Hugh MacDiarmid

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1969.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface.We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The first volume of this two-volume edition of MacDiarmid's "Complete Poems" reprints the texts of the Penguin edition (1986), which was based on the first edition of 1978, which MacDiarmid himself saw through the press. Additional poems discovered since the first edition of 1978 are included, and the additional text revised. MacDiarmid insisted that his "Complete Poems" should be books of poetry, uncluttered by editorial annotations and notes. Michael Grieve, the poet's son, and W. R. Aitken, his bibliographer, have carefully followed his instructions, and compiled an extensive glossary based on the earlier collections.

Kenneth Buthlay's edition of A Drunk Man Looks at the Thistle is widely considered to be the best edition of all and provides extensive commentary and notes, taking the reader through MacDiarmid's complex and often opaque use of language. The drunk man lies on a moonlit hillside looking at a thistle, jaggy and beautiful, which epitomises Scotland's divided self. The man reflects on the fate of the nation, the human condition in general and his own personal fears.

This selection explores the diversity of Hugh MacDiarmid's work, from delicate lyrics derived from the Scots ballad tradition to fierce polemic. "A Drunk Man Looks at the Thistle" and "On a Raised Beach--"with a full glossary of its technical terms--are included, as are glossed Scots words at the foot of each page and an illuminating memoir by MacDiarmid's son.

This is a selection from 300 newly discovered poems, found in the archives of the National Library of Scotland. They have never been published before. The range of subjects is extraordinary: thoughtful, provocative poems about sexuality and identity, marriage and divorce. There are comic squibs, short immediately accessible rhyming satires on the uselessness of men, the hypocrisy of the Church and the complacency of the bourgeoisie. This publication is supported by the National Library of Scotland.

The third and final volume of McDiarmid's previously uncollected prose covers the decades from 1937 to 1978. This text includes: assessments of the contemporary political and literary scene, from the Spanish Civil War through MacDiarmid's call for an independent Republican Scotland; articles on Lewis Grassic Gibbon, John Maclean, Vladimir Mayakovsky and Norman MacCaig; tributes to James Joyce, Ezra Pound, Dylan Thomas, Cecil Gray and Joseph Conrad; a criticism of Billy Graham; and a series of pieces criticising those who MacDiarmid considered traitors in the Scottish national movement. The book concludes with a selection of retrospective and autumnal interviews, as the author looks back over his literary, political, and personal career. Glen Murray also provides details about MacDiamid's publications and commentary. The collection is the tenth volume to be published as part of Carcanet's MacDiarmid 2000 programme.

This volume contains the previously uncollected essays, journalism and interviews of Hugh MacDiarmid, as part of Carcanet's "MacDiarmid 2000" programme. Other titles in the series include "Complete Poems", "Lucky Poet", "Contemporary Scottish Studies" and "Scottish Eccentrics".

This volume contains the shorter books and monographs of Hugh MacDiarmid, as part of Carcanet's MacDiarmid 2000 programme. Other titles in the series include Complete Poems, Lucky Poet, Contemporary Scottish Studies and Scottish Eccentrics.

This volume contains the previously uncollected essays, journalism and interviews of Hugh MacDiarmid, as part of Carcanet's "MacDiarmid 2000" programme. Other titles in the series include "Complete Poems", "Lucky Poet", "Contemporary Scottish Studies" and "Scottish Eccentrics".

These essays, first published between 1925 and 1927, propose a radical overhaul and a new construction of Scotland's cultural identity. MacDiarmid focuses on poetry and the novel, on theatre, art, music, history and education, and also on writing by women in Scotland. His criticism of conventional attitudes is balanced by an appraisal of the possibilities in Scotland for a renaissance in the arts and a reassertion of national cultural and political identity. MacDiarmid seeks to integrate cultural and social wellbeing. How successful has his challenge been met? The essays are published with the correspondence to which they gave rise, and which form a running commentary. The author's 1976 comments appear in the book as an appendix.

Hugh MacDiarmid's Selected Poetry is an invaluable introduction to the work of a major poet who, despite the enthusiasm of T.S. Eliot and Ezra Pound, remains little known in the United States. MacDiarmid (1892-1978), universally recognized as the greatest Scottish poet since Robert Burns and the man responsible for reviving Scots as a literary language, was also the author of an enormous body of poems in English. As the noted critic and translator Eliot Weinberger writes of MacDiarmid's work in his introduction: "There is nothing like it in modern literature, nothing even close. It is an attempt to return poetry to its original role as repository for all that a culture knows about itself." Edited by Alan Riach and the poet's son Michael Grieve, the Selected Poetry draws generously from fifty years of work, and includes the complete text of MacDiarmid's 1926 masterpiece, "A Drunk Man Looks at the Thistle."