Gogol, Henry James, Melville and Henry Youngman, a Jewish nightclub and Vaudeville comic. In addition a close examination of his anxious, revolting, garrulous heroes, their mothers, their marriages, their shrinks, and their shiksas is undertaken and a deep seriousness is discovered, co-existing with Roth’s comic brashness and bravura.

On its original publication in 1982 this book was the first full-length study of Philip Roth as a major twentieth-century writer. As well as setting the novelist’s work in the context of Jewish-American writing (and Jewish-American families) and twentieth-century American politics, the book explores the characteristic paradoxes in Roth: self-disgust and self-consciousness, restraint and letting go, nausea and appetite, energy and frustration, stylishness and vulgarity, surrealism and the mundane. Roth is a highly literary and referential character and an assessment is made of the conflicting influnces on his work of Kafka, Checkov, Gogol, Henry James, Melville and Henry Youngman, a Jewish nightclub and Vaudeville comic. In addition a close examination of his anxious, revolting, garrulous heroes, their mothers, their marriages, their shrinks, and their shiksas is undertaken and a deep seriousness is discovered, co-existing with Roth’s comic brashness and bravura.

Biography is one of the most popular, best-selling, and widely-read of literary genres. But why do certain people and historical events arouse so much interest? How can biographies be compared with history and works of fiction? Does a biography need to be true? Is it acceptable to omit or conceal things? Does the biographer need to personally know the subject? Must a biographer be subjective? In this Very Short Introduction Hermione Lee considers the cultural and historical background of different types of biographies, looking at the factors that affect biographers and whether there are different strategies, ethics, and principles required for writing about one person compared to another. She also considers contemporary biographical publications and considers what kind of 'lives' are the most popular and in demand. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

As readers, we seem to be increasingly fascinated by studies of individual lives. In this timely, unusual and exhilarating collection Hermione Lee is concerned in different ways with approaches to 'life-writing': the relation of biography to fiction and history; the exploration of writers' lives in connection with their works; the new and changing ways in which biographies, memoirs, diaries and autobiographies can be discussed. As the title suggests, she also unravels the complex links between physical, sensual details and the 'body' of a work. 'Shelley's Heart and Pepys' Lobsters', for example, deals with myths, contested objects and things that go missing, while 'Jane Austen Faints' takes five varied accounts of the same dramatic moment to ask how biography deals with the private lives of famous women, a theme taken up in 'Virginia Woolf's Nose', on the way that the author's life-stories have been transformed into fiction and film. Rich, diverting and entertaining, these brilliant studies by a leading critic and internationally acclaimed biographer raise profound and intriguing issues about every aspect of writing, and reading, a life.

What choices must a biographer make when stitching the pieces of a life into one coherent whole? How do we best create an accurate likeness of a private life from the few articles that linger after death? How do we choose what gets left out? This intriguing and witty collection of essays by an internationally acclaimed biographer looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life. Virginia Woolf's Nose presents a variety of case-studies, in which literary biographers are faced with gaps and absences, unprovable stories and ambiguities surrounding their subjects. By looking at stories about Percy Bysshe Shelley's shriveled, burnt heart found pressed between the pages of a book, Jane Austen's fainting spell, Samuel Pepys's lobsters, and the varied versions of Virginia Woolf's life and death, preeminent biographer Hermione Lee considers how biographers deal with and often utilize these missing body parts, myths, and contested data to "fill in the gaps" of a life story. In "Shelley's Heart and Pepys's Lobsters," an essay dealing with missing parts and biographical legends, Hermione Lee discusses one of the most complicated and emotionally charged examples of the contested use of biographical sources. "Jane Austen Faints" takes five competing versions of the same dramatic moment in the writer's life to ask how biography deals with the private lives of famous women. "Virginia Woolf's Nose" looks at the way this legendary author's life has been translated through successive transformations, from biography to fiction to film, and suggests there can be no such thing as a definitive version of a life. Finally, "How to End It All" analyzes the changing treatment of deathbed scenes in biography to show how biographical conventions have shifted, and asks why the narrators and readers of life-stories feel the need to give special meaning and emphasis to endings. Virginia Woolf's Nose sheds new light on the way biographers bring their subjects to life as physical beings, and offers captivating new insights into the drama of "life-writing". Virginia Woolf's Nose is a witty, eloquent, and funny text by a renowned biographer whose sensitivity to the art of telling a story about a human life is unparalleled--and in creating it, Lee articulates and redefines the parameters of her craft.

Shot through with Stoppard's voice, and illuminating all his plays, Lee's gripping narrative draws on unprecedented access to archive material, interviews and long conversations with Stoppard himself. She traces the dramatic story of his family's flight from Nazi-occupied Czechoslovakia, his sudden leap to fame, his personal life and his dazzling successes. A riveting account of a very public and very private man.

James Fitzjames Stephen was a distinguished jurist, a codifier of the law in England and India, and the judge in the ill-fated Maybrick case; a serious and prolific journalist, a pillar of the Saturday Review and the Pall Mall Gazette; and in Liberty, Equality, Fraternity (1873) the hard-hitting assailant of John Stuart Mill. Fitzjames's younger brother Leslie was founding editor of the Dictionary of National Biography and father of Virginia Woolf. The Life of Sir James Fitzjames Stephen, by his brother Leslie Stephen (1895) is the biography of one eminent Victorian by another. It is a lucid and affectionate portrait, yet far from uncritical, as revealing of its author as its subject. With a narrative that embraces legal history, the government of India, the Victorian press, the crisis of religious faith, and the 'paradise lost' of political liberalism, the biography is also an indispensable source for the history of the Stephen family, which belonged to what Noel Annan called the 'intellectual aristocracy' of the nineteenth century, connecting the Clapham Sect to the Bloomsbury group. This first modern edition of The Life of Sir James Fitzjames Stephen is a volume in the OUP series Selected Writings of James Fitzjames Stephen. It includes an introductory essay by Hermione Lee, extensive notes, four appendices of additional documents (many previously unpublished), and a bibliography of Fitzjames Stephen's articles and reviews by Thomas E. Schneider.

Her brilliant, disturbing fiction shows her deep understanding of the longing and struggle in women's lives. This masterly new biography draws on new material and delves into every aspect of Wharton's extraordinary life-story.

This new publication of On Being Ill with Notes from Sick Rooms presents Virginia Woolf and her mother Julia Stephen in textual conversation for the first time in literary history. In the poignant and humorous essay On Being Ill, Virginia Woolf observes that though illness is a part of every human being's experience, it is not celebrated as a subject of great literature in the way that love and war are embraced by writers and readers. We must, Woolf says, invent a new language to describe pain. Illness, she observes, enhances our perceptions and reduces self-consciousness; it is "the great confessional." Woolf discusses the taboos associated with illness and she explores how it changes our relationship to the world around us. Notes from Sick Rooms addresses illness from the caregiver's perspective. With clarity, humor, and pathos, Julia Stephen offers concrete and useful information to caregivers today. Originally published by Paris Press in 2002 as On Being Ill, this paperback edition includes an introduction to Notes from Sick Rooms and to Julia Stephen by Mark Hussey, the founding editor of Woolf Studies Annual, and a poignant afterword by Rita Charon, MD, the founder of the field of Narrative Medicine. Hermione Lee's brilliant introduction to On Being Ill is a superb introduction to Virginia Woolf's life and writing. This book is embraced by the general public, the literary world, and the medical world.

Terrorism: The Basics is an ideal starting point for anyone interested in one of the most discussed, written about and analysed aspects of modern life. Common misconceptions are dispelled as the authors provide clear and jargon-free answers to the big questions: What does terrorism involve? Who can be classified as a terrorist? What are terrorists trying to achieve? Who are the supporters of terrorism?Can there ever be an end to terrorist activity? These questions and more are answered with reference to contemporary groups and situations allowing readers to relate theory to what they have seen on the news. Written with clarity and insight, this book is the perfect first book on terrorism for students of all levels.

Terrorism: The Basics is an ideal starting point for anyone interested in one of the most discussed, written about and analysed aspects of modern life. Common misconceptions are dispelled as the authors provide clear and jargon-free answers to the big questions: What does terrorism involve? Who can be classified as a terrorist? What are terrorists trying to achieve? Who are the supporters of terrorism?Can there ever be an end to terrorist activity? These questions and more are answered with reference to contemporary groups and situations allowing readers to relate theory to what they have seen on the news. Written with clarity and insight, this book is the perfect first book on terrorism for students of all levels.

This is a reissue of a critical introduction to the novels of Virginia Woolf, first published in 1977. It makes close, illuminating readings of her nine novels, placing Woolf in her literary context and providing an accessible, clear and valuable guide for students starting out on a study of Woolf as a novelist, and for general readers seeking a fresh, helpful entry-point to the challenge of reading Woolf. Twenty years later, Hermione Lee wrote a prize-winning and acclaimed biography of Virginia Woolf: this critical study represented an early stage in this biographer-critic’s life-long interest and involvement with Woolf’s life and work.

"A biography wholly worthy of the brilliant woman it chronicles. . . . It rediscovers Virginia Woolf afresh." --The Philadelphia Inquirer While Virginia Woolf--one of our century's most brilliant and mercurial writers--has had no shortage of biographers, none has seemed as naturally suited to the task as Hermione Lee. Subscribing to Virginia Woolf's own belief in the fluidity and elusiveness of identity, Lee comes at her subject from a multitude of perspectives, producing a richly layered portrait of the writer and the woman that leaves all of her complexities and contradictions intact. Such issues as sexual abuse, mental illness, and suicide are brought into balance with the immensity of her literary achievement, her heroic commitment to her work, her generosity and wit, and her sanity and strength. It is not often that biography offers the satisfactions of great fiction--but this is clearly what Hermione Lee has achieved. Accessible, intelligent, and deeply pleasurable to read, her Virginia Woolf will undoubtedly take its place as the standard biography for years to come. "One of the most impressive biographies of the decade: moving, eloquent, powerful as both literary and social history." --Financial Times "The most distinguished study of Woolf yet." --The New Republic

EDITOR'S PICK Their love was forbidden... The angels and devils have been rivals for centuries, neither clan able to tolerate the other. Evangelina Leclair is an angel in the Land of Heavenly Dreams. One day, her parents enroll her in Horizon High, a school in the human world. They assign her the task of assassinating Diome Lenoir, a devil who is studying there. As a pacifist, she decides to protect Diome in secret instead of obeying her parents. A string of coincidences brings her and Diome closer, and they develop a mutual infatuation and become a couple. Their forbidden love is challenged again and again as dangers threaten to destroy their relationship. With each other by their side, Evangelina and Diome discover the beauty and brutality of the world, learning to embrace the miracles that blossom from their epic romance.