Ian Mortimer

From the bestselling author of The Time Traveller's Guide to Medieval England, comes the story of King Edward III, who - like Elizabeth and Victoria after him - embodied the values of his age, forged a nation out of war and re-made England. He ordered his uncle to be beheaded;

This book tells the story of Mearsdon, the house where Ian Mortimer lives in Moretonhampstead, on the edge of Dartmoor. We very rarely have a continuous account of a particular place over a long stretch of history, but Mortimer has a documentary record of all the owners who lived there since the 1260s – although the origins of the building probably date back to the eleventh century. Blending the broadest national history and the most intimate local events with a description of changing daily life from the Norman Conquest to the present day, Mortimer acquaints us with the people who passed through the house – from its first known owner, John the Palmer, to the folklore collector Charlie Laycock, who turned the house into a museum in the early twentieth century, to Mortimer’s family living there today. And along the way he shows how national events – from the Black Death to the Prayerbook Rebellion, from the Civil Wars to the two world wars – affected a rural community in deepest Devon over a time span of 900 years. The result is fascinating social history like no other. Bringing to it the brilliant imagination and storytelling gifts that made his Time Traveller’s Guides such a huge success, Mortimer introduces us to lords and merchants, ale brewers and peasants, clergymen and murderers, to create a continuously evolving story. Seeing through its windows, we not only glimpse at the people who lived in the house over the ages; we also see through their eyes as they look out at the changing world around them.

The essential introduction to the Middle Ages by the bestselling author of The Time Traveller's Guide to Medieval EnglandWe tend to think of the Middle Ages as a dark, backward and unchanging time characterised by violence, ignorance and superstition. By contrast we believe progress arose from science and technological innovation, and that inventions of recent centuries created the modern world.We couldn't be more wrong. As Ian Mortimer shows in this fascinating book, people's horizons - their knowledge, experience and understanding of the world - expanded dramatically. Life was utterly transformed between 1000 and 1600, marking the transition from a warrior-led society to that of Shakespeare.Just as The Time Traveller's Guide to Medieval England revealed what it was like to live in the fourteenth century, Medieval Horizons provides the perfect primer to the era as a whole. It outlines the enormous cultural changes that took place - from literacy to living standards, inequality and even the developing sense of self - thereby correcting misconceptions and presenting the period as a revolutionary age of fundamental importance in the development of the Western world.Praise for Ian Mortimer:'The endlessly inventive Ian Mortimer is the most remarkable medieval historian of our time' - The Times

A vivid and immersive history of Georgian England that gives its reader a firsthand experience of life as it was truly lived during the era of Jane Austen, Percy Bysshe Shelley, and the Duke of Wellington. This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; the sartorial elegance of Beau Brummell and the poetic license of Lord Byron; Britain's military triumphs at Trafalgar and Waterloo; the threat of revolution and the Peterloo massacre. In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history: the Regency, or Georgian England. A time of exuberance, thrills, frills and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition that reflected unprecedented social, economic, and political change. And like all periods in history, it was an age of many contradictions--where Beethoven's thundering Fifth Symphony could premier in the same year that saw Jane Austen craft the delicate sensitivities of Persuasion. Once more, Ian Mortimer takes us on a thrilling journey to the past, revealing what people ate, drank, and wore; where they shopped and how they amused themselves; what they believed in, and what they feared. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting, physical, visceral--the past not as something to be studied but as lived experience.

A vivid and immersive history of Georgian England that gives its reader a firsthand experience of life as it was truly lived during the era of Jane Austen, Percy Bysshe Shelley, and the Duke of Wellington. This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; the sartorial elegance of Beau Brummell and the poetic license of Lord Byron; Britain's military triumphs at Trafalgar and Waterloo; the threat of revolution and the Peterloo massacre. In the latest volume of his celebrated series of Time Traveler's Guides, Ian Mortimer turns to what is arguably the most-loved period in British history: the Regency, or Georgian England. A time of exuberance, thrills, frills and unchecked bad behavior, it was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality. At the same time, it was a period of transition that reflected unprecedented social, economic, and political change. And like all periods in history, it was an age of many contradictions--where Beethoven's thundering Fifth Symphony could premier in the same year that saw Jane Austen craft the delicate sensitivities of Persuasion. Once more, Ian Mortimer takes us on a thrilling journey to the past, revealing what people ate, drank, and wore; where they shopped and how they amused themselves; what they believed in, and what they feared. Conveying the sights, sounds, and smells of the Regency period, this is history at its most exciting, physical, visceral--the past not as something to be studied but as lived experience.

'Excellent... Mortimer's erudition is formidable' The TimesA time of exuberance, thrills, frills and unchecked bad behaviour...Ian Mortimer turns to what is arguably the most-loved period in British history - the Regency, or Georgian England.This is the age of Jane Austen and the Romantic poets; the paintings of John Constable and the gardens of Humphry Repton; Britain's military triumphs at Trafalgar and Waterloo. It was perhaps the last age of true freedom before the arrival of the stifling world of Victorian morality.And like all periods in history, it was an age of many contradictions - where Beethoven's thundering Fifth Symphony could premier in the same year that saw Jane Austen craft the delicate sensitivities of Persuasion.This is history at its most exciting, physical, visceral - the past not as something to be studied but as lived experience. This is Ian Mortimer at the height of his time-travelling prowess.'Ian Mortimer has made this kind of imaginative time travel his speciality' Daily Mail

You might run for fitness. You might run for speed. But ultimately, running is about much more than the physical act itself. It is about the challenges we face in life, and how we measure up to them. It is about companionship, endurance, ambition, hope, conviction, determination, self-respect and inspiration. It is about how we choose to live our lives, and what it means to share our values with other people.In this year-long memoir, which might be described as a historian's take on Haruki Murakami's What I Talk About When I Talk About Running, the celebrated historian Ian Mortimer considers the meaning of running as he approaches his fiftieth birthday. From injuries and frustrated ambitions to exhilaration and empathy, it is a personal and yet universal account of what running means to people, and how it helps everyone focus on what really matters.

December 1348. What if you had just six days to save your soul? With the country in the grip of the Black Death, brothers John and William fear that they will shortly die and suffer in the afterlife. But as the end draws near, they are given an unexpected choice: either to go home and spend their last six days in their familiar world, or to search for salvation across the forthcoming centuries, living each one of their remaining days ninety-nine years after the last. John and William choose the future and find themselves in 1447, ignorant of almost everything going on around them. The year 1546 brings no more comfort, and 1645 challenges them in further unexpected ways. It is not just that technology is changing; things they have taken for granted all their lives prove to be short-lived. As they find themselves in stranger and stranger times, the reader travels with them, seeing the world through their eyes as it shifts through disease, progress, enlightenment, and war. But their time is running out--can they do something to redeem themselves before the six days are up?

From the author described by The Times as â??the most remarkable historian of our timeâ??, the publication of Ian Mortimerâ??s first work of historical fiction is a hugely exciting event. A stunningly high-concept story that is both as daring as it is gripping, it is perfect for fans of Conn Iggulden, SJ Parris and Kate Mosse.

Imagine you could see the smiles of the people mentioned in Samuel Pepys's diary, hear the shouts of market traders, and touch their wares. How would you find your way around? Where would you stay? What would you wear? Where might you be suspected of witchcraft? Where would you be welcome? This is an up-close-and-personal look at Britain between the Restoration of King Charles II in 1660 and the end of the century. The last witch is sentenced to death just two years before Isaac Newton's Principia Mathematica, the bedrock of modern science, is published. Religion still has a severe grip on society and yet some--including the king--flout every moral convention they can find. There are great fires in London and Edinburgh; the plague disappears; a global trading empire develops.Over these four dynamic decades, the last vestiges of medievalism are swept away and replaced by a tremendous cultural flowering. Why are half the people you meet under the age of twenty-one? What is considered rude? And why is dueling so popular? Mortimer delves into the nuances of daily life to paint a vibrant and detailed picture of society at the dawn of the modern world as only he can.

In a contest of change, which century from the past millennium would come up trumps? In this hugely entertaining book, celebrated historian Ian Mortimer takes us on a whirlwind tour of Western history, pitting one century against another in his quest to measure change.

The past is a foreign country: this is your guidebook. If you could travel back in time, the period from 1660 to 1700 would make one of the most exciting destinations in history.

He is one of the most reviled English kings in history. He drove his kingdom to the brink of civil war a dozen times in less than twenty years. He allowed his male lovers to rule the kingdom. He led a great army to the most ignominious military defeat in English history. His wife took a lover and invaded his kingdom, and he ended his reign wandering around Wales with a handful of followers, pursued by an army. He was the first king of England forced to abdicate his throne. Popular legend has it that he died screaming impaled on a red-hot poker, but in fact the time and place of his death are shrouded in mystery. His life reads like an Elizabethan tragedy, full of passionate doomed love, bloody revenge, jealousy, hatred, vindictiveness and obsession. He was Edward II, and this book tells his story. Using almost exclusively fourteenth-century sources and Edward’s own letters and speeches wherever possible, Kathryn Warner strips away the myths which have been created about him over the centuries, and provides a far more accurate and vivid picture of him than has previously been seen.