Hugh Howard

The fifth edition of this comprehensive and well-established book in cartography has been thoroughly updated and extensively restructured to incorporate new developments in recent years. It reflects advancements in technology, societal changes, and evolving methodologies in the field of cartography. With the inclusion of entirely new chapters, restructured content, and expanded discussions, the book provides a modern perspective on cartographic practices. It emphasizes the integration of Artificial Intelligence, the democratization of mapping through web-based tools, and innovative approaches to visualizing spatiotemporal data. Additionally, it addresses historical paradigms, geovisual analytics, and the adaptation of map elements and typography for mobile and web platforms, ensuring relevance in today's digital age. Some Key Features of the Fifth Edition Artificial Intelligence in Cartography: A new chapter explores AI's 75-year history, deep learning, cartographic applications, and ethical implications. Maps, Mapping, and Society: A new chapter highlights the democratization of map-making through web-based tools, empowering the general public. History of Thematic Mapping: Restructured to cover American cartographic paradigms, including analytical, design and production, education, statistical mapping, and symbolization. Visualizing Spatiotemporal Data: Formerly "Animation," this chapter now includes alternatives such as change maps, small multiples, and space-time cubes. Geovisual Analytics: Expanded to include the Australian Cancer Atlas and dashboard development. Map Elements and Typography: Expanded to include guidelines for mobile devices and web browsers. Elements of Map Projections: Now discusses the Universal Transverse Mercator (UTM) and State Plane Coordinate System (SPCS) grid systems.

A dual portrait of America's first great architect, Henry Hobson Richardson, and her finest landscape designer, Frederick Law Olmsted--and their immense impact on AmericaAs the nation recovered from a cataclysmic war, two titans of design profoundly influenced how Americans came to interact with the built and natural world around them through their pioneering work in architecture and landscape design.Frederick Law Olmsted is widely revered as America's first and finest parkmaker and environmentalist, the force behind Manhattan's Central Park, Brooklyn's Prospect Park, Biltmore's parkland in Asheville, dozens of parks across the country, and the preservation of Yosemite and Niagara Falls. Yet his close friend and sometime collaborator, Henry Hobson Richardson, has been almost entirely forgotten today, despite his outsized influence on American architecture--from Boston's iconic Trinity Church to Chicago's Marshall Field Wholesale Store to the Shingle Style and the wildly popular "open plan" he conceived for family homes. Individually they created much-beloved buildings and public spaces. Together they married natural landscapes with built structures in train stations and public libraries that helped drive the shift in American life from congested cities to developing suburbs across the country.The small, reserved Olmsted and the passionate, Falstaffian Richardson could not have been more different in character, but their sensibilities were closely aligned. In chronicling their intersecting lives and work in the context of the nation's post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our public and private spaces to this day.

A dual portrait of America's first great architect, Henry Hobson Richardson, and her finest landscape designer, Frederick Law Olmsted--and their immense impact on AmericaAs the nation recovered from a cataclysmic war, two titans of design profoundly influenced how Americans came to interact with the built and natural world around them through their pioneering work in architecture and landscape design.Frederick Law Olmsted is widely revered as America's first and finest parkmaker and environmentalist, the force behind Manhattan's Central Park, Brooklyn's Prospect Park, Biltmore's parkland in Asheville, dozens of parks across the country, and the preservation of Yosemite and Niagara Falls. Yet his close friend and sometime collaborator, Henry Hobson Richardson, has been almost entirely forgotten today, despite his outsized influence on American architecture--from Boston's iconic Trinity Church to Chicago's Marshall Field Wholesale Store to the Shingle Style and the wildly popular "open plan" he conceived for family homes. Individually they created much-beloved buildings and public spaces. Together they married natural landscapes with built structures in train stations and public libraries that helped drive the shift in American life from congested cities to developing suburbs across the country.The small, reserved Olmsted and the passionate, Falstaffian Richardson could not have been more different in character, but their sensibilities were closely aligned. In chronicling their intersecting lives and work in the context of the nation's post-war renewal, Hugh Howard reveals how these two men created original all-American idioms in architecture and landscape that influence how we enjoy our public and private spaces to this day.

Along with his numerous political achievements, Thomas Jefferson was also the first great architect of the United States. The Jeffersonian Classical style has been so influential that along with Frank Lloyd Wright and Philip Johnson, Jefferson is one of the three most recognized architects in American History.

August 28, 1814. Dressed in black, James Madison mourns the nation's loss. Smoke rises from the ruin of the Capitol before him; a mile away stands the blackened shell of the White House. The British have laid waste to Washington City, and as Mr. Madison gazes at the terrible vista, he ponders the future-his country's defeat or victory-in a war he began over the unanimous objections of his political adversaries. As we approach its bicentennial, the War of 1812 remains the least understood of America's wars. To some it was a conflict that resolved nothing, but to others, it was our second war of independence, settling once and for all that America would never again submit to Britain. At its center was James Madison-our most meditative of presidents, yet the first one to declare war. And at his side was the extraordinary Dolley, who defined the role of first lady for all to follow, and who would prove perhaps her husband's most indispensable ally.In this powerful new work, drawing on countless primary sources, acclaimed historian Hugh Howard presents a gripping account of the conflict as James and Dolley Madison experienced it. "Mr. and Mrs. Madison's War" rediscovers a conflict fought on land and sea-from the shores of the Potomac to the Great Lakes-that proved to be a critical turning point in American history.Advance praise for "Mr. and Mrs. Madison's War" "Hugh Howard has turned the least known and understood war in American history into a Technicolor, wide-screen epic of thrilling naval battles, brutal backwoods skirmishes, villainous intrigue, and stirring heroism. Thanks to Howard's prodigious research, fine eye for the telling detail, and vivid prose, the War of 1812 seems as contemporary and compelling as yesterday's battlefield dispatches from the Middle East."-Thurston Clarke, "New York Times" bestselling author of "The Last Campaign"